A struggling young actress with a six-year-old daughter sets up housekeeping with a homeless black widow and her light-skinned eight-year-old daughter who rejects her mother by trying to pass for white.
When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne ... See full summary »
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in ... See full summary »
The story of a young woman, Helen Banning, who travels to Munich in search of life experience and romance. While working for America House, she meets a famous symphony conductor, Tonio ... See full summary »
Aspiring actress Lora Meredith meets Annie Johnson a homeless black woman at Coney Island and soon they share a tiny apartment. Each woman has an intolerable daughter, though Annie's little girl Sarah Jane, is by far the worse. Neurotic and obnoxious, Sarah Jane doesn't like being black; since she's light-skinned (her father was practically white), she spends the rest of the film passing as white, much to her mother's heartache and shame. Lora, meanwhile, virtually ignores her own daughter in a single-minded quest for stardom. Written by
Lana Turner took a much smaller salary, than her usual $25,000 per week and worked for 50% of the film's profits, which earned her over $2 million (setting a record for an actress at the time). See more »
When Lora is posing for the flea powder ad in 1947, several New York City Transit Authority R16 subway cars built in 1954 can be seen passing outside. See more »
Now, just a moment, young lady! It's only because of my ambition that you've had the best of everything. And that's a solid achievement that any mother can be proud of!
Susie, age 16:
And how about a mother's love?
LOVE? But you've always had that!
Susie, age 16:
Yes, by telephone, by postcard, by magazine interviews... you've given me everything... but yourself!
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Juanita Moore, who plays Annie, is billed with the credit "And Presenting Juanita Moore as Annie Johnson", even though she had already appeared in many films. See more »
For a long time Douglas Sirk was dismissed by all but he most insightful critics. It was thought that he made a series of well crafted, well acted, but ultimately empty"weepies"(as well as "americana" films, a swashbuckler( Captain Lightfoot), a revisionist western( Taza Son of Cochise),and a sandals and toga epic(Sign of the Pagan.)
However, the "weepies" have been reevaluated( and the Americana films may be reevaluated as well).Sirk is now seen as one of the most significant American directors of the fifties, and, perhaps, as one of the hundred greatest directors of all time. Imitation of Life was his last Hollywood pictures, and one of his best. I call this film, "Canned goods as caviar", because it is an example of taking a "low brow" genre and transforming it into art. Sure, the music is melodramatic, sure the performances by Gavin and Turner are somewhat contrived), sure, the story is campy, but Sirk in his genius transforms melodrama into a scathing critique of materialism, conformity, and racism. Sirk was no cynic, but a rigorous moralist-a superbly educated and sensitive man, steeped in European and American literature.
One of the most astonishing-and misunderstood- elements in this picture is the incandescent performance by Juanita Moore. Moore achieves what is almost impossible; she portrays human goodness. Ican rarely think of a time when an American film has more saintly, more purely Christian figure.
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