| Photos (see all 8 | slideshow) |
| Ian Carmichael | ... | Stanley Windrush | |
| Terry-Thomas | ... | Major Hitchcock | |
| Peter Sellers | ... | Fred Kite / Sir John Kennaway | |
| Richard Attenborough | ... | Sidney De Vere Cox | |
| Dennis Price | ... | Bertram Tracepurcel | |
| Margaret Rutherford | ... | Aunt Dolly | |
| Irene Handl | ... | Mrs. Kite | |
| Liz Fraser | ... | Cynthia Kite | |
| Miles Malleson | ... | Windrush Snr | |
| Marne Maitland | ... | Mr. Mohammed | |
| John Le Mesurier | ... | Waters | |
| Raymond Huntley | ... | Magistrate | |
| Victor Maddern | ... | Knowles | |
| Kenneth Griffith | ... | Dai | |
| Fred Griffiths | ... | Charlie | |
| Donal Donnelly | ... | Perce Carter | |
| John Comer | ... | Shop Steward | |
| Sam Kydd | ... | Shop Steward | |
| Cardew Robinson | ... | Shop Steward | |
| Tony Comer | ... | Shop Steward | |
| Bruce Wightman | ... | Shop Steward | |
| Bill Rayment | ... | Shop Steward (as Billy Rayment) | |
| Ronnie Stevens | ... | Hooper | |
| Martin Boddey | ... | Num Yum's Executive | |
| Brian Oulton | ... | Appts. Board Examiner | |
| Malcolm Muggeridge | ... | T.V. Panel Chairman | |
| John Glyn-Jones | ... | Detto Executive | |
| Pauline Winter | ... | Miss Forsdyke | |
| Maurice Colbourne | ... | Missiles Director | |
| Jeremy White | ... | Young Chemist | |
| Robin Ray | ... | Young Chemist | |
| Michael Bates | ... | Bootle | |
| John Van Eyssen | ... | Reporter | |
| Robert Bruce | ... | Reporter | |
| Michael Ward | ... | Reporter | |
| Stringer Davis | ... | Reporter | |
| Tony Spear | ... | Reporter | |
| Arthur Skinner | ... | Photographer | |
| William Peacock | ... | Photographer | |
| Eynon Evans | ... | Truscott | |
| Esma Cannon | ... | Spencer | |
| Robert S. Young | ... | Owens (as Robert Young) | |
| Roy Purcell | ... | Police Inspector | |
| Marianne Stone | ... | T.V. Receptionist | |
| Terry Scott | ... | Crawley | |
| Marion Shaw | ... | Tea Girl | |
| Wally Patch | ... | Workman | |
| Alun Owen | ... | T.V. Producer | |
| Muriel Young | ... | T.V. Announcer | |
| Frank Phillips | ... | B.B.C. Announcer | |
| Ian Wilson | ... | Evangelist | |
| Margaret Lacey | ... | Empire Loyalist | |
| George Selway | ... | Union Jack Workman | |
| Alan Wilson | ... | Union Jack Workman | |
| David Lodge | ... | Card Player | |
| Keith Smith | ... | Card Player | |
| Kenneth J. Warren | ... | Card Player (as Kenneth Warren) | |
| Basil Dignam | ... | Minister of Labour | |
| Harry Locke | ... | Trade Union Official | |
| rest of cast listed alphabetically: | |||
| John Leyton | ... | Recruit to Detto (uncredited) | |
Directed by | |||
| John Boulting | |||
Writing credits(in alphabetical order) | ||
| John Boulting | screenplay | |
| Alan Hackney | screenplay | |
| Alan Hackney | story "Private Life" | |
| Frank Harvey | screenplay | |
Produced by | |||
| Roy Boulting | .... | producer | |
Original Music by | |||
| Ken Hare | |||
Cinematography by | |||
| Mutz Greenbaum | (as Max Greene) | ||
Film Editing by | |||
| Anthony Harvey | |||
Art Direction by | |||
| William C. Andrews | (as Bill Andrews) | ||
Makeup Department | |||
| David Aylott | .... | makeup artist (as Dave Aylott) | |
| Barbara Ritchie | .... | hair stylist | |
| Eric Allwright | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Adrian D. Worker | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Philip Shipway | .... | assistant director | |
| Denis Johnson Jr. | .... | third assistant director (uncredited) | |
| Julian Mackintosh | .... | second assistant director (uncredited) | |
Art Department | |||
| William Hutchinson | .... | draughtsman (uncredited) | |
| Peter James | .... | set dresser (uncredited) | |
| James Sawyer | .... | draughtsman (uncredited) | |
| A.J. Van Montagu | .... | scenic artist (uncredited) | |
| Tony Woollard | .... | draughtsman (uncredited) | |
Sound Department | |||
| Chris Greenham | .... | sound editor | |
| Red Law | .... | sound recordist | |
| George Stephenson | .... | sound recordist | |
| Jack Davies | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| Peter Allwork | .... | camera operator | |
| John Jordan | .... | focus puller (uncredited) | |
| Laurie Ridley | .... | still photographer (uncredited) | |
| Jack Sullivan | .... | chief electrician (uncredited) | |
| Trevor Wrenn | .... | clapper loader (uncredited) | |
Costume and Wardrobe Department | |||
| John McCorry | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| John Poyner | .... | assistant editor (uncredited) | |
Music Department | |||
| Ron Goodwin | .... | music arranger | |
| Ron Goodwin | .... | musical director | |
Other crew | |||
| Olga Brook | .... | continuity (as Olga Brooke) | |
| David Ffolkes | .... | title designer (uncredited) | |
| Michael ffolkes | .... | titles (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
| Add this title to MyMovies |
After the second world war is over, a new spirit of togetherness is fostered in the UK, and industry blossoms. Eager to get involved, the well-to-do Stanley Windrush tries to get a management job but fails. However some friends of the family, head of industry types get him a job with the workers at a missile factory. However his enthusiasm gets him in trouble with the all-powerful unions but is that what the bosses planned for all along?
First of all I cannot believe that this film has so few votes and comments (at time of writing this it's 270 and 5 respectively). I know this doesn't correlate with the number of users who have seen the film but it is a fair representation! I find that shocking, as this is one of the stronger satires I've seen for a good long while. The plot is a sort of comedy ploy by the bosses to shift work around to other firms (by relying on their own firm striking) and get personally rich as a result, however it is the satirical edge that makes it worth watching. Both bosses and unions get it in the neck here neither coming off well in the wash!
Bosses are seen as profit driven and not looking at the greater good, workers on the other hand are seen as looking after themselves while the unions cause more problems than they solve! There is an element of truth in all this that's why it is funny although it is obviously laid on a bit strong in the name of comedy. As a current worker in the UK manufacturing industry (yes, there is some left although it's an American company!) I am greatly amused by the caricatures as some elements (happily less each year) of them can still be seen in my place of employment! The management get off quite light as they are actually, at core, trying to improve the business's efficiency and thus compete with foreign firms. The workers and the unions get the hardest stick which is a little unfair after all the workers make the least and are the ones at risk, while the unions have brought about great steps in workers rights. For example it was funny for me to see FLT's moving around in heavily pedestrianised areas nowadays many larger factories will be totally segregated between vehicles and workers.
The plot does manage to mix the swipes so that it seems fair on the surface it is a pretty damning dig at British industry and, from modern views, it is quite prophetic as British industry has really fallen in the past few decades. The `one out, all out' strike mentality is well spoofed here but there's no doubting the damage that it (with other factors) has had. The only downside of the film looking back, is the racist views and racist language that is used at a couple of moments but in fairness these are not THAT offensive and can be overlooked as the culture of the film at the time.
Despite the quite anti-union feel to the film, Sellers does well to not overplay his character. The socialist worker type is really easy to get laughs off but Sellers brings out character and doesn't just go for an out and out mockery of the character. Carmichael is OK in the lead but is overshadowed by the sheer depth of excellent support roles. Le Mesurier's excellent, twitchy efficiency expert, Thomas' manager sweating and terrified of the workers he calls `an absolute shower' in the way only he can say it! Further faces fall into the film in the distinguished shapes of Attenborough, Rutherford and Price to name a few.
Overall this film comes out as a very classy satire. It hits the nail on the head and, over 40 years later, much of it can still be seen today and the damage from the stuff it satirises is being felt. The film is funny if you have a passing understanding of British industry in terms of politics, workers rights and unions even without this understanding the central plot is broad enough and funny enough to be worth seeing!