| Ian Carmichael | ... | Stanley Windrush | |
| Terry-Thomas | ... | Major Hitchcock | |
| Peter Sellers | ... | Fred Kite / Sir John Kennaway | |
| Richard Attenborough | ... | Sidney De Vere Cox | |
| Dennis Price | ... | Bertram Tracepurcel | |
| Margaret Rutherford | ... | Aunt Dolly | |
| Irene Handl | ... | Mrs. Kite | |
| Liz Fraser | ... | Cynthia Kite | |
| Miles Malleson | ... | Windrush Snr. | |
| Marne Maitland | ... | Mr. Mohammed | |
| John Le Mesurier | ... | Waters | |
| Raymond Huntley | ... | Magistrate | |
| Victor Maddern | ... | Knowles | |
| Kenneth Griffith | ... | Dai | |
| Fred Griffiths | ... | Charlie | |
| Donal Donnelly | ... | Perce Carter | |
| John Comer | ... | Shop Steward | |
| Sam Kydd | ... | Shop Steward | |
| Cardew Robinson | ... | Shop Steward | |
| Tony Comer | ... | Shop Steward | |
| Bruce Wightman | ... | Shop Steward | |
| Bill Rayment | ... | Shop Steward (as Billy Rayment) | |
| Ronnie Stevens | ... | Hooper | |
| Martin Boddey | ... | Num Yum's Executive | |
| Brian Oulton | ... | Appts. Board Examiner | |
| Malcolm Muggeridge | ... | T.V. Panel Chairman | |
| John Glyn-Jones | ... | Detto Executive | |
| Pauline Winter | ... | Miss Forsdyke | |
| Maurice Colbourne | ... | Missiles Director | |
| Jeremy White | ... | Young Chemist | |
| Robin Ray | ... | Young Chemist | |
| Michael Bates | ... | Bootle | |
| John Van Eyssen | ... | Reporter | |
| Robert Bruce | ... | Reporter | |
| Michael Ward | ... | Reporter | |
| Stringer Davis | ... | Reporter | |
| Tony Spear | ... | Reporter | |
| Arthur Skinner | ... | Photographer | |
| William Dexter | ... | Photographer (as William Peacock) | |
| Eynon Evans | ... | Truscott | |
| Esma Cannon | ... | Spencer | |
| Robert S. Young | ... | Owens (as Robert Young) | |
| Roy Purcell | ... | Police Inspector | |
| Marianne Stone | ... | T.V. Receptionist | |
| Terry Scott | ... | Crawley | |
| Marion Shaw | ... | Tea Girl | |
| Wally Patch | ... | Workman | |
| Alun Owen | ... | T.V. Producer | |
| Muriel Young | ... | T.V. Announcer | |
| Frank Phillips | ... | B.B.C. Announcer | |
| Ian Wilson | ... | Evangelist | |
| Margaret Lacey | ... | Empire Loyalist | |
| George Selway | ... | Union Jack Workman | |
| Alan Wilson | ... | Union Jack Workman | |
| David Lodge | ... | Card Player | |
| Keith Smith | ... | Card Player | |
| Kenneth J. Warren | ... | Card Player (as Kenneth Warren) | |
| Basil Dignam | ... | Minister of Labour | |
| Harry Locke | ... | Trade Union Official | |
| rest of cast listed alphabetically: | |||
| E.V.H. Emmett | ... | Narrator (voice) (uncredited) | |
| John Leyton | ... | Recruit to Detto (uncredited) | |
Directed by | |||
| John Boulting | |||
Writing credits | ||
| Alan Hackney | (novel "Private Life") | |
| Frank Harvey | (screenplay) & | |
| John Boulting | (screenplay) and | |
| Alan Hackney | (screenplay) | |
Produced by | |||
| Roy Boulting | .... | producer | |
Original Music by | |||
| Ken Hare | (music composed by) | ||
Cinematography by | |||
| Mutz Greenbaum | (director of photography) (as Max Greene) | ||
Film Editing by | |||
| Anthony Harvey | |||
Art Direction by | |||
| William C. Andrews | (as Bill Andrews) | ||
Makeup Department | |||
| David Aylott | .... | makeup artist (as Dave Aylott) | |
| Barbara Ritchie | .... | hair stylist | |
| Eric Allwright | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Adrian D. Worker | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Philip Shipway | .... | assistant director | |
| Denis Johnson Jr. | .... | third assistant director (uncredited) | |
| Julian Mackintosh | .... | second assistant director (uncredited) | |
Art Department | |||
| William Hutchinson | .... | draughtsman (uncredited) | |
| Peter James | .... | set dresser (uncredited) | |
| James Sawyer | .... | draughtsman (uncredited) | |
| A.J. Van Montagu | .... | scenic artist (uncredited) | |
| Tony Woollard | .... | draughtsman (uncredited) | |
Sound Department | |||
| Chris Greenham | .... | sound editor | |
| Red Law | .... | sound recordist | |
| George Stephenson | .... | sound recordist | |
| Jack Davies | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| Peter Allwork | .... | camera operator | |
| John Jordan | .... | focus puller (uncredited) | |
| Laurie Ridley | .... | still photographer (uncredited) | |
| Jack Sullivan | .... | chief electrician (uncredited) | |
| Trevor Wrenn | .... | clapper loader (uncredited) | |
Costume and Wardrobe Department | |||
| John McCorry | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| John Poyner | .... | assistant editor (uncredited) | |
Music Department | |||
| Ron Goodwin | .... | music arranger | |
| Ron Goodwin | .... | music director | |
Other crew | |||
| Olga Brook | .... | continuity (as Olga Brooke) | |
| David Ffolkes | .... | title designer (uncredited) | |
| Michael ffolkes | .... | titles (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Along with Alexander Mackendrick's "The Man in the White Suit," this is THE great satire of management-labor relations: less allegorical and more cheerfully crass. In a way this movie seems like a sort of crossroads in British comedy, poised between the warmer eccentricities of the Ealing films and and the screw-'em-all pop irreverence of the rising New Wave.
These days the film seems to be primarily remembered for Peter Sellers' magnificent caricature of socialist sanctimony, Fred Kite, but the whole gallery of players, many reprising roles from the earlier "Private's Progress," is excellent. Carmichael, all inane, wild-eyed grins, is Woosterish as ever as the brainless but well-intentioned Windrush. Terry-Thomas produces a very funny sketch of middle-class middle management. It's a perfect picture of lazy hypocrisy: the man who settles into a do-nothing job, knowing exactly how awful it is but not caring so long as he gets through the day. He had a face made for contempt; watching his mustache curl as he reads an entry in the workers' suggestion box ("Filthy beast," he mutters, as he tucks it away in a pocket) or as he picks his way through the rubbish of Kite's wifeless home is a joy. Price and Attenborough are, as always, first-class rotters, the iciest of the moneyed class, and Handl, Le Mesurier and Rutherford add vividly funny moments. As the war over Windrush expands from workplace to societal to domestic spheres, watching the various characters bounce and interact provides some of the movie's best-observed moments, such as the brief tea scene between Rutherford and Handl, who, though inhabiting utterly different worlds, seem to interact perfectly in mutual obliviousness.
And there is Sellers, of course, pitch-perfect whether marching around the factory like the lead float in a parade or rhapsodizing about Russia or going hilariously blank on live television. It's memorable work that might overbalance the movie's double-edged attack if it weren't human enough to be sympathetic as well.
All in all, silly, clever, raucous fun.