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Sherlock Holmes and Dr Watson investigate the legend of a supernatural hound, a beast that may be stalking a young heir on the fog-shrouded moorland that makes up his estate.
Director:
Sidney Lanfield
Stars:
Richard Greene,
Basil Rathbone,
Wendy Barrie
The wife of a cruel headmaster and his mistress conspire to kill him, but after the murder is committed, his body disappears, and strange events begin to plague the two women.
Director:
Henri-Georges Clouzot
Stars:
Simone Signoret,
Véra Clouzot,
Paul Meurisse
Sherlock Holmes investigates when young women around London turn up murdered, each with a finger severed off. Scotland Yard suspects a madman, but Holmes believes the killings to be part of a diabolical plot.
A thirty-something secretary steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother.
Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.
As corruption grows in 1950s LA, three policemen - the straight-laced, the brutal, and the sleazy - investigate a series of murders with their own brand of justice.
A married couple grieving the recent death of their little daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond.
Director:
Nicolas Roeg
Stars:
Julie Christie,
Donald Sutherland,
Hilary Mason
Returning to his family's manor house on the lonely moors after his father dies under mysterious circumstances, Sir Henry Baskerville is confronted with the mystery of the supernatural hound that supposedly takes revenge upon the Baskerville family. The famous detective Sherlock Holmes and his assistant Dr. Watson are brought in to investigate. Written by
Jeremy Lunt <durlinlunt@acadia.net>
When Doctor Watson is pulled out of the mire by Stapleton and Cecile, he is covered in mud up to his shoulders. However in the next scene, when he gets off Stapleton's cart at Baskerville Hall, the front part of his jacket (not covered by the blanket) is completely clean. See more »
The 1939 Basil Rathbone/Nigel Bruce production may be the definitive version, but Hammer's sole 1959 attempt at Sherlock Holmes remains the most atmospheric colour remake.
Peter Cushing and Andre Morrell make a more than passable Holmes and Watson double-act, and the rest of the cast are just right although Christopher Lee always seemed too stiff as a goodie.
Jack Asher's evocative photography is the real delight. No other version has captured so beautifully the muted greens, browns and golds of Dartmoor in England's myth-laden west country. What a shame that modern film stocks seem to have lost the softer warmth of Fifties Technicolor.
Hammer, as you might expect, played up the horror elements of the 'hound of hell' legend a bit too crudely. But David Oxley, as the Baskerville scion who brings about the curse, deserves his place in Hammer's gallery of depraved aristocrats. Accompanied by a crash of thunder in the prologue, director Terence Fisher captures him in long shot at the top of the stairs, possessed with fury as he tells his drunken fellow revellers that the servant girl they had intended to rape has fled. A hushed reaction shot of the others, before Fisher cuts back to a medium shot of Oxted. `I have her!' His face lights up with demonical inspiration. `We'll set the pack on her.!'
Maybe it does rather fall between two genres, but this hugely enjoyable Hammer yarn has left a footprint in each.
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The 1939 Basil Rathbone/Nigel Bruce production may be the definitive version, but Hammer's sole 1959 attempt at Sherlock Holmes remains the most atmospheric colour remake.
Peter Cushing and Andre Morrell make a more than passable Holmes and Watson double-act, and the rest of the cast are just right although Christopher Lee always seemed too stiff as a goodie.
Jack Asher's evocative photography is the real delight. No other version has captured so beautifully the muted greens, browns and golds of Dartmoor in England's myth-laden west country. What a shame that modern film stocks seem to have lost the softer warmth of Fifties Technicolor.
Hammer, as you might expect, played up the horror elements of the 'hound of hell' legend a bit too crudely. But David Oxley, as the Baskerville scion who brings about the curse, deserves his place in Hammer's gallery of depraved aristocrats. Accompanied by a crash of thunder in the prologue, director Terence Fisher captures him in long shot at the top of the stairs, possessed with fury as he tells his drunken fellow revellers that the servant girl they had intended to rape has fled. A hushed reaction shot of the others, before Fisher cuts back to a medium shot of Oxted. `I have her!' His face lights up with demonical inspiration. `We'll set the pack on her.!'
Maybe it does rather fall between two genres, but this hugely enjoyable Hammer yarn has left a footprint in each.