Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
Frank Sinatra plays Joe E. Lewis, a famous comedian of the 1930s-50s. When the movie opens, Lewis is a young, talented singer who performs in speakeasies. When he bolts one job for another,... See full summary »
Socially-conscious banker Thomas Dickson faces a crisis when his protégé is wrongly accused for robbing the bank, gossip of the robbery starts a bank run, and evidence suggests Dickson's wife had an affair...all in the same day.
Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to ... See full summary »
Tony Manetta runs an unsuccessful Miami hotel, on which he can't meet the payments. Another liability is his weakness for dames (Shirl, his sexy current flame, is even less responsible than Tony). But a solid asset is Ally, his sensible 12-year-old son. When Tony wants stolid brother Mario to bail him out again, Mario makes conditions: give up Ally, or at least get married to a "nice, quiet little woman" of his selection. Tony and Ally just play along to be diplomatic, but when the woman in question proves to look like Eleanor Parker... Written by
Rod Crawford <firstname.lastname@example.org>
I find it hard to believe that some critics dismiss this film as one of Frank Capra's lesser films. It's wonderful. Frank Sinatra is in top form as "the loser with big dreams" and portrays his role as father with great sensitivity. The movie's greatest scenes occur when Edward G. Robinson and Sinatra appear together...they are hilarious. Thelma Ritter is perfect as the sister-in-law, and Carolyn Jones plays the cooky girlfriend with an interestingly strange edge. The supporting cast is flawless (watch for the character "Sally"!) and all blend well to create a lighthearted, comical, but poignant story. I can't stress the comical effectiveness between Edward G Robinson and Sinatra enough...they should have made more films together! This movie is one of my all time favorites and I show it often to many people, never receiving a negative response. It's one of those that can be viewed over and over. Give it a chance...I doubt you'll be disappointed. Send me some comments! (Watch for Edward G Robinson's reaction as he sits in a "crazy" rocking chair!!!....and listen to the dialogue...just great!!!!)
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