Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples --- he ... See full summary »
A meek Belgian soldier (Harry Langdon) fighting in World War I receives penpal letters and a photo from "Mary Brown", an American girl he has never met. He becomes infatuated with her by ... See full summary »
Tony Manetta runs an unsuccessful Miami hotel, on which he can't meet the payments. Another liability is his weakness for dames (Shirl, his sexy current flame, is even less responsible than Tony). But a solid asset is Ally, his sensible 12-year-old son. When Tony wants stolid brother Mario to bail him out again, Mario makes conditions: give up Ally, or at least get married to a "nice, quiet little woman" of his selection. Tony and Ally just play along to be diplomatic, but when the woman in question proves to look like Eleanor Parker... Written by
Rod Crawford <firstname.lastname@example.org>
Nearly all of the characters' names were changed from the original play. See more »
When Ally is shown running back along the street calling for his father at the end, in the distance the taxi is seen making a U-turn while a large crowd of onlookers stand on the streets behind it, obviously watching the scene being filmed. See more »
I keep saying that Hollywood can't go wrong when it picks a PLAY as the basis for movies. This film is one more illustration of the correctness of this thesis. It's full of charm, humor, warmth, relevance and STRUCTURE. It doesn't seek to impress, just to please. And pleasing is no mean accomplishment.
The subject is taboo in most movies: economic dependence on relatives. In most movies money is no object, a purely tangential issue, when in fact it plays a huge role in real life. Sinatra plays a "loser", and to make him less despicable, he is adorned with a lovely young son. I find that a bit too manipulative, as if the writer weren't sure that a childless "loser" would be likable enough. Sinatra is very good in the role, but I would have picked an unknown actor, to make the role more believable. And, wonderful as Eddie Hodges always is, I think a childless "loser" would have been more poignant.
I liked the ending very much. It is happy, but not in the trite and trivial way. The main character does NOT overcome his limitations! This film is in the wonderful tradition of "Harvey", which also deals with an embarrassing family member. I can't recommend both films highly enough.
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