Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
Frank Sinatra plays Joe E. Lewis, a famous comedian of the 1930s-50s. When the movie opens, Lewis is a young, talented singer who performs in speakeasies. When he bolts one job for another,... See full summary »
The lights go out at a high-society dinner party and one of the guests is murdered. The police are summoned and Inspector Killian shows up, with his assistant Carney. In order to get a ... See full summary »
William Collier Jr.
Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to ... See full summary »
Ad-agency president Dan Edwards who, when he goes to Mexico to celebrate his nineteenth wedding anniversary, winds up getting divorced by mistake - whereupon his wife Valerie marries his ... See full summary »
Tony Manetta runs an unsuccessful Miami hotel, on which he can't meet the payments. Another liability is his weakness for dames (Shirl, his sexy current flame, is even less responsible than Tony). But a solid asset is Ally, his sensible 12-year-old son. When Tony wants stolid brother Mario to bail him out again, Mario makes conditions: give up Ally, or at least get married to a "nice, quiet little woman" of his selection. Tony and Ally just play along to be diplomatic, but when the woman in question proves to look like Eleanor Parker... Written by
Rod Crawford <email@example.com>
I keep saying that Hollywood can't go wrong when it picks a PLAY as the basis for movies. This film is one more illustration of the correctness of this thesis. It's full of charm, humor, warmth, relevance and STRUCTURE. It doesn't seek to impress, just to please. And pleasing is no mean accomplishment.
The subject is taboo in most movies: economic dependence on relatives. In most movies money is no object, a purely tangential issue, when in fact it plays a huge role in real life. Sinatra plays a "loser", and to make him less despicable, he is adorned with a lovely young son. I find that a bit too manipulative, as if the writer weren't sure that a childless "loser" would be likable enough. Sinatra is very good in the role, but I would have picked an unknown actor, to make the role more believable. And, wonderful as Eddie Hodges always is, I think a childless "loser" would have been more poignant.
I liked the ending very much. It is happy, but not in the trite and trivial way. The main character does NOT overcome his limitations! This film is in the wonderful tradition of "Harvey", which also deals with an embarrassing family member. I can't recommend both films highly enough.
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