Prof. Henri Laborit uses the stories of the lives of three people to discuss behaviorist theories of survival, combat, rewards and punishment, and anxiety. René is a technical manager at a ... See full summary »
In the seacoast town of Boulogne, Hélène sells antique furniture, living with her step-son, Bernard, who's back from military duty in Algiers. An old lover of Hélène's comes to visit - ... See full summary »
Odile is looking for a new, bigger apartment. Her younger sister Camille just completed her doctoral thesis has fallen in love with an estate agent who is responsible for Odile's apartment ... See full summary »
Diego is one of the chief of the spanish Communist Party. He is travelling back to Paris (where he lives) from a mission in Madrid. He is arrested at the border for an identity check but ... See full summary »
1959. A French young woman has spent the night with a Japanese man, at Hiroshima where she went for the shooting of a film about peace. He reminds her of the first man she loved. It was during World War II, and he was a German soldier. The main themes of this film are memory and oblivion. Written by
This started life as a documentary about the nuclear bomb drop on Hiroshima until Alain Resnais decided to include fictional elements. See more »
When Elle leaves the hotel to go the set, she is wearing a nurse's uniform with a headscarf and carrying a black handbag. When Lui meets her on the set, she is now wearing a skirt and blouse and still has the headscarf. When they leave the set, the headscarf is left behind. When they get to Lui's house, she now has a white jacket. See more »
"Hiroshima mon amour" (1959) is an extraordinary tale of two people, a French actress and a Japanese architect - a survivor of the blast at Hiroshima. They meet in Hiroshima fifteen years after August 6, 1945 and become lovers when she came there to working on an antiwar film. They both are hunted by the memories of war and what it does to human's lives and souls. Together they live their tragic past and uncertain present in a complex series of fantasies and nightmares, flashes of memory and persistence of it. The black-and-white images by Sasha Vierney and Mikio Takhashi, especially the opening montage of bodies intertwined are unforgettable and the power of subject matter is undeniable. My only problem is the film's Oscar nominated screenplay. It works perfectly for the most of the film but then it begins to move in circles making the last 20 minutes or so go on forever.
40 of 50 people found this review helpful.
Was this review helpful to you?