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Hiroshima Mon Amour (1959)
"Hiroshima mon amour" (original title)

Not Rated  |   |  Drama, Romance  |  16 May 1960 (USA)
8.0
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Ratings: 8.0/10 from 17,117 users  
Reviews: 92 user | 90 critic

A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.

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Title: Hiroshima Mon Amour (1959)

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Nominated for 1 Oscar. Another 6 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
...
Elle (as Emmanuele Riva)
...
Lui
Stella Dassas ...
Pierre Barbaud ...
Bernard Fresson ...
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Storyline

1959. A French young woman has spent the night with a Japanese man, at Hiroshima where she went for the shooting of a film about peace. He reminds her of the first man she loved. It was during World War II, and he was a German soldier. The main themes of this film are memory and oblivion. Written by Yepok

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

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Release Date:

16 May 1960 (USA)  »

Also Known As:

Hiroshima Mon Amour  »

Box Office

Opening Weekend:

$18,494 (USA) (17 October 2014)

Gross:

$88,300 (USA) (2 January 2015)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Eiji Okada (playing Lui) did not know any French and was coached in pronouncing each syllable and memorized that order. See more »

Goofs

When Elle leaves the hotel to go the set, she is wearing a nurse's uniform with a headscarf and carrying a black handbag. When Lui meets her on the set, she is now wearing a skirt and blouse and still has the headscarf. When they leave the set, the headscarf is left behind. When they get to Lui's house, she now has a white jacket. See more »

Quotes

Lui: But what else can a tourist do but weep!
See more »

Connections

Referenced in What Time Is It There? (2001) See more »

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User Reviews

 
The Seminal Film for Change
3 December 2005 | by (United States) – See all my reviews

One would hope a film like this would actually cause humankind to take a step back and to foster the destruction of destruction itself. As Duras noted many years later in her semi-autobiographical "The Lover," she made the distinction early on between those who would exploit and destroy the weak and those who would protect them.

Here we have the exponential dynamic of this distinction in spades, realized in unthinkably tragic dimensions. Put in the simplest terms, "Hiroshima" is war personalized and psychologized in the language of love. It is the lovers' dialogue that begins to rouse the past; it is within the protective bond of love that atrocities can be drawn forth.

It is better to simply see the film than to depend on any synopsis. Once you do, its "medicine" will work within you --- and the medicine to which I refer is love.


27 of 39 people found this review helpful.  Was this review helpful to you?

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