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Hiroshima Mon Amour (1959)
"Hiroshima mon amour" (original title)

Not Rated  |   |  Drama, Romance  |  16 May 1960 (USA)
8.0
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Ratings: 8.0/10 from 17,329 users  
Reviews: 92 user | 97 critic

A French actress filming an anti-war film in Hiroshima has an affair with a married Japanese architect as they share their differing perspectives on war.

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Title: Hiroshima Mon Amour (1959)

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Nominated for 1 Oscar. Another 6 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
...
Elle (as Emmanuele Riva)
...
Lui
Stella Dassas ...
Pierre Barbaud ...
Bernard Fresson ...
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Storyline

1959. A French young woman has spent the night with a Japanese man, at Hiroshima where she went for the shooting of a film about peace. He reminds her of the first man she loved. It was during World War II, and he was a German soldier. The main themes of this film are memory and oblivion. Written by Yepok

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

16 May 1960 (USA)  »

Also Known As:

Hiroshima Mon Amour  »

Box Office

Opening Weekend:

$18,494 (USA) (17 October 2014)

Gross:

$88,300 (USA) (2 January 2015)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This started life as a documentary about the nuclear bomb drop on Hiroshima until Alain Resnais decided to include fictional elements. See more »

Goofs

When Elle leaves the hotel to go the set, she is wearing a nurse's uniform with a headscarf and carrying a black handbag. When Lui meets her on the set, she is now wearing a skirt and blouse and still has the headscarf. When they leave the set, the headscarf is left behind. When they get to Lui's house, she now has a white jacket. See more »

Quotes

Elle: Sometimes we have to avoid thinking about the problems life presents. Otherwhise we'd suffocate.
See more »

Connections

Referenced in The Reunion (1963) See more »

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User Reviews

 
A complex view of humans and how they cope when their worlds become tragic
11 October 2002 | by (Orange County, CA) – See all my reviews

This film has been compared to "Citizen Kane," not because of the story itself, but the way it is told, and through innovative artistic devices. The screenplay is highly poetic even when describing destruction, death, and madness. Several jump cuts in time occur with voice-over, and, at the beginning, voice-over during a montage of frightening images from the aftermath of the Hiroshima bombing and the bodies of the two lovers in bed. The characters represent different cities; the Japanese man, Hiroshima, the French woman, a city in France, Nevers (was this intentional?), but the latter might as well represent any outside nation. While "Hiroshima," even after being destroyed by an "ally" of France, falls in love with her and wants her to stay, despite his claims that she can never know what the bombing was really like, yet leaving this in the past without forgetting, "France" is hung up on a dead Nazi soldier whom she had loved, and became an outcast because of it. What the soldier really seems to represent is not the Nazis, but rather a real, true love that transcended nationalities and associations. France's past is personal and fears forgetting it, while Hiroshima's is communal and, while not wanting to forget, also wants to move ahead. For this reason Hiroshima keeps trying to convince France to stay so that they can be in love, but France is too preoccupied with its own personal ghost that it cannot share, which is why it is a major breakthrough for her when she tells her tragic story for the first time to anyone, Hiroshima. Hiroshima's past tragedy being communal is shared and it wants to share with the rest of the world. France's tragedy is personal and is only beginning to be shared. It takes the entire film before the two characters can get to a beginning of something more than their differences and likenesses of tragedy and loss in the past, and this beginning is who they really are, in the present, two people reborn from these tragedies.


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