Chuck Wheeler gets out of the Pen and sets up an elaborate heist of Vegas casino money travelling by armored truck. He enlists the help of shady club owner Joe Darren and his ex-cellmate's ... See full summary »
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
Chuck Wheeler gets out of the Pen and sets up an elaborate heist of Vegas casino money travelling by armored truck. He enlists the help of shady club owner Joe Darren and his ex-cellmate's wife, Vi. Vi's husband Mike is a trigger happy and jealous hothead and will not grant her a divorce. Mike escapes from prison right before the armored truck job goes into motion and promises trouble as he tries to locate his associates and his wandering wife. Written by
Ed Sutton <esutton@mindspring.com>
With this great title we get Guns (45's, rifles with scope and silencer, 38's), Girls (Mamie and a Nuclear White Bread Wife), and Gangsters (cons, gamblers, techno-nerds, thugs). Mamie Van Doren was the third-rate platinum blonde (after Marilyn Monroe and Jayne Mansfield) of the 1950's.
She had a hard look and demeanor contrasting Marilyn's doey-eyed sweetness and Jayne's playful pin-up, so she played Molls and Dames and wore her skin-tight, reflective attire with seductive charm. Here she is also allowed two "singing and dancing" numbers that are pedestrian but passable.
Lee Van Cleef's sneering and devilish face provide the violence and nastiness. It is a somewhat boring pace but kick's in after a very slow start with a gabby set-up and less than interesting compositions.
Not a bad B-Movie and is welcome enough but just isn't too remarkable. Some blame could be put on the over-age, unattractive, baggy-eyed Mohr who was one of the most unappealing self-conscious "leads" around the Drive-In Movie circuit.
1 of 1 people found this review helpful.
Was this review helpful to you?
With this great title we get Guns (45's, rifles with scope and silencer, 38's), Girls (Mamie and a Nuclear White Bread Wife), and Gangsters (cons, gamblers, techno-nerds, thugs). Mamie Van Doren was the third-rate platinum blonde (after Marilyn Monroe and Jayne Mansfield) of the 1950's.
She had a hard look and demeanor contrasting Marilyn's doey-eyed sweetness and Jayne's playful pin-up, so she played Molls and Dames and wore her skin-tight, reflective attire with seductive charm. Here she is also allowed two "singing and dancing" numbers that are pedestrian but passable.
Lee Van Cleef's sneering and devilish face provide the violence and nastiness. It is a somewhat boring pace but kick's in after a very slow start with a gabby set-up and less than interesting compositions.
Not a bad B-Movie and is welcome enough but just isn't too remarkable. Some blame could be put on the over-age, unattractive, baggy-eyed Mohr who was one of the most unappealing self-conscious "leads" around the Drive-In Movie circuit.