Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
Rocky Graziano is building a career in crime, when he's finally caught and arrested. In jail, he is undisciplined, always getting into trouble. When he gets out after many years he has ... See full summary »
George Fowler is drawn into a gang planning to rob a bank in St. Louis that they expect will have a $100,000 on hand on an upcoming Friday. George is drawn into the plan as the gang's driver by Gino, an old girlfriend's older brother. As the gang goes about its planning, George and Gino have to find a way to live for the next two weeks and they turn to Gino's sister, Ann, for help. George is hoping to go back to college and the money he would make would go a long way to helping him do that. Not trusting George to keep his nerve, the gang's leader John Egan moves him to the inside, but the robbery doesn't go off as planned. Written by
Proposed bank heist suffers from unforeseen entanglements.
This too little known noir work was filmed five years after the events of which it treats, and employs the settings where it occurred, Southwest Bank and its environs in St. Louis, while carefully utilizing within its cast the actual policemen, bank customers and area residents who were involved in the affair, all of which produce somewhat of a documentary impression. Three ex-convicts are joined by a college expellee, George Fowler (Steve McQueen during his Method period), creating an abruptly formed criminal quartet, with Fowler, assigned as wheel man for his first organized illegal endeavour, and we watch them as the robbery is carefully planned by the group's leader, John Egan (Crahan Denton) amid an assortment of simmering frustrations and jealousies which infest the men. Producer Charles Guggenheim also directs, with assistance from John Stix, and the duo focus upon obtaining a naturalistic setting from the interesting script, which is very intense in feeling, with rather harsh dialogue, resulting in a dark film, at the heart of which is an old fashioned shootout where tactics are forgotten by both sides.
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