| Alberto Sordi | ... | Oreste Jacovacci | |
| Vittorio Gassman | ... | Giovanni Busacca | |
| Silvana Mangano | ... | Costantina | |
| Folco Lulli | ... | Bordin | |
| Bernard Blier | ... | Capitano Castelli | |
| Romolo Valli | ... | Tenente Gallina | |
| Vittorio Sanipoli | ... | Maggiore Venturi | |
| Nicola Arigliano | ... | Giardino | |
| Geronimo Meynier | ... | Il portaordini | |
| Mario Valdemarin | ... | Sottotenente Lorenzi | |
| Elsa Vazzoler | ... | Moglie di Boradin | |
| Tiberio Murgia | ... | Rosario Nicotra | |
| Livio Lorenzon | ... | Sergente Barriferri | |
| Ferruccio Amendola | ... | De Concini | |
| Carlo D'Angelo | ... | Capitano Ferri | |
| Achille Compagnoni | ... | Il cappellano | |
| Luigi Fainelli | ... | Giacomazzi | |
| Marcello Giorda | ... | Generale | |
| Tiberio Mitri | ... | Mandich | |
| Gérard Herter | ... | Capitano austriaco | |
| Guido Celano | ... | Italian major | |
| Mario Feliciani | |||
| Mario Mazza | |||
| Mario Colli | |||
| Gianni Baghino | |||
| Mario Frera | |||
| Gian Luigi Polidoro | |||
| Leandro Punturi | ... | Il bambino | |
| Edda Ferronao |
Directed by | |||
| Mario Monicelli | |||
Writing credits(in alphabetical order) | ||
| Agenore Incrocci | writer | |
| Mario Monicelli | writer | |
| Carlo Salsa | consultant writer | |
| Furio Scarpelli | writer | |
| Luciano Vincenzoni | story and screenplay | |
Produced by | |||
| Dino De Laurentiis | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Roberto Gerardi | |||
| Giuseppe Rotunno | |||
| Leonida Barboni | (uncredited) | ||
| Giuseppe Serrandi | (uncredited) | ||
Film Editing by | |||
| Adriana Novelli | |||
Production Design by | |||
| Mario Garbuglia | |||
Costume Design by | |||
| Danilo Donati | |||
| Piero Gherardi | (Silvana Mangano's costumes) | ||
Makeup Department | |||
| Rino Carboni | .... | makeup artist | |
| Romolo de Martino | .... | makeup artist | |
Production Management | |||
| Giorgio Adriani | .... | production leader | |
| Alfredo De Laurentiis | .... | production leader | |
| Luigi De Laurentiis | .... | general organization | |
| Giorgio Morra | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Giovanni Fago | .... | assistant director | |
| Maurizio Lucci | .... | assistant director | |
| Mario Maffei | .... | director help | |
Art Department | |||
| Aldo Puccini | .... | construction manager | |
Sound Department | |||
| Roy Mangano | .... | sound | |
| Bruno Moreal | .... | sound | |
Special Effects by | |||
| Urbisaglia Gatti | .... | special effects | |
Camera and Electrical Department | |||
| Silvano Ippoliti | .... | camera operator | |
| Goffredo Bellisario | .... | camera operator (uncredited) | |
Music Department | |||
| Franco Ferrara | .... | musical director | |
Other crew | |||
| Nino Del Fabbro | .... | voice dubbing: Bernard Blier | |
| Silvana Mangini Colizzi | .... | continuity (as Mangini Silvana) | |
| Ferruccio Amendola | .... | voice dubbing: Tiberio Murgia (uncredited) | |
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| The Best of Youth | Coup de grâce | Captain Conan | 1900 | Joyeux Noel |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
I've only seen it twice, and it's already one of my favorite Italian movies of all time.Directed by legendary Mario Monicelli, this excellent comedy is set during WWI, when the Italians had to defend the river Piave from the Austrians.Two of the Italian soldiers happen to be really lazy cowards:Giovanni Busacca(Vittorio Gassman) from Milan and Oreste Jacovacci(Alberto Sordi) from Rome.They would rather spend their time at home with the mates and the ladies instead of fighting for their country.The only fights they have are with each other, both insulting the other one with their particular accents and dialects (you probably have to be Italian yourself to really appreciate most of the gags). The most interesting thing is perhaps how the two actors handle their roles: Sordi is very calm, controlled and "normal", while Gassman just can't stop being nervous, shouting and gesticulating all the time.
Just like La Vita è Bella, this movie's purpose is to blame the horrors of war as well as making you laugh as much as you can.
For those who like Italian cinema, La Grande Guerra is a must-see.