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When Captain Street's best friend Dan O'Grady is murdered, Street enlists the help of Chinese detective James Lee Wong. Mr. Wong uncovers a smuggling ring on the waterfront of San Francisco... See full summary »
A cabal of American industrialists, all fifth-columnists intent on sabotaging the war effort, are methodically murdered by the malevolent Monsieur Colomb. It is only until detective Dick ... See full summary »
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A couple of teenagers are reported missing in a small Texas town, and it is thought they eloped. Sheriff Jeff turns to his friend, Clarence Winstead, a garage mechanic and leader of a hot-rod gang for help. A series of tragic motor accidents occur and it becomes apparent that a giant gila monster is roaming the area and depleting the town of its citizens and passer-throughs, including two hot-rodding teen-agers. And might have plans on attending the BIG record-hop party. Written by
Les Adams <email@example.com>
This was one of two features produced by an independent company in Texas and meant for release as a double feature. The other feature was The Killer Shrews (1959). Unlike many such features produced in the South, these films received national distribution. See more »
Just before the train crash, there's a shot of Shug Fisher, playing Old Man Harris, in his
car, reacting to the sight of the Giant Gila Monster. Reflected in the windshield is director Ray Kellogg giving Fisher the cue to turn his head. See more »
As a monster movie, this is far from the best, but as a look at life in 50's rural Texas, it's top notch. The settings are authentic and realistic and the people talk like real people. Especially good is Fred Graham as the kind-hearted Sheriff...the opposite of the way most cops were portrayed in teen movies. Don Sullivan is not bad at all as hero Chase, a decent kid who just happens to love racing fast cars. With the exception of the rich Dad, everybody in the movie seems decent.
As for our title monster, he's pretty sleepy looking, but I always thought Gila Monsters were pretty cool. The somber, eerie background music helps this one a lot. Speaking of which, some of Sullivan's singing is OK, but "Laugh, Little Children" should be taken out and shot.
If the effects had matched the rest of the movie, it would have been a minor classic. As it is, it's a fun "time capsule" type movie.
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