A psychically gifted young woman discovers a centuries-old crate buried on her aunt's ranch. Opening it, her family discovers the living head of Gideon Drew, a 16th century devil worshiper ... See full summary »
American botanical expedition in the Himalayas stumbles across a Yeti den, capture one and transport it back to Los Angeles, where it escapes while customs officials are debating whether it is animal or human.
A couple of teenagers are reported missing in a small Texas town, and it is thought they eloped. Sheriff Jeff turns to his friend, Clarence Winstead, a garage mechanic and leader of a hot-rod gang for help. A series of tragic motor accidents occur and it becomes apparent that a giant gila monster is roaming the area and depleting the town of its citizens and passer-throughs, including two hot-rodding teen-agers. And might have plans on attending the BIG record-hop party. Written by
Les Adams <firstname.lastname@example.org>
This was one of two features produced by an independent company in Texas and meant for release as a double feature. The other feature was The Killer Shrews (1959). Unlike many such features produced in the South, these films received national distribution. See more »
As the freight train crashes, you can plainly see the string pulling the engine off of the tracks. Once it goes off, the rest of the train follows. See more »
As a monster movie, this is far from the best, but as a look at life in 50's rural Texas, it's top notch. The settings are authentic and realistic and the people talk like real people. Especially good is Fred Graham as the kind-hearted Sheriff...the opposite of the way most cops were portrayed in teen movies. Don Sullivan is not bad at all as hero Chase, a decent kid who just happens to love racing fast cars. With the exception of the rich Dad, everybody in the movie seems decent.
As for our title monster, he's pretty sleepy looking, but I always thought Gila Monsters were pretty cool. The somber, eerie background music helps this one a lot. Speaking of which, some of Sullivan's singing is OK, but "Laugh, Little Children" should be taken out and shot.
If the effects had matched the rest of the movie, it would have been a minor classic. As it is, it's a fun "time capsule" type movie.
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