The story of legendary jazz drummer, Gene Krupa. Since his youth, all Gene ever wanted to do is play the drums and make music. This is something his parents would not approve of- they want ...
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Bio of swing band leader 'Benny Goodman' from age 10 (1919) to his landmark Carnegie Hall band concert in 1938. Not exactly historically accurate, but great music. Also, guest appearances ... See full summary »
In this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.
Two wealthy Victorian widows are courted tentatively by two impoverished British aristocrats. When one of the dowagers suggests that her beau go away with her for a month to see if they are compatible, the fireworks begin.
Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret that he will do anything to protect, even if it means driving his wife insane.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
The story of legendary jazz drummer, Gene Krupa. Since his youth, all Gene ever wanted to do is play the drums and make music. This is something his parents would not approve of- they want him to be a priest. When Gene's father dies he promises to enter the priesthood. He soon realizes that he doesn't belong there and leaves to join his friend, Eddie's band. Ethel, Eddie's girlfriend, convinces Gene to go to New York and make it big. The 3 of them head to New York. Here Ethel and Gene soon fall in love and Gene makes a name for himself. Gene starts to live in the fast lane, with drugs, alcohol, women and parties. Ethel, unhappy with Gene's lifestyle, leaves him. Gene soon "hits rock bottom" where he has to face reality and choose where to take his life. Written by
When the film opened in Krupa's hometown of Chicago at the Schiller Theatre on January 15, 1960 both Gene Krupa and Sal Mineo were on hand to greet the public and sign "fan fotos." See more »
In the final scene, when Krupa makes his comeback appearance with Tommy Dorsey's band, the set he's playing changes in the close-ups from the front left. The high hat cymbals are in a different position, and the tom tom to his left disappears completely. See more »
The Gene Krupa Story plays at times more like a Lenny Bruce sketch ("So that's what reefers look like!") with Sal Mineo coming over like Martin Scorsese on speed as the first superstar drummer, James Darren proving that he's no singer while Red Nichols is at least 30 years too old to play himself. At times almost aiming to be a Catholic version of The Jazz Singer (even though Krupa's family behave like classic Jewish stereotypes), it's formulaic, watered down stuff, both factually and musically, but not without some undemanding entertainment value, not to mention a likable performance from Susan Kohner as the good girl who stands by him. And Susan Oliver's hophead singer gets a great exit line: "Excuse me, but I've got a town to get out of."
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