Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the ... See full summary »
This comedy-drama is partially a gentle satire on America's drive to change the world in the post-war years. One year after World War II, Captain Fisby is sent to the village of Tobiki in ... See full summary »
An Italian-American neighborhood in Louisiana is disturbed when truck driver Rosario Delle Rose is killed by police while smuggling. His buxom widow Serafina miscarries, then over a period ... See full summary »
Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer upstairs. Val is pursued by Carol Cutere, the enigmatic local tramp-of-good-family, who covets his snakeskin jacket as much as his body and tries to seduce him in the cemetery. Val is more attracted to the mature Lady and gets her pregnant. Written by
Marlon Brando became the first actor to be paid $1 million for a single film when he signed on to appear in the screen-adaptation of Tennessee Williams' "Orpheus Descending". Nearing the end of her contract with MGM, Elizabeth Taylor had earlier signed a $1 million contract with 20th Century-Fox to appear in 'Cleopatra' (1960), breaking that salary threshold in Hollywood. See more »
While The Fugitive Kind suffers from inconsistent pacing and some over-blown dialog, it is worth watching for the peerless performances delivered by Anna Magnani and Victor Jory. Magnani's desperate vulnerability and passionate need for love and vindication are so powerfully and truthfully portrayed that even the great Brando seems pale and insubstantial beside her. Without Jory's vilely hateful depiction of the dying husband, however, even Magnani's powerhouse performance couldn't save the film. Seldom has such wanton cruelty been so effectively captured on screen. Brando is a bit mannered at times but the sheer animal magnetism he possessed at this point in his career transcend the script's pretensions. Woodward wrings more than could rightfully be expected from her over-written part. R.G. Armstrong as the corrupt sheriff and Maureen Stapleton as his kind-hearted wife shine in supporting roles, but it is Magnani and Jory who transform the film into a riveting cinematic experience.
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