Two inmates working to shore up a dike during a severe flood are swept away in the current along with their guard. The three of them wind up in an isolated house whose flooded interior contains a frightened woman.

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Cast

Cast overview, first billed only:
...
Donovan
...
Elizabeth Matthews
...
Peebles
Harry H. Corbett ...
Sharkey
...
Jack Murphy
...
Sheriff
...
Dr. Matthews
Guy Kingsley Poynter ...
Deputy Sheriff
James Dyrenforth ...
Mayor
...
Lt. Colonel
Gaylord Cavallaro ...
National Guard #1
Ed Devereaux ...
National Guard #2
Barry Lowe ...
National Guard #3
Jerry Stovin ...
National Guard #4
...
Deputy #1
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Storyline

Two inmates working to shore up a dike during a severe flood are swept away in the current along with their guard. The three of them wind up in an isolated house whose flooded interior contains a frightened woman.

Plot Summary | Add Synopsis

Taglines:

A Beauty Marooned With MURDER! See more »


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Details

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Release Date:

12 February 1959 (Netherlands)  »

Also Known As:

De dag van vergelding  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Trivia

Peter Finch turned down the Howard Keel part. See more »

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User Reviews

 
A grossly underestimated,and unfairly forgotten film....
10 March 2003 | by See all my reviews

In a role tailor-made for Stanley Baker - especially with John Crawford as his nemesis - barrel-chested Howard Keel in his first post-musical role does rather well as the strong, taciturn Donovan, determined to take his chance to get the man who framed him. As his fellow-con, the vicious Peebles, Cyril Cusack is suitably creepy, and Anne Heywood, in the token helpless-girl role has the personality to avoid being vaccuous. Only Harry H.Corbett as the injured prison guard, fails to convince, defeated both by his pompous role and his doubtful Canadian accent. The whole film is underwater, and the studio scenes are interwoven perfectly with stock footage of the actual floods the film portrays. This is ,to my mind,cinema story-telling at its best, a well-written screenplay ,characters clearly delineated without undue exposition, plotting that holds the interest, and a tense climax. If Stanley Baker had starred in it, perhaps it would not have been so grossly underestimated and so unjustly forgotten.


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