| Gérard Philipe | ... | Ramón Vázquez | |
| María Félix | ... | Inés Rojas (as Maria Felix) | |
| Jean Servais | ... | Alejandro Gual | |
| Miguel Ángel Ferriz | ... | Le gouverneur Mariano Vargas (as M.A. Soler) | |
| Raúl Dantés | ... | Le lieutenant García (as Raoul Dantes) | |
| Domingo Soler | ... | Le professeur Juan Cárdenas | |
| Víctor Junco | ... | Indarte | |
| Roberto Cañedo | ... | Le colonel Olivares | |
| rest of cast listed alphabetically: | |||
| Luis Aceves Castañeda | ... | López - le secrétaire de Gual (uncredited) | |
| Armando Acosta | ... | Manuel (uncredited) | |
| Miguel Arenas | ... | (uncredited) | |
| Edmundo Barbero | ... | Le procureur (uncredited) | |
| Augusto Benedico | ... | Le ministre Sáenz (uncredited) | |
| Antonio Bravo | ... | Le juge (uncredited) | |
| José Chávez | ... | (uncredited) | |
| Emilio Garibay | ... | (uncredited) | |
| Francisco Jambrina | ... | (uncredited) | |
| Carlos León | ... | (uncredited) | |
| Enrique Lucero | ... | Vila (uncredited) | |
| José Muñoz | ... | (uncredited) | |
| Alberto Pedret | ... | Valle (uncredited) | |
| Pilar Pellicer | ... | Pilar Cárdenas (uncredited) | |
| Ignacio Peón | ... | (uncredited) | |
| David Reynoso | ... | Le capitaine Real (uncredited) | |
| Andrés Soler | ... | Le président Carlos Barreiro (uncredited) | |
Directed by | |||
| Luis Buñuel | |||
Writing credits | ||
| Henri Castillou | (novel) | |
| Luis Buñuel | (adaptation) (as Luis Bunuel) & | |
| Luis Alcoriza | (adaptation) & | |
| Charles Dorat | (adaptation) & | |
| Louis Sapin | (adaptation) | |
| Louis Sapin | (dialogue) | |
Produced by | |||
| Jacques Bar | .... | producer | |
| Raymond Borderie | .... | executive producer | |
| Óscar Dancigers | .... | producer | |
| Gregorio Walerstein | .... | producer | |
Original Music by | |||
| Paul Misraki | |||
Cinematography by | |||
| Gabriel Figueroa | |||
Film Editing by | |||
| Rafael Ceballos | (as Rafael Ceballos López) | ||
| James Cuenet | |||
Production Design by | |||
| Jorge Fernández | (uncredited) | ||
Costume Design by | |||
| Ana Maria Jones | (uncredited) | ||
| Armando Valdés Peza | (uncredited) | ||
Makeup Department | |||
| Bertha Chiu | .... | hair stylist (uncredited) | |
Production Management | |||
| Charles Borderie | .... | production manager | |
| Roger Morand | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Juan Luis Buñuel | .... | assistant director (as Jean-Louis Bunuel) | |
Sound Department | |||
| William Robert Sivel | .... | sound (as W. Robert Sivel) | |
Special Effects by | |||
| Armando Stahl | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Ignacio Romero | .... | camera operator (uncredited) | |
Music Department | |||
| Jacques Métehen | .... | conductor (as Jacques Metehen) | |
Other crew | |||
| Suzanne Durrenberger | .... | script supervisor | |
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| Death in the Garden | The Leopard | That Obscure Object of Desire | Belle de Jour | Blame it on Fidel |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
This is a melodrama or political film noir in which nobody wins. The story exposes the overlap of human and political corruption in a penal colony on the island of El Pao.
I rate this as very entertaining due to the complex story mainly and the performances, but the story unfolds in rather a rough fashion with some jumps in the action. It looks like the budget may have necessitated some hastiness in the production and less care to creating a smooth outcome than the story merited. But overall, it's one heck of a ride following the ping-pong plotting of Jean Servais and his opposition, Maria Felix.
Felix is definitely a magnetic presence on screen and successfully can convey sincere love one second and deviousness the next, leaving one to wonder where she is truly coming from. She turns in a marvelous performance with her alternating personae. Servais, who had played a very rough and tough character 4 years earlier in Rififi, has no trouble conveying his menace, only softening at times in the presence of Felix or his pet birds.
The men in this story awaken to the calculations and depths of Ms. Felix.
Philippe is the man with scruples who has charge of the penal colony, having taken the place of the husband of Felix who was assassinated by an escaped convict. Servais is a new administrator determined to oust Philippe and to have his lover, the widowed Felix. She has other ideas, being very ruthless herself and persuasive with Philippe. However, she really does love him, and his idealism, which slowly but surely gets ripped apart, is one reason.
Their plots play out against a prison mutiny. Philippe's moral bearings are tested, before, during and especially after the mutiny has ended, when his superiors start using him for their own purposes.