IMDb > Fever Mounts at El Pao (1959)

Fever Mounts at El Pao (1959) More at IMDbPro »La fièvre monte à El Pao (original title)


Overview

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Director:
Writers:
Henri Castillou (novel)
Luis Buñuel (adaptation) ...
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View company contact information for Fever Mounts at El Pao on IMDbPro.
Release Date:
5 December 1959 (France) See more »
Genre:
Plot:
Aroused citizens assassinate an unpopular Caribbean despot, then two men vie for his gorgeous widow Ines... See more » | Add synopsis »
User Reviews:
REPUBLIC OF SIN (Luis Bunuel, 1959) *** See more (6 total) »

Cast

  (in credits order)

Gérard Philipe ... Ramón Vázquez
María Félix ... Inés Rojas (as Maria Felix)
Jean Servais ... Alejandro Gual
Miguel Ángel Ferriz ... Le gouverneur Mariano Vargas (as M.A. Soler)
Raúl Dantés ... Le lieutenant García (as Raoul Dantes)
Domingo Soler ... Le professeur Juan Cárdenas
Víctor Junco ... Indarte
Roberto Cañedo ... Le colonel Olivares
rest of cast listed alphabetically:
Luis Aceves Castañeda ... López - le secrétaire de Gual (uncredited)
Armando Acosta ... Manuel (uncredited)
Miguel Arenas ... (uncredited)
Edmundo Barbero ... Le procureur (uncredited)
Augusto Benedico ... Le ministre Sáenz (uncredited)
Antonio Bravo ... Le juge (uncredited)
José Chávez ... (uncredited)
Emilio Garibay ... (uncredited)
Francisco Jambrina ... (uncredited)
Carlos León ... (uncredited)
Enrique Lucero ... Vila (uncredited)
José Muñoz ... (uncredited)
Alberto Pedret ... Valle (uncredited)
Pilar Pellicer ... Pilar Cárdenas (uncredited)
Ignacio Peón ... (uncredited)
David Reynoso ... Le capitaine Real (uncredited)
Andrés Soler ... Le président Carlos Barreiro (uncredited)

Directed by
Luis Buñuel 
 
Writing credits
Henri Castillou (novel)

Luis Buñuel (adaptation) (as Luis Bunuel) &
Luis Alcoriza (adaptation) &
Charles Dorat (adaptation) &
Louis Sapin (adaptation)

Louis Sapin (dialogue)

Produced by
Jacques Bar .... producer
Raymond Borderie .... executive producer
Óscar Dancigers .... producer
Gregorio Walerstein .... producer
 
Original Music by
Paul Misraki 
 
Cinematography by
Gabriel Figueroa 
 
Film Editing by
Rafael Ceballos  (as Rafael Ceballos López)
James Cuenet 
 
Production Design by
Jorge Fernández (uncredited)
 
Costume Design by
Ana Maria Jones (uncredited)
Armando Valdés Peza (uncredited)
 
Makeup Department
Bertha Chiu .... hair stylist (uncredited)
 
Production Management
Charles Borderie .... production manager
Roger Morand .... unit manager
 
Second Unit Director or Assistant Director
Juan Luis Buñuel .... assistant director (as Jean-Louis Bunuel)
 
Sound Department
William Robert Sivel .... sound (as W. Robert Sivel)
 
Special Effects by
Armando Stahl .... special effects (uncredited)
 
Visual Effects by
Philippe Tourret .... restoration coordinator
 
Camera and Electrical Department
Ignacio Romero .... camera operator (uncredited)
 
Music Department
Jacques Métehen .... conductor (as Jacques Metehen)
 
Other crew
Suzanne Durrenberger .... script supervisor
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"La fièvre monte à El Pao" - France (original title)
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Runtime:
France:97 min | Mexico:109 min | Argentina:109 min | USA:97 min
Country:
Language:
Sound Mix:
Certification:
Filming Locations:

Did You Know?

Movie Connections:
Remade as La fièvre monte à El Pao (1993) (TV)See more »

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2 out of 5 people found the following review useful.
REPUBLIC OF SIN (Luis Bunuel, 1959) ***, 14 October 2010
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

With this, I begin a complete Luis Bunuel retrospective - in preparation for a proposed series of talks my twin brother Roderick and I have been invited to hold about our favorite film-maker. In keeping with the latter's own hatred of symmetry, I opted to start with those titles I am only marginally familiar with...but in reverse chronological order! Ironically, while REPUBLIC OF SIN was among the first films of his that I watched (on late-night Italian TV), it remains one of his least-known (and hardest-to-find) efforts. Indeed, recently I have had to speedily provide an Italian "Facebook" friend of mine with a copy of it - on account of a journalist acquaintance of his who was writing an article on the film itself! Though I concede it is only a minor work in Bunuel's canon, the rewards one reaps from the picture are still considerable - infused as it is with most of his typical concerns (right from the opening narration denouncing a quaint monastery as a symbol of European/Catholic oppression on the fictitious South American island on which it is exclusively set!).

The film - which would eventually be remade for French TV in 1993 - is perhaps best-remembered today for being the swan-song of its popular, handsome and talented leading man, Gerard Philipe, who died of cancer that same year at the young age of 36! Bunuel, having met him on the set of Yves Allegret's THE PROUD ONES (1953), had long wanted to work with the French star and, over the next few years, had unsuccessfully tried to set up adaptations of THE MONK (eventually filmed in 1973 with Franco Nero from Bunuel's own script) and THE HORSEMAN ON THE ROOF (filmed in 1995 from long-term Bunuel collaborator Jean-Claude Carriere's script) for this purpose! Though Philipe's customary sprightly charm was not required by the sullen premise anyway, the effect of the illness can be seen in his gaunt features and especially the character's own psychological/physical torment during the movie's latter stages. The fact, then, that the subject of a possible future with the heroine is often breached (but, sensibly, not attained) during the course of the film makes the whole all the more poignant. Incidentally, his naïve idealism is such that he even allows himself into an executive position, serving bosses that are always intrinsically corrupt. Actually, he is berated for this by his former mentor, now a political prisoner in the penal colony of El Pao. Even when Philipe becomes acting Governor himself, he has to answer to the State President (shown in just one scene as having more consideration for his prize horse than the nation he purports to lead) and, in a society stifled by bureaucratic red tape, the most subversive act of rebellion he can muster is to tear up the paperwork!

Philipe is wonderfully supported by Maria Felix, the most famous Mexican actress, who had previously worked in Italy in the somewhat hysterical 1951 peplum MESSALINA and in France, for Jean Renoir, on FRENCH CANCAN (1954). Here she portrays the despotic Governor's sultry but unloving wife. The former's murder at his birthday celebrations - in which famished peasants rush towards the tantalizing slabs of meat on defiant display - sets the narrative in motion; his successor (the splendid Jean Servais of RIFIFI [1955] fame) is equally despicable and soon he too embarks on a masochistic relationship with Felix (metaphorically essayed in a bullfighting scene where a matador is gored to death as one is wooing the other). Actually, Felix had fallen for Philipe (after the customary initial friction pertaining to class structure) and she dutifully intercedes on his behalf with the suavely sadistic Servais (at one point, he humiliatingly has her disrobe in his office!). Indeed, the director inserts his usual quota of sexual tension (involving Felix and the various men in her life) into an already ironic and twist-laden narrative: Philipe and Felix 'organize' a prison revolt for which they hope Servais will be blamed and expelled from office but, really, he had secretly planned it all along so as to eliminate the political prisoners! The central couple then think of leaving the island for good but Philipe, guilt-ridden over the futile massacre, has second thoughts...which leads to Felix perishing in a car explosion while fleeing a checkpoint; finally, Philipe (a fervent political activist off-screen) condemns himself by wilfully disobeying his superior's orders.

The end result is the director's most overtly political film but also his least favorite among those he shot in the French language! Even so, it is aided immeasurably by frequent collaborator Gabriel Figueroa's harsh monochrome photography - a trademark of Bunuel's Mexican period; the film, in fact, can pretty much be seen as a companion piece to his more readily enjoyable DEATH IN THE GARDEN (1956), similarly a French co-production set on an island beset with political turmoil and, like that film, it also benefits from a notable musical score by Paul Misraki.

Even if I watched REPUBLIC OF SIN on a 40" TV screen, a lot of the time I could not keep up with the Italian subtitles (though my having studied French at school helped and the plot was, in any case, not all that difficult to follow) - while my Pioneer DVD had intermittent playback issues by freezing between chapters and occasionally letting out a deafening screech!

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