Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to ... See full summary »
Boisterous nightclub entertainer Buzzy Bellew was the witness to a murder committed by gangster Ten Grand Jackson. One night, two of Jackson's thugs kill Buzzy and dump his body in the lake... See full summary »
Life is a Sunday in the park for Aurelia, a dotty Parisian countess. But sooner or later, Aurelia had to find out about the so-called sane world. Join her in a whimsical look at a ... See full summary »
Jack Martin (Danny Kaye), an American entertainer working cabarets on the French Riviera, does an impersonation of philandering industrialist Henri Duran (Kaye, again) so convincingly that ... See full summary »
Gangster's moll Honey Swanson goes into hiding when her boyfriend is under investigation by the police. Where better to hide than a musical research institute staffed entirely by lonely ... See full summary »
Circuit-riding Texas lawyer Timothy Higgins defends a former girlfriend against a murder charge stemming from an extortionist's threat to reveal her shady past. Through adroit courtroom ... See full summary »
Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to pursue his dream of playing Dixieland jazz. He forms the "Five Pennies" which features his wife, Bobbie, as vocalist. At the peak of his fame, Red and Bobbie's daughter, Dorothy, develops polio. Red quits the music business to move to Los Angeles where the climate is better for Dorothy. As Dorothy becomes a young teen, she learns of her father's musical past, and he is persuaded to open a small nightclub which is failing until some noted names from his past come to help out. Written by
Ray Hamel <firstname.lastname@example.org>
The exaggerated tango Danny Kaye did with the blonde Charleston dancer (Lizanne Truex) in the nightclub scene was not scripted. The rehearsals only called for her to do the Charleston, then flit offstage. During one of them Danny suddenly grabbed her and began hamming it up, with Lizanne quickly ad-libbing. Director Melville Shavelson liked it and added it to the routine. See more »
After Red and Willa have left the club and are traveling home, the cars seen through the rear window of the taxicab are distinctly 1940's to 1950's vehicles which were nonexistent in 1924. See more »
Danny Kaye at his best( was he ever anything else)
my favorite bit of this film is at the end, I care not how factual it is. I find a lump in my throat every single time I see it and I am usually blubbing like a baby by the end credits. It is a wonderful story of a very talented man and of a great time in musical history, the scenes with 'Satchmo' Louis Armstrong are another particular favorite as he usually steals the scene. The little girl actress put s in a fine and mature performance as 'Red' Nicols's daughter. But as usual Danny Kaye is nothing short of majestic he is perfectly at home miming to Lorne 'Red' Nicols cornet playing. The story is beautiful as is the acting. Don't forget to pack your Kleenex when you watch it though. Excellent family entertainment twenty out of ten......
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