Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to ... See full summary »
Life is a Sunday in the park for Aurelia, a dotty Parisian countess. But sooner or later, Aurelia had to find out about the so-called sane world. Join her in a whimsical look at a ... See full summary »
The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Gangster's moll Honey Swanson goes into hiding when her boyfriend is under investigation by the police. Where better to hide than a musical research institute staffed entirely by lonely ... See full summary »
This is one of the 'Animagical' titles from the children's film archive of Rankin/Bass. The story line is reminiscent of an earlier 1966 R/B Animagic film, 'The Daydreamer', both of which ... See full summary »
An illiterate stooge in a traveling medicine show wanders into a strange town and is picked up on a vagrancy charge. The town's corrupt officials mistake him for the inspector general whom ... See full summary »
Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to pursue his dream of playing Dixieland jazz. He forms the "Five Pennies" which features his wife, Bobbie, as vocalist. At the peak of his fame, Red and Bobbie's daughter, Dorothy, develops polio. Red quits the music business to move to Los Angeles where the climate is better for Dorothy. As Dorothy becomes a young teen, she learns of her father's musical past, and he is persuaded to open a small nightclub which is failing until some noted names from his past come to help out. Written by
Ray Hamel <firstname.lastname@example.org>
The exaggerated tango Danny Kaye did with the blonde Charleston dancer (Lizanne Truex) in the nightclub scene was not scripted. The rehearsals only called for her to do the Charleston, then flit offstage. During one of them Danny suddenly grabbed her and began hamming it up, with Lizanne quickly ad-libbing. Director Melville Shavelson liked it and added it to the routine. See more »
After Red and Willa have left the club and are traveling home, the cars seen through the rear window of the taxicab are distinctly 1940's to 1950's vehicles which were nonexistent in 1924. See more »
This is an excellent musical in the old style where the songs either help progress the plot or fit in with the story line. All the music is well done. How can you lose with Danny Kaye and Louis Armstrong singing your songs? Just heard that Susan Gordon (she played the daughter at 6) is on broadway in a play after 35 years away from the stage. Enjoy.
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