| Marshall Thompson | ... | Cmdr. Charles Ernest Prescott | |
| Marla Landi | ... | Tia Francesca | |
| Bill Edwards | ... | Lt. Dan Milton Prescott | |
| Robert Ayres | ... | Capt. Ben Richards | |
| Bill Nagy | ... | Police Chief Wilson | |
| Carl Jaffe | ... | Dr. Paul von Essen | |
| Roger Delgado | ... | Mexican Consul - Ramon de Guerrera | |
| John McLaren | ... | State Dept. Official, Harold Atkins | |
| Spencer Teakle | ... | Ratings Control Room | |
| Chuck Keyser | ... | Ratings Control Room | |
| John Fabian | ... | Ratings Control Room | |
| Richard Shaw | ... | Witney | |
| Bill Nick | ... | Clancy (also as William R. Nick) | |
| Helen Forrest | ... | Secretary (also as Helen Forest) | |
| Roland Brand | ... | Truck Driver (as Rowland Brand) | |
| Barry Shawzin | ... | Mexican Farmer - Sanchez | |
| Mark Sheldon | ... | Doctor | |
| Michael Bell | ... | State Trooper | |
| Sheree Winton | ... | Nurse - at Blood Bank | |
| Franklyn Fox | ... | Chief Petty Officer - Larson | |
| Larry Taylor | ... | Shore Patrolman - Taylor (as Laurence Taylor) |
Directed by | |||
| Robert Day | |||
Writing credits | ||
| John Croydon | (screenplay) (as John C. Cooper) and | |
| Charles F. Vetter | (screenplay) (as Lance Z. Hargreaves) | |
| Wyott Ordung | (story) | |
Produced by | |||
| John Croydon | .... | producer | |
| Charles F. Vetter | .... | producer (as Charles Vetter Jr.) | |
| Richard Gordon | .... | executive producer (uncredited) | |
Original Music by | |||
| Buxton Orr | |||
Cinematography by | |||
| Geoffrey Faithfull | (director of photography) | ||
Film Editing by | |||
| Peter Mayhew | |||
Art Direction by | |||
| Denys Pavitt | (uncredited) | ||
Costume Design by | |||
| Anna Selby-Walker | (uncredited) | ||
Makeup Department | |||
| Eileen Warwick | .... | hair stylist | |
| Michael Morris | .... | makeup artist (uncredited) | |
Production Management | |||
| George Mills | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stanley Goulder | .... | assistant director | |
| Claude Watson | .... | second assistant director | |
Art Department | |||
| Harry Arbour | .... | carpenter | |
| Peter McGoldrick | .... | construction manager | |
Sound Department | |||
| Terence Cotter | .... | sound recordist | |
| Claude Hitchcock | .... | boom operator | |
| Peter Musgrave | .... | sound editor | |
Camera and Electrical Department | |||
| Frank Drake | .... | camera operator | |
| Peter MacDonald | .... | clapper loader | |
| Les Paul | .... | focus puller | |
Costume and Wardrobe Department | |||
| Charles Guerin | .... | wardrobe | |
| Anna Selby-Walker | .... | dresses supervisor: Miss Landi | |
Editorial Department | |||
| George Saxby | .... | assistant editor | |
Music Department | |||
| Buxton Orr | .... | conductor | |
Other crew | |||
| John George | .... | location manager | |
| Kay Rawlings | .... | continuity | |
| Arthur Tarry | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Everything an aerospace fan could want should be found in this late 50's black-n-white movie about an experimentally manned rocket prototype called Y-13. Unfortunately, something gets lost in the translation.
A navy commander's idiot brother can't follow orders well enough to pilot a spacecraft without flying into a mass of unknown cosmic material which eventually turns him into a grotesque monster. Marshall Thompson tries to breathe life into a dull script that includes a very boring love story featuring Marla Landi as a naval base barfly named 'Francesca'.
Not so great sci-fi/horror offering, and though the monster is appropriately yucky-looking, the rest of this film from Amalgamated Productions is as generic as it sounds.