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Three Murderesses (1959)

Faibles femmes (original title)
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1 nomination. See more awards »
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Cast

Credited cast:
...
Julien Fenal
...
Sabine
...
Agathe
...
Helene Maroni
Anita Ruff ...
Anita Pérez
...
Marguerite Maroni, Helene's mother
Monique Mélinand ...
Mme Fenal, Julien's mother
...
Mme Courcel, Agathe's mother
Héléna Manson ...
Mother Superior
...
André, Agathe's Husband
Noël Roquevert ...
Edouard Maroni, Helene's father
Albert Médina ...
M Courcel, Agathe's father
...
M Fenal, Julien's father
Rest of cast listed alphabetically:
Pascal Aubier
Michel Bardinet
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Storyline

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Plot Keywords:

based on novel | See All (1) »

Taglines:

3 Man-Hungry Girls Who Wanted to Kill the Same Man...With Love! See more »

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

|

Language:

Release Date:

11 February 1959 (France)  »

Also Known As:

Three Murderesses  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(Western Electric)

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Referenced in Seto no hanayome: Faibles Femmes (2007) See more »

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User Reviews

 
a minor ignominy of a French film
23 August 2006 | by (Polotrov, Russia) – See all my reviews

THREE of France's more attractive and unbash-young female stars are put to a minor ignominy in the French film, "Women Are Weak" ("Faibles Femmes"), an intended comedy in color. They are made tochase madly and shamelessly after a character, played by Alain Delon, who is supposed to be thoroughly fascinating, but, for our francs, is not.

This young man, whom some genius press agents of the time had helpfully tagged "the French James Dean," has long, silky hair, high cheekbones and a loose-jointed, soigné air. In close-ups (of which there are many), he smiles come-hitherly and generally is condescending towards the lovelies, who simply flip for him. He rides a motorcycle and affects the hauteur of a "cat." Under Michel Boisrond's intense direction, he is intensely the focus of the show.

But the point is too labored and obvious. The impression soon sets in that this is primarily an effort to promote a new glamour boy. And the fact that the rest of the picture, the story and dialogue, lacks subtlety and wit—is, indeed, downright foolish in its pretense of male attractiveness—finishes it.

There are other annoying aspects. It is apparent that producer Paul Graetz and M. Boisrond, the director, have endeavored to pump some cheap eroticism into it. There is a swimming-pool scene, full of young folk as near nudist as the law allows, which contains some rather seamy shenanigans between the hero and a newly married girl. And there is another scene in which the hero is pounced upon by the three dames and given such a rough-housing as might worry the circumspect.

Fortunately, the girls are fetching. Mylene Demonget is perhaps the most wholesome-looking and impressive. She is the beautiful blonde who was last seen here in "Witches of Salem." She's got the reach and everything on M. Delon. Pascale Petit is what her name says—a skinny little thing with a gamin air. She plays the girl, newly married, who still is a moth for her former flame. Jacqueline Sassard is the spiritual one, a plainly precocious convent girl who is led into mischief and expulsion by the hero's ineffable charm.

Obviously, all three of these young ladies are stronger than M. Delon. It is tiresome to see them wasting their strength on the likes of this film.

There are English subtitles, but they are no brighter than the script.


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