Summer, 1943: wealthy youth in the Riccione district of Rimini play while the war gets closer. Carlo Caremoli, a young man who follows the crowd, has found ways to avoid military service. ... See full summary »
Purif, young peasant of the South Italy, is considered from the people a possessed one and a witch. All of the village is hostile to its activity magical and sorceress. The girl will be ... See full summary »
Mario is in Hannover to work as a miner but after loosing his job he decides to go back to Italy. When Totonno steals his passport to avoid the police and later on he offers him a new job ... See full summary »
In the industrial North, Giovanni is a skilled factory worker offered a promotion if he'll go to Sicily for 18 months to assist in a new department. His impending absence strains his ... See full summary »
Salvatore e Romolo sono giovani e vogliono divertirsi. Amici per la pelle vanno in giro in cerca di ragazze senza mai entrare in competizione. Finchè incontrano Giovanna. I due si danno ... See full summary »
Alberto Menichetti lives with an aunt and an old housekeeper, Clotilde; he has a job in a firm and his boss is Mrs. De Ritis, a widow whose husband was killed during a wild boar hunt. She ... See full summary »
A young and shy girl Celestina arrives from her small home village to Rome to become a housemaid. Her inexperience and naivety causes her to change her employers quite frequently. As she is... See full summary »
Summer, 1943: wealthy youth in the Riccione district of Rimini play while the war gets closer. Carlo Caremoli, a young man who follows the crowd, has found ways to avoid military service. Then, on the beach, he meets Roberta, a war widow with a child. Roberta's mother warns Roberta to avoid Carlo, but to her, he seems attentive and to her daughter he is kind. Romance develops. Within a few weeks, Roberta is risking everything. Can there be a resolution between passion, on the one hand, and war, duty, and social expectation on the other? Written by
Overly Melodramatic film by Maestro Zurlini saved by the fantastic cinematography and Trintignant's performance
After being quite impressed by the near-masterpiece comedy Zurlini made in 1954 "The Girls of San Frediano," I was very much disappointed by "Violent Summer," an overly melodramatic soap-opera made 5 years later. Too bad Zurlini couldn't restrain himself from the melodramatic overstatements that ruin the film because the cinematography couldn't be better and the young Trintignant's performance is pretty amazing.
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