Based on the Edward Bulwer-Lytton novel. Set in the shadows of Mt. Vesuvius just before its famous eruption, the film begins with Glaucus, a Roman legionnaire, returning to his home from ... See full summary »
Malasyan pirate Sandokan accidentally learns that Lord Brook plots to obtain the crown of Malasya by kidnapping the legitimate rajah and his daughter and forcing them to abdicate so he gathers his best man and launches a rescue operation.
En route to Thebes for an important diplomatic mission, Hercules drinks from a magic spring and loses his memory. He spends most of the movie in the pleasure gardens of Queen Omphale of Lydia. While young Ulysses tries to help him regain his memory, political tensions escalate in Thebes, and Hercules' new wife Iole finds herself in mortal danger. Written by
Molly Malloy <firstname.lastname@example.org>
Italian censorship visa #28586 issued January 31, 1959. See more »
Watch closely the second time Hercules takes up Ulysses' challenge to bend the iron torch stand in an attempt to remember who he is. He successfully does so, and then unbends it just as easily, leaving a slight curve in the stem. However when he returns the stand to its original location, the stand is perfectly straight. See more »
Only a fool would curse a fairy tale because it narrates the actions of a witch. A good man has a strong enough heart to allow differences to flourish as long as people are allowed to live their lives in a peaceable manner.
That's the great lesson that underlines this film, otherwise silly and occasionally mawkish. I suppose that's why intelligent children have loved the Hercules myth ever since it could be recorded. Hercules is pretty dumb, but he's a nice guy with good intentions, the most important of which is to keep those who have let power corrupt them from bringing ruin to farmers and villagers and other peaceful working people.
Here he is threatened by three evil generals and an over-self-indulgent witch. The plot is partly based on the Hercules myth itself, but borrows freely from the Odyssey and from the Oedipus plays, with just a dash of the Argonauts legend tossed in briefly at the beginning.
Alright, so it's a mess. And the middle third is just outright dull as the witch grows to love her buffoonish captive.
Never mind. It's well-made for its time and place, colorful, and even occasionally lyrical. And some of the fight scenes retain their excitement, after all these years.
Perhaps best viewed - and understood - by children; but can provide real entertainment for intelligent adults in the right frame of mind.
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