Edge of Eternity (1959) Poster

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7/10
Grand vistas of the Grand Canyon
bkoganbing2 December 2015
One of nature's natural wonders the Grand Canyon of Arizona serves as the backdrop to this modern day western where a breakout of three murders occur within a week. They don't seem to be related but of course they are and Deputy Sheriff Cornel Wilde pursues them all with the backing of Sheriff Edgar Buchanan.

Wilde and Buchanan have their work cut out for them. The prosecuting attorney is from a different political party which backed a candidate against Wilde in the last election in Mohave County. Wilde's had issues in the past and his conduct of the investigation is used against Buchanan.

In all of this it centers around a scheme to steal gold out of a working mine in the Grand Canyon that's owned by Victoria Shaw and her family. Wilde and her get a little romance going and her knowledge of fashion and designer labels is what gives him the clue to crack things open.

The last 20 minutes involve the villain taking Victoria Shaw hostage with a nasty fight on a cable car that goes over the canyon between Wilde and the villain. Really well done a harbinger of some of the action stuff that is more prevalent in today's films. All staged and directed with distinction by Don Siegel.

Edge Of Eternity is a crackerjack noir mystery set in the modern west, but hardly in a tight urban setting. You can't get more expansive than the Grand Canyon and I saw it about 5 years after Edge Of Eternity was filmed there. Grand doesn't begin to describe it, but this film will give you some idea.
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7/10
Murder and Mayhem in the Grand Canyon
snicewanger18 August 2015
Director Don Siegel and star Cornel Wilde combine to give audiences a fast paced and very entertaining murder mystery that keeps everyone guessing until the breathtaking climax.The wild beauty of the Grand Canyon and the Colorado River serve as a backdrop to the mystery This is the closest that Wilde ever came to making a western and he is cast as a former Las Vegas police detective who is now a deputy sheriff in an Arizona town and is faced with a series of baffling murders in what is normally a quite and peaceful little desert hamlet.Wilde becomes romantically involved with the daughter of towns local big shot played by Victoria Shaw who he meets while giving her a speeding ticket. Ms Shaw was married to actor Roger Smith at the time.. The father is of course hostile to the relationship, particularly when he becomes a suspect in the murders. Crusty Edgar Buchanan portrays the slow moving sheriff who is occupied in a feud with the county prosecutor regarding the crimes. Mickey Shaughnessy plays Scotty O'Brien who owns the town's only tavern and liquor store. Scotty seems to know a lot of town secrets but like all good bartenders he is very discreet.

Of course the Canyon is as much a star in the film as any of the actors and Siegel gets a marvelous performance from the river and the gorge.From the jaw dropping beginning to the heart pounding climax, the Canyon is the real star. Siegel favorites Jack Elam and Dabbs Greer have red herring roles. Seek this one out you will be glade you did.
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7/10
Satan's Bucket.
hitchcockthelegend6 May 2014
Edge of Eternity is directed by Don Siegel and written by Richard Collins. It stars Cornel Wilde, Victoria Shaw, Mickey Shaughnessy, Edgar Buchanan and Rian Garrick. A CinemaScope production with music by Daniele Amfitheatrof and cinematography by Burnett Guffey.

Contemporary Western that finds Wilde as the local deputy sheriff trying to solve a murder case in the Ghost Town of Kendon.

It's not got a strong plot and the performances of the cast are hardly out the top draw, but it's a solid murder mystery set to the magnificent backdrop of The Grand Canyon. Siegel keeps things pacey as Guffey brings the scorching vistas to life, and it all builds to an exciting finale, where some rear projection work not withstanding, it's breath holding stuff. 7/10
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Expert in Shades of Red
dougdoepke17 February 2008
Unusual outdoor suspenser from Columbia studios, guided by sure-hand of cult director Don Siegel. It's a super-slick production that makes great scenic use of the magnificent Grand Canyon. Nothing profound or head-scratching here, just A-grade movie entertainment.

A string of mysterious murders in a remote Arizona ghost town has deputy Cornel Wilde flummoxed and sheriff Edgar Buchanan about to lose his job. Add to that the sassy and beauteous Victoria Shaw in red-haired Technicolor, gabby bartender Mickey Shaugnessy, and professional hick Tom Fadden, and you've got a cast lively enough to compete with the compelling scenery. Even the stolid Wilde loosens up more than usual, though his countrified accent sort of comes and goes.

Great staging. I really liked the scene at the abandoned mine, where Shaw explains what happened to the fabled gold-mining industry after the war. This may be the only screenplay to take up that topic, which seems odd given the metal's rich role in the settling of the West. So if you're curious about why the industry suddenly disappeared from the American landscape, this is the movie to catch.

The episode in the "dancing bucket" is a real hair-raiser. If I recall a book correctly, Shaw was terrified of doing those high-wire scenes and Siegel had to go to some lengths to get them shot. Given the heights involved, that's not surprising. Anyway, there's action, mystery and plenty to look at including Miss Shaw who unfortunately died much too young. So if you've got a spare 90 minutes, scope out the kind of movie Hollywood was making back when Cinemascope was trying to lure audiences away from the little screen.
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7/10
The Grand Canyon Is the Real Star
romanorum12 June 2014
An older gray-haired man, in a dark blue suit, drives to the edge of an unpaved road along the Grand Canyon, gets out, and, directly in front of his late-model yellow car, gazes over the canyon with his binoculars. While he is thus occupied, another man, younger and heavier set, sneakily walks up to the car, releases the brakes, and pushes it; his intent is to strike the older man and so that both he and his auto will plunge over the canyon. The car misses the well-dressed man who jumps out of the way. The younger man lunges for the older one but the ensuing quick struggle results in the victory for the older man. The younger one falls a long way to his death.

Right after we see Eli Jones (Tom Fadden) who fruitlessly tries to get the attention of deputy sheriff Les Martin (Cornel Wilde). Eli has seen the older man walking aimlessly (after the struggle), but Eli has previously "called wolf" once too often, so the sheriff dismisses him. Instead he chases after a fast driving young lady (Janice Kendon, played by Victoria Shaw) and gives her a speeding ticket. Later we find out that her brother Bob (Rian Garrick) is a drunk. Their father Jim (Alexander Lockwood) is an owner of the nearby Kendon mine. Meanwhile Eli returns to his office (the Kendon Mine Corporation), a remote frame structure. He sees the older man, the one in the dark blue suit, hanging from the ceiling with his hands tied behind his back. Sheriff Edwards (Edgar Buchanan) and Deputy Martin, who have been summoned by Eli, are on the scene of the crime. "Well, at least we know it's not a suicide," quips Edwards.

While Deputy Martin is investigating the case, he meets with guano mining foreman Bill Ward (Jack Elam), who tells him that his watchman, Charlie Piper, is missing. Martin discovers that the current mining operation (US Guano) involves 500,000 tons of bat guano (sold for fertilizer). A tram car supported by cable traverses 9,000 feet across the canyon. The expression "over the rim" had cropped up in Martin's investigation. The tram has something to do with something nefarious. At Scotty O'Brien's bar in town (Kendon), Martin gathers no information. A little more than a half-hour into the film, Martin and Bill Ward are being flown over the canyon where they spot a crashed yellow car and Charlie Piper's body. (Piper was the dude who tried to kill the older man at film's beginning.)

At the abandoned gold mine post Martin arrests a vagrant, Suds Reese. He has binoculars with the initials R.E.W. They are obviously not his; Reese claims he found them. But this comes to nothing. While Martin's investigation continues, his budding romance with Janice Kendon romance has amplified. One night at the Kendon Office Eli, alone, watches a TV show. A man, whom we do not see, enters. Through the man's eyes we observe Eli. Eli tells the man that he has spotted something of interest on the framed photograph hanging on a wall. It is Jim Kendon posing in a group photo next to the murdered man in the dark blue suit. Eli says that he will immediately call the sheriff. Thereupon the stranger takes a knife and stabs Eli to his death. Another murder!

The next scene focuses on a coroner's inquest that the politically minded county attorney is using for his own advantage. He is backing his own candidate for sheriff with the intention of removing both Edwards and Martin. The CA tries to rile up the citizen's committee. The coroner reminds the CA that the purpose of the inquest is to discover the identity of the dead man (blue suit) and the cause of his death. Because of the budding political situation over the unsolved three deaths, it is imperative that there is break in the case.

A break does occur about an hour into the feature. Deputy Martin discovers that the identity of the man in the blue suit was Randall E. Whitmore of New York, Executive Vice-President of Kendon Mining Corporation. Martin quickly drives out to the Kendon family home where all three family members (Jim, Bob, and Janice) happen to be present. Jim is genuinely shocked to discover that the dead man was Whitmore. And why was he out in Arizona instead of the NY offices? Martin surmises that Whitmore found out that someone was taking some of the gold from the Kendon mine without permission. Difficult, but can be done, says Jim Kendon. While this is transpiring Bob gets a telephone call and leaves. Janice, suspicious, says she will make a pot of coffee, and leaves the room. Instead of heading out into the kitchen, however, she takes her car and follows Bob to the local airstrip. At the airstrip things come together and we see the main bad guy, who comes as a surprise. I will not reveal his name. The movie climax occurs about 15 minutes later, and it involves a shootout on the suspended tram high above the Grand Canyon.

Using a USA National Park/Monument in movies goes back a long way. For instance, the first motion picture featuring aerial views of the Grand Canyon was a Tom Mix western, "Sky High" (1922). Yellow Sky (1948) was filmed at Death Valley National Monument (now Park). John Ford's beloved Monument Valley was the setting for many of his westerns, including "Stagecoach" (1939) and "The Searchers" (1956). Alfred Hitchcock used the Statue of Liberty National Memorial in "Saboteur" (1942) and Mt. Rushmore NM in "North by Northwest" (1959). In "Dangerous Mission" (1954) the star was Glacier National Park. "Close encounters of the Third Kind" (1977) featured Devil's Tower National Monument.

The cinematography is simply excellent. It must be also said that the acting is decent, even with Wilde's strange accent. Victoria Shaw looks great and for once Jack Elam is not the heavy. Entertaining and suspenseful!
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7/10
A film that will literally blow your hat off.
mark.waltz3 March 2022
Warning: Spoilers
There were a ton of very cinematic films in the 1950's and 60's that on the big screen makes the viewer say "wow!", and this literally is one of the grandest. It stars that 40's screen heartthrob in one of his most gripping films (literally) as he deals with murders in the Grand Canyon and a spoiled heiress, Victoria Shaw, whose brother appears to be involved in something Shady. You pretty much know from the start who the villain is, and with a cast like Mickey Shaugnessy, Edgar Buchannan, Dabbs Greer, Jack Elam and a memorable unbilled bit by Hope Summers, it's a lot of fun. But the real star of the film is the scenery, done in Cinemascope and glorious Technicolor, with some pretty impressive vistas and a car chase scene at the very beginning between Wilde and Shaw down the curvy highways of the canyon that is very impressive.

The highlight is a climax, a scene on a utility tram that crosses the canyon where Wilde, Shaw and the villain go at it, and it's pretty obvious how it's going to end. The cries of the villain to be saved are definitely met with the audience responding, "Nope", and when the obvious happens, I screamed out, say hello to the roadrunner and the coyote for me when you land! It's exciting, non-stop action, a plot we've seen thousands of times before, but is always fun when it's done right. This is the type of film that definitely got a lot of word-of-mouth, and in a pristine print, looks fabulous at the ripe old age of 60 plus. Shaw's a feisty heroine, someone whom Wilde needs to tame for her reckless ways, yet have fun doing it. If I ever see this advertised to be in a repertory theater, or at the Museum of Modern Art, I'm there.
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6/10
Of special interest to those who've lived in Kingman
Oskado21 October 2015
While flipping channels before leaving a hotel room, I caught sight of a screen view of Kingman's court house (Mohave County, AZ) and, moments later, a view of old main street (Beale Street). I hadn't time to watch the film, but as I'd lived in Kingman 25 years, I ordered the DVD out of curiosity to see what other old scenes it might offer.

The film appears, indeed, have been shot entirely in the Kingman area of 1959, and the city is far smaller than the one I moved to in 1982. The Grand Canyon location within the film is today that of Grand Canyon West, a touristic site belonging to the Hualapai Reservation. Remains of the funicular link to what was once a guano mine below, as well as an auto that crashed to the bottom, are still visible as a part of the GCW tour loop. A few scenes appear to have been shot in old Oatman (a picturesque ghost mining town) and some others north of Red Lake on the way to Lake Mead.

In regards to the film, I feel that 1.) its script lacks what might have been some obvious and logical improvements, 2.) its runtime needs extension by about 10 minutes to allow denouement of a number of subplots, and 3.) overall, the film is structured in a rather amateurish, low-budget fashion. Compared to many a Western film of the 1950s, however, this one is not so badly done and provides entertainment.

Despite the above criticism, I - like another reviewer - found myself looking into Victoria Shaw's biography, wondering if I might explore her appearance in other films. Unfortunately, they are very few.
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7/10
Edgy
ulicknormanowen14 March 2021
Filmed on location in a grandiose site, the movie is a taut suspenseful murder mystery ,close to English whodunit.The last scene , on the "dancing bucket" is not recommended for people suffering from vertigo ,a tour de force by Don Siegel whose movies are short (this one, the remake of "the killers "or his masterpiece "invasion of the body snatchers " ) but highly effective .

Cornel Wilde has style in his green uniform and Victoria Shaw ,though a reckless driver, is an endearing character ,particularly when she talks about the past of the place .
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8/10
Excellent mystery-thriller
chris_gaskin12314 June 2005
I taped Edge of Eternity when Channel 4 screened it some time ago and found it very enjoyable. Some reviews state this as a Western, but it is more of a mystery-thriller than a Western.

A Sheriff in Arizona investigates three murders around the Grand Canyon and is help by a woman and not surprisingly they fall in love with each other. The killer then takes the woman hostage and he is caught in the dramatic final showdown in a minor's bucket, high over the Grand Canyon.

Edge of Eternity has some magnificent scenery. especially the Grand Canyon scenes.

The cast is lead by Cornel Wilde as the Sheriff, Victoria Shaw as his love interest and Micky Shaughnessy. All play good parts.

This movie is a must see, just for the scenery. Excellent.

Rating: 3 and a half stars out of 5.
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7/10
Typical no frills direction from Siegel; grand photography, scenery; strong dialogue
adrianovasconcelos10 September 2022
Don Siegel directs EDGE OF ETERNITY with his trademark no nonsense approach, benefitting from lovely Grand Canyon scenery to build atmosphere around the guano mining "dancing bucket" - a cable car used by the US Guano Company to carry that iconic bat discharge - which will be the scene of the film's climax.

EDGE OF ETERNITY grabs you from the outset, and at an economical 79' it is easy on the eye and on your time.

Add to that a solid cast (though Cornel Wilde looks long in the teeth for lovely Vicky Shaw), with Buchanan and Elam in show-stealing small parts, and a surprising villain to boot - plus a script with sharp and straight shooting dialogue, and breath-taking Grand Canyon sights, and you just have to enjoy EDGE OF ETERNITY.

The climax on the funicular may have inspired writer Alistair McLean to a somewhat similar struggle in WHERE EAGLES DARE (USA 1968). Though you have to suspend your disbelief, it is an important scene in that it shows just how completely self-absorbed the unexpected villain is, making its character more rounded and believable in its urge to get gold and dispatch witnesses.

Well worth watching.
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5/10
Watch it for the Grand Canyon
Leofwine_draca12 February 2016
EDGE OF ETERNITY is a nice mix of modern-day crime thriller with classic Western tropes and supporting characters. Action man Cornel Wilde plays a deputy sheriff investigating a string of murders in and around the Grand Canyon, and he soon finds himself on the trail of a man who will stop at nothing to see his schemes come to fruition.

Obviously the biggest draw of the movie isn't the cast but the location. Arizona has never looked so good under this film's crisp cinematography, and the Grand Canyon cannot fail to seem rugged and magnificent, lending this film an air of toughness just from its presence alone. Plus we get the direction of Don Siegel, years before he became well known for his Clint Eastwood movies, and his hand is just as assured here.

Wilde is merely acceptable as the hero, although his character is not particularly likable. The plotting is a little strained in places with some important moments seeming rushed while other bits drag out (like some romantic-style sub-plots). It's not bad, though, and I love that 1950s colour. The high-rise action climax brings to mind the likes of NIGHTHAWKS. A youthful Jack Elam plays in support.
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10/10
Very interesting,fast paced Whodunnit!!
Boy_with_no_name27 February 2014
Like all of Don Siegel's movies we are immersed in the action from the beginning of this spectacularly shot mystery thriller.Not a single frame,word or gesture is wasted just like in all of Don's films.No wonder Clint Eastwood attributes his own economical movie-making style to him. Cornel Wilde's deputy sheriff carries the whole film very well like in a old school noir mystery he is in almost every scene piecing the puzzle along with us and we are not given any information other than what he learns therefore the final revelation is as shocking to us as is to him. Like of all Don Siegel movies the supporting cast is great; including the late and great Edgar Buchanon, Siegel regular Jack Elam and the very beautiful and charming Victoria Shaw.But like in all his films the bad guy (revealed at the end)is awesome. Kudos to Don Siegel ,one of my all time favourite directors. Special mention has to be made of the film's stuntmen's work in the climax.I won't spoil it but it's a nail biting sequence.
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7/10
Starring...THE GRAND CANYON!!!
CatRufus55916 September 2020
Yes, the Grand Canyon is truly the star of this low-budget whodunit. Cast, led convincingly by Cornel Wilde, does their best with some truly awful dialogue. Sharon Stone lookalike Victoria Shaw tries hard; I'm sure the nasty wardrobe choices weren't her idea ("Okay, Vicky, we're going to need you to look as much like a Christmas tree as possible in this scene for no reason whatsoever"). The colors were a little washed out on the version I watched on cable, but the Grand Canyon views were still magnificent. Recommended.
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1/10
Brought to you by the Arizona Dept. of Tourism
mls418210 January 2022
Yeez. What a bore. 80 minutes of staring at the deep pit and dry rocks of the Grand Canyon.

Dull, uncharismatic actors, characters you don't care about and a dull script several murders can't even liven up. The 1958 Edsel wagon and the Thunderbird convertible are the most interesting elements of this film.

Don't bother unless the dry desert landscape makes you tingle.
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On the brink.
rmax3048238 January 2004
Warning: Spoilers
One thing you have to say for Don Siegel -- he managed to work in some scenic locations, in this case in and around the Grand Canyon. But this is a formula film, not an identifiably Siegel product. His favorite theme seemed to revolve around a person caught between the law and the underworld, siding with neither, on his own trip so to speak. And he was not a camera artist. There are no fancy shots in his movies, no epic explosions, no artsy compositions. It's all craftsmanship -- but it's really GOOD craftsmanship at its best. It's difficult after the fact to pin down exactly what his contribution was to his best films but he seemed to add something of his own to the script and to pull out unusual performances from otherwise ordinary actors.

Take "Line Up", made about the same time as "Edge of Eternity." It's a relatively plain movie about dope smugglers but Siegel managed to put something extra in it. There's Robert Keith, nobody's idea of a finely tuned performer, doing something very odd with his intellectual reserve. And Siegel even manages to turn Vaughan Taylor (!) into a figure of menace even though he has no more than one or two lines of dialogue.

Nothing like that happens here. Cornell Wilde is the upright sheriff. Edgar Buchanan his folksy boss. Mickey Shaughnessy is the heavy posing as the comic relief. There is the drunken wastrel of a son. There is the pure (if rather aggressive) girl after Wilde. Jack Elam as a regular hard hat. The plot is simplicity itself. A small group of nogoodniks are trying to smuggle gold out of an abandoned mind and commit a couple of murders along the way. The plot is foiled by Wild, ending in a fist fight aboard one of those dangling trams over the Grand Canyon, done better than the one in "Second Chance" but not as lengthy or exciting as the one in "Where Eagles Dare." No unusual guns are in sight. No bitterness or betrayal. The actors hit their marks, say their lines, and depart. It's as if Siegel were shadow boxing, warming up a bit.

If there is anything outstanding about the film it's the gorgeous photography, crisp, colorful, sunny, and the scenery itself. The cars are equally magnificent, especially a long yellow convertible that glistens under the day-for-night sun. Yet it's engaging as these things go. It's formula movie making but it's not bad, anymore than Pythagoras' theorem is bad. It's just -- well -- just THERE. On the plus side, I never knew that bat guano was worth so much that even a considerable quantity would justify building a tram across the Grand Canyon. What would we do without bats?
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7/10
Excellent Cornel Wilde Pic!
TheJonesBones14 July 2022
This is thriller/suspense, 'Fifties style! This film's climactic scenes over the Grand Canyon will give you the willies, I bet!

Cornel plays a county sheriff tasked with solving a series of gruesome murders in an abandoned Nevada ghost town. A ghost town that happens to sit on top of millions in untapped gold ore. Naturally, levels of mischief rise with the price of gold.

While you won't hear about this one winning awards, I guarantee a good time. Especially if you have a thing about heights - man, ANYTHING dangling above the Grand Canyon like that is going to pucker MY factor!
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7/10
Crime Thriller with Cornel WILDE
ZeddaZogenau25 February 2024
Murder with a View - Thrilling Grand Canyon crime thriller with Cornel Wilde

There's a lot on offer in this exciting US crime thriller (1959) by Don Siegel (1912-1991, director of "Dirty Harry"). Shot in CinemaScope format, you can see beautiful images of the natural wonder of the Grand Canyon. The film was released in cinemas by Columbia Pictures.

At the beginning there is a bizarre murder attempt. The killer loosens the handbrake on a car. The car slowly rolls towards a tourist who is looking at the impressive Grand Canyon with binoculars. He only manages to avoid the approaching car with difficulty. During a fight with the killer, he falls into the depths of the canyon. Unfortunately, no one believes the completely shocked near-murder victim. The usually conscientious Deputy Les Martin (Cornel Wilde) prefers to chase after a pretty speedster (Victoria Shaw). Meanwhile, the tourist is killed.

What now?

Full of remorse, the robust deputy sets about the arduous task of solving the case. He also gets to know the pretty speedster's family: her father (Alexander Lockwood), who works in the nearby mine where guano fertilizer is mined, and her drunk brother (Rian Garrick), who spends all day in the bar Scotty (Mickey Shaughnessy) hangs out. It becomes increasingly clear that the mysterious murder must have something to do with the mine. Because there is an interesting by-product when the guano fertilizer is broken down: GOLD!

The spectacular showdown in a cable car over the Grand Canyon is not far away...

This is a really exciting film with Cornel Wilde (1912-1989), great as always. The Hungarian-born actor came to the film as Laurence Olivier's fencing coach. With his impressive physique, he became one of Hollywood's "leading men" in the 1940s and was even nominated for the ACADEMY AWARD (1946 for POLONAISE). His most famous appearance was probably as a trapeze artist in the circus classic "The Greatest Show on Earth" (1952) by Cecil B. DeMille. In the 1950s, the multi-talented Cornel Wilde became his own director and producer. He did this very well in the great film "Storm Fear" from 1955.

In "Edge of Eternity" Cornel Wilde impresses for a change "only" as an actor. The Australian actress Victoria Shaw (1935-1988) acts as his love interest.

Exciting and worth seeing! It's worth it!
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8/10
Spectacular vibrant colors and unbelievable Grand Canyon stunt work .....
merklekranz7 April 2017
"Edge of Eternity" is without question the finest color photography I have ever seen. The colors of the Grand Canyon are displayed in razor sharp beauty, especially when viewing "Twilight Time's" limited edition Blueray. While the murder investigation is rather ordinary, and the love interest between Cornel Wilde and Victoria Shaw kills time, all is forgiven with the spectacular aerial photography, unbelievable stunts, and fabulous fifties cars on display. The highlight of course is seeing the U.S. Guano tram swinging wildly over the Canyon as Wilde and Mickey Shaughnessy engage in a gun battle. This is truly a one of a kind film, not for it's story, not for it's acting, but for the unforgettable photography and the unique and exciting climax. "Edge of Eternity" is a must see. - MERK
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4/10
When 'noir' opened out into Colour
badajoz-116 December 2015
Warning: Spoilers
In the 1950s when television was beginning to make inroads into the cinema-going audience, Hollywood made films that were grander, bigger, more colourful, and shot on location. So you got huge big budget historical epics, but also smaller films that were given wide screen and colourful location treatment. Thus some movies like the 'crime noir' genre were opened out into big screen colour, thus almost at a stroke cutting 'noir' off from its' roots in black and white. This is such a film. But, despite the fact that Don Siegel is the director, the movie is short on suspense and any deep characterisation - at 80 minutes it really is too short for much. But perhaps the budget was being too stretched! However, we get lots of aerial shots of the tremendous Grand Canyon, and a spirited, breathtaking denouement on a tramway over the said gorge. The actors try, against a very ordinary script. But the plot is fairly preposterous - unknowns taking gold out of an old mine with no-one noticing, until murder of a John Doe sets the flawed Deputy Sheriff (Cornel Wilde) off in pursuit. There are political pressures as well, but never fully realised. A romantic element is in the backdrop and provides the vital breakthrough, but it never all adds up to much, except the scenery and location.
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8/10
A Bat Guano Mystery
Homeric25 January 2017
Take the Grand Canyon, a cave full of tons of bat guano, an aerial tramway, an old deserted mining town, a beautiful red head, Cornel Wilde, Jack Elam, Edgar Buchanan, 50's cars, all filmed in vibrant color, and a few corpses and you get a really different mystery film that moves briskly along during its 80 minutes. This film would be worth watching if only for the scenes of the aerial tramway heading down into the Grand Canyon, something that you'll never see again, and it was all real! The mine depicted in the movie really existed, and so did the U.S. Guano Corporation!!! This movie is a time capsule and is fascinating to watch for just the period effects and the settings. Very enjoyable.
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5/10
Gold Canyon
Prismark1026 November 2016
Don Siegel has an eye for the visuals in this mystery story set in the Grand Canyon but the plot and dialogue are merely serviceable.

Deputy Sheriff Les Martin (Cornell Wilde) patrols the canyon area which includes an abandoned gold mine. He listens to a tall story told by an old timer of a beaten up guy he saw when he suddenly pursues Janice Kendon (Victoria Shaw) the daughter of a local mine owner who speeds past him and after he books her they begin flirting with each other.

Pretty soon the deputy is investigating missing men, murders and looking into whether gold is being smuggled out of the mine works. You have an old coot, a drunken son, a hostile father, a foreman, a comic relief and any one of them could be the shady heavy.

There is an entertaining climax with the cable cars high above the canyon and there seemed to be a real bat cave full of bat crap which was involved in the location filming. I think a bit of bat poo went into the script.
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50's murder mystery set in the Grand Canyon
Sleepy-1718 February 2002
Great location photography, intriguing story involving bat guano (like Dr. Strangelove), cheesy script charmingly delivered by Cornel Wilde. A rare appearance by the gorgeous Victoria Shaw, who would have made a great Hitchcock heroine but made only a few films, and died at 53. Her red hair is perfectly matched to her colorful outfits. (Normally I never make a notice of costumes but she just looked incredible.) This is a very entertaining flick with plenty of 50's camp and an exciting finale.
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10/10
It Has Everything
januszlvii15 July 2019
Warning: Spoilers
If someone likes scenery, action, mystery and suspense look no further then Edge Of Eternity. One major plus is the filming in Kingman Arizona and the Grand Canyon. The ending involves a tram over the Grand Canyon featuring Deputy Sheriff Les Martin ( Cornel Wilde), love interest Janice Kendon ( Victoria Shaw), and Scotty O'Brien ( Mickey Shaughnessy). Up until then it us about Martin trying to not only catch a killer but find out who the victim was, and the motive for the crime. Another plus was Shaw' s Janice who was very aggressive when it csme to wanting Les. In fact, for a character who is not bad, exceptionally so. Does she win? Spoilers ahead: She says: " Les don't leave me." His response? "I am not leaving you EVER." As for the acting, I have seen Wilde in several movies and he never made an impression on me ( good or bad), this movie is different and he is excellent ( and he is in over 90% of all the scenes). Did I forget it has a Top Flight Director in Don Siegel? Once again, this movie has everything. 10/10 stars.
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5/10
You ain't nothin' but a hound dog.
bombersflyup3 April 2024
Warning: Spoilers
Edge of Eternity is a scenic murder mystery at the Grand Canyon, so so at times.

Makes you think, how many women or men Police Officers would pick up from traffic infringements, or something similar and how many of their relationships are built off that starting point, more so before technology I mean. The fight scenes are weak, along with the obvious screen and backdrop. I really like the twist or turning point though, where the brother receives a call and storms out and Janice follows to stop him and then Deputy Sheriff Les soon realizes and follows as well and it's the jovial bartender/owner, who I enjoyed, played by Mickey Shaughnessy. The question remains, was the brother faking being a drunk and also when Janice was speeding initially it appeared an intentional act to draw the attention of the Deputy Sheriff, but turns out it was just to get his attention, as she wasn't in on it. Could she not fly the plane and did the bartender know this, because he certainly didn't consider it, or is that just suppose to be understood in this time period.
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9/10
Spetacular Don Siegel movie
jazerbini2 October 2019
Don Siegel would become known for his high-impact, well-structured films, with good storylines, and usually got the most out of his actors. One of them, Clint Eastwood, not only had memorable performances under his direction, but fully absorbed the master's lessons and later devoted himself to directing, with the same commitment and grit as Siegel. The film is not only an adventure in the wilderness of the desert, very well filmed, but an above average cop and also an excellent thriller. The protagonist is the great Cornel Wilde, who had beautiful adventures in the 1940s, spanning the 1950s, and a second heavyweight team: Mickey Shaughnessy, Edgar Buchanan and Jack Elam, respectable presences in any film. It's really a thrilling movie, a great show, very good !!!
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