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The Diary of Anne Frank (1959)

7.4
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Ratings: 7.4/10 from 8,635 users  
Reviews: 48 user | 33 critic

Harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.

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(screenplay), (screenplay), 3 more credits »
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Title: The Diary of Anne Frank (1959)

The Diary of Anne Frank (1959) on IMDb 7.4/10

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Won 3 Oscars. Another 6 wins & 11 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Gusti Huber ...
Lou Jacobi ...
...
Douglas Spencer ...
Dodie Heath ...
Miep (as Dody Heath)
...
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Storyline

Based on Anne Frank's diary, and the stage play that was adapted from it: In Nazi-occupied Holland, Otto Frank and his family have decided to go into hiding, because of the increasing persecutions against Jews. The businessman Kraler and his assistant Miep prepare a hiding place in the rooms above their place of business, and arrange for the Franks and another family, the Van Daans, to stay there. Later on, they are joined by the dentist Dussel. Together, they try to avoid detection while hoping for Holland to be liberated by the Allies, but even meeting basic needs can become a challenge, and even minor incidents could present a grave risk. Written by Snow Leopard

Plot Summary | Add Synopsis

Plot Keywords:

attic | jewish | dentist | diary | fear | See All (65) »


Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

17 April 1959 (Netherlands)  »

Also Known As:

Anne Franks dagbok  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (FMC Library Print)

Sound Mix:

(Westrex Recording System) (5.0) (L-R)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

George Stevens had trouble getting suitable emotion from the actors when the American plane passes by. So a record player was hidden in the soundstage and set to play "The Star Spangled Banner" to evoke an emotional reaction from the American actors. See more »

Goofs

When Anne Frank and Otto Frank begin to hum and dance, the closed captioning says "The Blue Danube", which is wrong. The song they hum to is "Tales from The Vienna Woods". These two songs sound similar because they were both written by Johann Strauß. See more »

Quotes

[first lines]
Kraler: Mr. Frank. - Mr Frank?
Otto Frank: Kraler. - Mr. Kraler. Miep. My good friends.
See more »

Crazy Credits

At the end, neither a "The End" credit nor a cast list appears, only the title of the film once more ("The Diary of Anne Frank"). See more »

Connections

Featured in 20th Century-Fox: The First 50 Years (1997) See more »

Soundtracks

In Naam van Oranje
(uncredited)
Traditional
See more »

Frequently Asked Questions

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User Reviews

Stevens' Big Gamble
11 July 2003 | by (Cleveland, Ohio) – See all my reviews

Just as Otto Preminger gambled in the casting of unknown Jean Seaberg in the title role of "St. Joan," so George Stevens similarly took a big risk with Millie Perkins in "The Diary of Anne Frank."

As the story goes, Stevens saw model Millie on a magazine cover, fell in love with her expressive eyes, and theorized that this unknown would be more effective than an established star to portray Anne.

Though Perkins had no acting experience, Stevens--at the peak of his career--was confident that he could teach Millie to act, at least for this film.

Although Audrey Hepburn was very interested in the part (as was Stevens in her) Stevens finally decided that it would be more effective to use a fresh actor--one with whom the public would have no pre-conceptions. (Other successful cases to support his theory being Hurd Hatfield as Dorian Gray and Robert Alda as George Gershwin.) Still, it was a huge gamble, since Anne was the pivotal role in this major production.

Well, the results are now history. For many moviegoers Perkins was just fine. While some critics easily spotted her reedy inexperience and rather sympathized with her being thrust into a super-professional arena, they conceded that Millie did do a commendable job.

Unfortunately, Perkins took a lashing from most critics, and her subsequent acting career has been relegated to minor roles in "B" films. Those are the "breaks," though in the fickle film world.

Yet, with all this, many people still think of Perkins' countenance when they envision of Anne Frank. So she and Stevens made a lasting impression.

Likewise, for many, this production remains the definitive version of a profoundly touching World War II real-life chronicle.


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