Bored with her husband, bored with her polo-playing lover, will the middle-aged heroine go away with the young man who gave her a lift that day when her car broke down on the way back to ... See full summary »
Juliette Merteuil and Valmont is a sophisticated couple, always looking for fun and excitement. Both have sexual affairs with others and share their experiences with one another. But there ... See full summary »
A legendary Egyptian football coach is brought back from retirement by his former star player to train a team of pan-Arab misfits in Jordan to compete against France in order to secure ... See full summary »
The timid Blanche de la Force decides to retreat from the world and enter a Carmelite convent. The Mother Superior informs her that the Carmelite order is not a refuge: it is the duty of ... See full synopsis »
The University of California at Berkeley, the oldest and most prestigious member of a ten campus public education system, is also one of the finest research and teaching facilities in the ... See full summary »
Somewhere in Middle America, 1907: Maria II, the daugther of an Irish terrorist, meets after the dead of her father Maria I, the singer of an circus. She decided to stay with the circus. On... See full summary »
Forced by her lover to sell her body, Renata is saved from a suicide attempt by Paolo Martelli, an engineer. She asks him to help her find a job. When Paolo's wife humiliates her, Renata gains revenge by seducing the woman's husband.
Cinema has not been insensitive to Georges Bernanos , who ranks alongside with other great Catholic 20th-century writers, most notably Graham Greene, André Gide and Paul Claudel. One of Robert Bresson's masterpieces, 'Mouchette,' was adapted from Bernanos. 'Sous le soleil de Satan' turned out to be another interesting adaptation . But his most famous play is this Dialogue, a period piece which is an eloquent libel against repression on any cult freedom, no matter what kind of creed. Though the picture cannot be compared to the magnificent opera that composer Francis Poulenc extracted from the same text, it does record, with sincerity, the tragic episode when nuns, during the Terror regime, in the French Revolution, willingly became martyrs in the name of Christian faith and freedom of belief. Maybe revolutions cannot help being gruesome, but must they suspend belief beyond the rescue of the soul(s)?
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