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The Devil's Disciple (1959)

Approved | | Comedy, History, Romance | 20 August 1959 (USA)
The black sheep of a family and the local minister discover their true vocations during the Revolutionary War.

Directors:

, (uncredited)

Writers:

(screenplay), (screenplay) | 1 more credit »
Reviews
Nominated for 1 BAFTA Film Award. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Mrs. Dudgeon
...
...
Lawyer Hawkins
George Rose ...
British Sergeant
Neil McCallum ...
Christie Dudgeon (as Neil Mc Callum)
...
Rev. Maindeck Parshotter
...
Uncle William
Erik Chitty ...
Uncle Titus
...
British Lieutenant
...
Edict Sergeant
Phyllis Morris ...
Wife of Titus
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Storyline

In a small New England town during the American War of Independence, Dick Dudgeon, a revolutionary American Puritan, is mistaken for local minister Rev. Anthony Anderson and arrested by the British. Dick discovers himself incapable of accusing another human to suffer and continues to masquerade as the reverend. The minister's wife, Judith, is moved by Dick's actions and mistakenly interprets them as an expression of love for her. In spite of his protestations she finds herself romantically attracted to him. Brought before British commander General Burgoyne, Dudgeon displays his willingness to die for his principles. At the last minute Dick is saved from ministerial pursuits to become a revolutionary leader. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

One devil of a motion picture !

Genres:

Comedy | History | Romance | War

Certificate:

Approved | See all certifications »
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Details

Country:

|

Language:

Release Date:

20 August 1959 (USA)  »

Also Known As:

El discípulo del diablo  »

Box Office

Budget:

$1,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Natalie Wood turned down the role of Judith Anderson because she didn't want to work with Kirk Douglas for "personal" reasons. See more »

Goofs

Dudgeon crosses the ankles of his father's body. In a subsequent shot, the ankles are seen uncrossed and then crossed again as Dudgeon leaves. See more »

Quotes

Narrator: Give a Major Swindon enough rope, and he'll always hang somebody.
See more »

Connections

Version of BBC Sunday-Night Theatre: The Devil's Disciple (1956) See more »

Soundtracks

Yankee Doodle
(uncredited)
traditional 18th Century Anglo-American folk song
Heard under main title
See more »

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User Reviews

Maybe THIS was the original "buddy movie"
20 November 2001 | by (San Francisco, CA USA) – See all my reviews

Burt Lancaster and Kirk Douglas shared a chemistry -- offscreen as well as on screen -- which was rare even by Hollywood standards. There's a legend about them, as a matter of fact (and I'd hate to think it apocryphal), that -- at the onset of each of the many films in which they co-starred -- they flipped a coin to see who would play which role.

In their film adaptation of George Bernard Shaw's "The Devil's Disciple," the coin-flip would have been at best symbolic -- or perhaps ironic is the term here -- inasmuch as the plotline concerns role reversals and identity switching. Set during the closing days of the American revolution, Dick Dudgeon, the town rakehell (Douglas), having previously admitted to Reverend Anderson, the local minister (Lancaster), "Pastor, there's something about you I respect, and that makes me want you for my enemy," allows himself to be mistakenly arrested as that minister by British troops. It's an act which even he, at the time, is at a loss to explain. While Dudgeon keeps the local British commandant, General Burgoyne (Laurence Olivier in what turns out to be one of his finer screen performances), alternately amused and bemused, Reverend Anderson discovers within himself a call to action as he rallies the rebel troops to rescue Dudgeon and to cut off Burgoyne's reinforcements.

Purists may note that the film adaptation tampers with Shaw's more typically cynical resolution in the original stage presentation (yes, it is much more 'upbeat' and true to the Hollywood dicta of the day) . . . and yet the Shavian quality of the dialogue between Dudgeon and Anderson -- not to mention the barbed repartee between Dudgeon and Burgoyne -- is preserved virtually intact here. It is also brilliantly rendered by all parties.

Although Douglas manages to 'steal' much of this film, Lancaster affords us more than a glimpse of the ability which will, in little more than another year, garner him an Oscar -- for 'Elmer Gantry'-- (and put an end to the yearly ritual of his and Douglas' comedic "It's So Great Not To Be Nominated" performance at the awards ceremonies).

One of Hollywood's more successful adaptations of a stage play, this is also a film which, more than most, stands the test of time.


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