| Pierre Grasset | ... | Pierre Delmas | |
| Christiane Eudes | ... | Anne Fèvre-Berthier | |
| Ginger Hall | ... | Judith Nelson | |
| Colette Fleury | ... | Françoise Bonnot | |
| Monique Hennessy | ... | Gloria | |
| Glenda Leigh | ... | Virgiia Graham | |
| Jean Darcante | ... | Rouvier | |
| Michèle Bailly | ... | Bessie Reed (as Michele Bailly) | |
| Paula Dehelly | ... | Mme. Fèvre-Berthier | |
| Nancy Delorme | |||
| Carole Sands | |||
| Gloria Kayser | ... | Une fille | |
| Barbara Hall | |||
| Monica Ford | |||
| Billy Beck | ... | Le partenaire de Judith Nelson sur scène | |
| Deya Kent | |||
| Carl Studer | ... | Le sergent de police au snack | |
| Hyman Yanovitz | ... | Le gardien du Mercury Theatre | |
| Ro. Tetelman | ... | Le 'bar tendor' (as Ad. Tetelman) | |
| Art Simmons | ... | Le pianiste de Virginia Graham | |
| Jerry Mengo | ... | Leslie McKimmie | |
| Jean Lara | ... | Aubert | |
| Jean-Pierre Melville | ... | Moreau | |
| rest of cast listed alphabetically: | |||
| Billy Kearns | ... | L'homme de la sécurité à la Ridgewood Tavern (as William Kearne) | |
| Yvette Amirante | ... | La copine d'Anne (uncredited) | |
| Jannick Arvel | ... | Fille (uncredited) | |
| Jean-Pierre Darras | ... | L'ivrogne au snack (uncredited) | |
| Bernard Hulin | ... | Le trompettiste à la Pike Slip Inn (uncredited) | |
| Yannick Philouze | ... | Une secrétaire (uncredited) | |
| Martial Solal | ... | Le pianiste à la Pike Slip Inn (uncredited) | |
Directed by | |||
| Jean-Pierre Melville | |||
Writing credits | ||
| Jean-Pierre Melville | (scenario, adaptation and dialogue) | |
Produced by | |||
| Florence Melville | .... | producer | |
| Alain Térouanne | .... | producer (as Alain Terouanne) | |
Original Music by | |||
| Christian Chevallier | |||
| Martial Solal | |||
Cinematography by | |||
| Nicolas Hayer | |||
Film Editing by | |||
| Monique Bonnot | |||
Production Design by | |||
| Daniel Guéret | |||
Second Unit Director or Assistant Director | |||
| Yannick Andréi | .... | assistant director (as Yannick Andreï) | |
| Charles L. Bitsch | .... | assistant director (as Charles Bitsch) | |
Art Department | |||
| Raymond Aupée | .... | construction coordinator | |
| George Balland | .... | property master | |
| Roger Bar | .... | set dresser | |
| Martine Sachot | .... | assistant art director | |
Sound Department | |||
| Jacques Carrère | .... | sound mixer | |
| Jacques Gallois | .... | sound | |
| Corvaisier Loiseau | .... | sound assistant | |
Camera and Electrical Department | |||
| Guy André | .... | still photographer | |
| Claude Beaugé | .... | camera operator | |
| Charles L. Bitsch | .... | camera operator (as Charles Bitsch) | |
| Jacques Lang | .... | camera operator | |
| Michael Shrayer | .... | camera operator | |
Editorial Department | |||
| Françoise Bonnot | .... | assistant editor | |
Music Department | |||
| Paul Bonneau | .... | conductor | |
| Bernard Hulin | .... | musician: trumpet | |
| Gaby Jarret | .... | music recordist | |
| Albert Raisner | .... | musician: harmonica | |
Other crew | |||
| Ghislaine Du Sire | .... | script girl | |
| Florence Melville | .... | presenter | |
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| Le Samouraï | Le Deuxieme Souffle | Le Trou | Le Doulos | Pickpocket |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb France section |
Melville keeps the story going pretty well, but this is a weak film compared to his best efforts. Shot partly on location in New York, and also in a Paris studio, with many of the supporting players having had to learn their parts phonetically (Monique Hennessy is particularly clumsy with her lines), this is a noir that shows its low budget and lack of inspiration in places. The attempt to find the missing diplomat ends in a woman's apartment. We get a five minute speech from the two reporters's boss about how great Fevre-Berthier was, it's a dull scene.
If you are looking for a noir with verve and great music, why not try Ascenseur pour l'echafaud, with REAL actors and Miles Davis's great score.