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Two Men in Manhattan (1959)
"Deux hommes dans Manhattan" (original title)

6.8
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Ratings: 6.8/10 from 679 users  
Reviews: 7 user | 17 critic

A French UN delegate has disappeared into thin air, sending reporter Moreau (Jean-Pierre Melville) and hard drinking photographer Delmas (Pierre Grasset) on an assignment to find him. Their only lead is a picture of three women.

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Cast

Cast overview, first billed only:
Pierre Grasset ...
Pierre Delmas
Christiane Eudes ...
Anne Fèvre-Berthier
Ginger Hall ...
Judith Nelson
Colette Fleury ...
Françoise Bonnot
Monique Hennessy ...
Gloria
Glenda Leigh ...
Virgiia Graham
Jean Darcante ...
Rouvier
Michèle Bailly ...
Bessie Reed (as Michele Bailly)
Paula Dehelly ...
Mme. Fèvre-Berthier
Nancy Delorme
Carole Sands
Gloria Kayser ...
Une fille
Barbara Hall
Monica Ford
Billy Beck ...
Le partenaire de Judith Nelson sur scène
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Storyline

A French UN delegate has disappeared into thin air, sending reporter Moreau (Jean-Pierre Melville) and hard drinking photographer Delmas (Pierre Grasset) on an assignment to find him. Their only lead is a picture of three women.

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Thriller

Certificate:

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Details

Country:

Language:

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Release Date:

16 October 1959 (France)  »

Also Known As:

Two Men in Manhattan  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Many scenes were filmed in New York City at night, and in one scene can be a seen a theater marquee showing Separate Tables (1958) with Rita Hayworth, David Niven and Burt Lancaster, which was released n 1958. See more »

Connections

References Separate Tables (1958) See more »

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User Reviews

 
Some films are forgotten for a reason
24 April 2011 | by (Norway) – See all my reviews

Two Men in Manhattan pushes the envelope on everything but quality. Sure, it has lesbians, bare breasts and loads of sex references, but does it help? Say hello of Jean-Pierre Melville's cheap and signature-less alter-ego.

The master of French crime goes to what might be the noir capital of the world. We see New Yorks streets at night, and our entertainers throw in a heave jazz score as well - the making of a masterpiece? I wish.

From the moment the first credit popped on screen I got the feeling that something was wrong. I shrugged it off, but just as soon as I was ready to embrace yet another great Melville film we are thrown into a whirlpool of disfigured English. Apparently it's only purpose is to show as that we are at the UN. The dialog was clearly not of any importance, and the sound department sure made that clear.

I'm sure this introduction isn't as long as it felt like, but that's hardly no excuse. To make things worse we get to spend our first few scenes with the most unimaginative and unimportant small talk. For the next 30 minutes or so I wasn't even sure if there was a plot. Sure, they are looking for a guy but beyond that it felt so empty and devoid of any real direction.

And did you expect great visuals? This whole deal feels like a cheap 40's docudrama after it had a stroke. One possibility is that Melville was testing out some new wave aesthetics, another is that he got drunk and let his assistant do the film for him.

Not to say it's entirely bad. The cinematography is more or less there, despite the fact that the compositions couldn't be blander. Had it been some unknown director who was behind this I'd just brush it off as the mediocrity it is - but despite the fact that it isn't really bad it almost feels like a stab in the back from Melville. He had everything he needed, but decided to go to autopilot. All I can say is that there's most certainly a reason why this is his least known.


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