Job or family? This perennial conflict portrayed in this drama about a draftsman, able to free himself from the job for a very overdue family vacation, who is threatened with the sack if he doesn't return to work mid-holiday.
A five-year-old boy is the sole survivor of a devastating plane crash in the mountains of California. When the newspapers reveal the boy was adopted and that the crash occurred on his ... See full summary »
Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
Sam and Felix are art thieves. Sam has just stolen a picture from a museum in Italy, but told Felix that it was lost in a boat accident. He wants copies made to sell while he will sell the ... See full summary »
An immigrant Nevada rancher brings a woman from Italy to be his second wife but when he neglects her, she becomes involved with his trusted assistant. Nominated for 3 Academy Awards including Best Actor.
New York Barrios theme ahead of its time...though not necessarily any better for being first
John Saxon plays tough Puerto Rican kid from the Barrio District of New York who gets out of jail with the hope of going straight, only to fall right back in with the criminal element. He marries Cuban firebrand Linda Cristal to legally keep her in the country, but has a rocky reunion with his father, who loves his son despite his shame. Predictable, tolerable melodrama combining familial elements with standard underworld crime scenario. These hoods seem a might tame compared to the mobsters we would see on the screen just a few years later. Saxon, of Italian descent in real-life, is exceptionally handsome, though he can't get a grip on the proper voice to use--and his character is schizophrenically written anyway: cool and unruffled one minute, judo-chopping the enemy the next. Saxon always seems to be loitering (thoughtfully) in alleyways and hallways, yet the sets are too clean and unconvincing, as is the violence. A few of the relationships are bracing, particularly that between Saxon and hard-working father Joseph Calleia (who is excellent). Based on Irving Shulman's novel, the production may have benefited from the new permissiveness of the early 1960s, though there are good scenes, amusingly 'arty' camera set-ups, and solid supporting work, particularly from Calleia and Cristal. ** from ****
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