The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
The Girl in the Red Velvet Swing is the true story of Evelyn Nesbit Shaw, a beautiful showgirl caught in a love triangle with elderly architect Stanford White and eccentric young millionaire Harry K. Thaw.
London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact ... See full summary »
Spring inspires lessons in love and life for a French family in 1920s Ottawa, especially for teenage Robert, who's blind to the attentions of an American neighbor girl, because he's ... See full summary »
In 1924 Chicago, Artie Strauss and Judd Steiner are friends and fellow law students who both come from wealthy backgrounds. They have few true friends as they believe all their contemporaries are intellectually inferior. Within their relationship, Artie is the dominant and Judd the submissive who says he will do whatever Artie tells him. Although Judd acts intellectually arrogant to others, he also shows signs of weakness and reticence most evident to Artie. Part of their goal in life is to experience how it feels to do everything. As such, they plot to commit what they consider the perfect crime - a kidnapping and murder - not only so that they can experience the sense of killing for killing's sake, but also taunt the law with the knowledge of it and their superiority after the fact. They believe their crime is above the law. Their murder of young Paulie Kessler is not so perfect, with evidence at the scene uncovered by one of their law school colleagues, Sid Brooks, who also works ... Written by
Although top-billed, Orson Welles doesn't appear in the film until one hour and five minutes have passed. See more »
When D.A. Horn is interviewing Straus, Horn sits down in a chair that was meant for Staus and moves a floor lampshade back down that had been directing its light at that chair. Staus moves to stand beside the floor lamp. The light is then variably on and off as shots between the two change. See more »
In 1924, in Chicago, the wealthy and psychotic nihilist law students Judd Steiner (Dean Stockwell) and Arthur Strauss (Bradford Dillman) believe that they can be above the law and commit minor infractions. Their college mate Sid Brooks (Martin Milner) that works for the Chicago Globe is assigned to go to the morgue to see a drowned boy found in Hegewisch Park. He discovers that the boy is actually Paul Kessler, the son of a millionaire that had been kidnapped for ransom. Further, Sid discovers a pair of the glasses with the boy that becomes a lead to the police since it does not fit the victim. When Judd finds that his glasses are evidence for the murder case, he prepares an alibi using his activity of ornithologist and tells that he was picking up girls with Artie driving the Stutz Bearcat of his family. However the astute District Attorney Harold Horn (E.G. Marshall) investigates the case and lures Judd getting his confession. But the Steiner and Strauss families hire the cunning defense attorney Jonathan Wilk (Orson Welles) to defend the perpetrators of the hideous crime. In the beginning of the trial, Wilk surprisingly changes his plea from "not guilty" to "guilty".
Movies of trial are usually engaging and "Compulsion" is not an exception. The dark story based on a true murder case is supported by magnificent performances, highlighting Dean Stockwell and Bradford Dillman in the roles of arrogant and psychotic millionaires that expect to commit a perfect crime and Orson Welles in the lesser but relevant role of a smart lawyer. My vote is seven.
Title (Brazil): "Estranha Compulsão" ("Strange Compulsion")
11 of 13 people found this review helpful.
Was this review helpful to you?