Bill Cosby and Robert Culp ("I Spy") are united again as private eyes in this Walter Hill-scripted "film noir." Searching for a missing girl, they find themselves involved with vicious criminals and precipitating a string of deaths.
In Serbia, Baron Frankenstein lives with the Baroness and their two children. He dreams of a super-race, returning Serbia to its grand connections to ancient Greece. In his laboratory, ... See full summary »
Dalila Di Lazzaro
An evocative crime thriller that captures the chilling action and sharp wit of Peter Temple's acclaimed novel The Broken Shore. In this gripping adaptation, Detective Joe Cashin uncovers a ... See full summary »
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
Three performers for six roles: this is the game of the film. A melodrama about two love triangles. In the first, Hagalin is killed by his mistress and her lover. In the second, attorney ... See full summary »
It's 1981 and the girls of Alpha Gamma Theta sorority are having a party. As the new pledges arrive, so does an uninvited guest. Little do the sisters know someone is watching them in the ... See full summary »
E. Ray Goodwin,
Jason Jay Crabtree
In 1924 Chicago, Artie Strauss and Judd Steiner are friends and fellow law students who both come from wealthy backgrounds. They have few true friends as they believe all their contemporaries are intellectually inferior. Within their relationship, Artie is the dominant and Judd the submissive who says he will do whatever Artie tells him. Although Judd acts intellectually arrogant to others, he also shows signs of weakness and reticence most evident to Artie. Part of their goal in life is to experience how it feels to do everything. As such, they plot to commit what they consider the perfect crime - a kidnapping and murder - not only so that they can experience the sense of killing for killing's sake, but also taunt the law with the knowledge of it and their superiority after the fact. They believe their crime is above the law. Their murder of young Paulie Kessler is not so perfect, with evidence at the scene uncovered by one of their law school colleagues, Sid Brooks, who also works ... Written by
THEIRS WAS THE PERFECT CRIME they thought! They were too sure...too smart...too careful to leave a clue -- but they did! and it exploded -- The shocking story of two teenagers out for kicks...looking for thrills...and finding them! See more »
Made in 1959, some 35 years after the real murder. See more »
When D.A. Horn is interviewing Straus, Horn sits down in a chair that was meant for Straus and moves a floor lampshade back down that had been directing its light at that chair. Straus moves to stand beside the floor lamp. The light is then variably on and off as shots between the two change. See more »
If "Compulsion" is still such a powerful film is, totally, Dean Stockwell's merit. What a sensational actor! I'm writing this the day after the announcement of Dennis Hopper's death and while I was looking for a Dennis Hopper movie to watch a came across "Compulsion" Not Hopper but Stockwell and I settled for that anyway. I was riveted by Stockwell's performance because everyone else (with the natural exception of Orson Wells and E G Marshall) seems so dated and acted that Dean's every moment is sheer magic. He doesn't shy away from the awfulness but makes his young monster totally human, provoking in us that element that Orson Welles's closing argument tries to bring to the forefront. If you love great acting, you can't afford to miss Dean Stockwell in "Compulsion"
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