The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
Three performers for six roles: this is the game of the film. A melodrama about two love triangles. In the first, Hagalin is killed by his mistress and her lover. In the second, attorney ... See full summary »
Jim Fletcher, waking up from a coma, finds he is to be given a court martial for treason and charged with informing on fellow inmates in a Japanese prison camp during WWII. Escaping from ... See full summary »
An Academy Award winner for best documentary, the film opens with a notice that..."Exhibition of confiscated Japanese film material authorized by permission of the Alien Property Custodian ... See full summary »
In 1924 Chicago, Artie Strauss and Judd Steiner are friends and fellow law students who both come from wealthy backgrounds. They have few true friends as they believe all their contemporaries are intellectually inferior. Within their relationship, Artie is the dominant and Judd the submissive who says he will do whatever Artie tells him. Although Judd acts intellectually arrogant to others, he also shows signs of weakness and reticence most evident to Artie. Part of their goal in life is to experience how it feels to do everything. As such, they plot to commit what they consider the perfect crime - a kidnapping and murder - not only so that they can experience the sense of killing for killing's sake, but also taunt the law with the knowledge of it and their superiority after the fact. They believe their crime is above the law. Their murder of young Paulie Kessler is not so perfect, with evidence at the scene uncovered by one of their law school colleagues, Sid Brooks, who also works ... Written by
For some reason the appropriately gravelly voice of actor/wrestler Henry Kulky, nicknamed "Bomber" playing the part of a speakeasy waiter, is dubbed by another actor. See more »
When D.A. Horn is interviewing Straus, Horn sits down in a chair that was meant for Straus and moves a floor lampshade back down that had been directing its light at that chair. Straus moves to stand beside the floor lamp. The light is then variably on and off as shots between the two change. See more »
I had never even heard of this movie until today.WHERE in the world are the historians?This is on par for courtroom drama with Lionel Barrymore's great dissertation at the end of, "A Free Soul"-1931.This, also, was a fact based portrayal of Adele Rogers St.John's father's career.
I have to concur with Ms. Brown, and ask the question as to why this movie is not shown more often;i saw it on AMC. The bottom line is the line by Mr. Darrow:"You don't stop killing human beings by killing human beings".Mr. Welles was never in finer form, than when he gives this speech... i understand this speech is verbatim of the transcript of the trial.
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