London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact ... See full summary »
In 1924 Chicago, Artie Strauss and Judd Steiner are friends and fellow law students who both come from wealthy backgrounds. They have few true friends as they believe all their contemporaries are intellectually inferior. Within their relationship, Artie is the dominant and Judd the submissive who says he will do whatever Artie tells him. Although Judd acts intellectually arrogant to others, he also shows signs of weakness and reticence most evident to Artie. Part of their goal in life is to experience how it feels to do everything. As such, they plot to commit what they consider the perfect crime - a kidnapping and murder - not only so that they can experience the sense of killing for killing's sake, but also taunt the law with the knowledge of it and their superiority after the fact. They believe their crime is above the law. Their murder of young Paulie Kessler is not so perfect, with evidence at the scene uncovered by one of their law school colleagues, Sid Brooks, who also works ... Written by
I had never even heard of this movie until today.WHERE in the world are the historians?This is on par for courtroom drama with Lionel Barrymore's great dissertation at the end of, "A Free Soul"-1931.This, also, was a fact based portrayal of Adele Rogers St.John's father's career.
I have to concur with Ms. Brown, and ask the question as to why this movie is not shown more often;i saw it on AMC. The bottom line is the line by Mr. Darrow:"You don't stop killing human beings by killing human beings".Mr. Welles was never in finer form, than when he gives this speech... i understand this speech is verbatim of the transcript of the trial.
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