Walter Paisley, a busboy at a cappuccino bar called the Jabberjaw, is praised as a genius after he kills his landlady's cat and covers it in plaster. Pressured to produce more work, he goes after bigger subjects.
Anthony Michael Hall,
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ... See full summary »
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Walter Paisley, nerdy busboy at a Bohemian café, is jealous of the talent (and popularity) of its various artistic regulars. But after accidentally killing his landlady's cat and covering the body in plaster to hide the evidence, he is acclaimed as a brilliant sculptor - but his new-found friends want to see more of his work. Lacking any artistic talent whatsoever, Walter has to resort to similar methods to produce new work, and soon people start mysteriously disappearing... Written by
Michael Brooke <email@example.com>
Anthony Carbone spends the entire film limping and walking with a cane. This being a Roger Corman film, one might logically assume Carbone injured himself and just soldiered on, but in fact he was perfectly healthy and adopted the limp because he felt it would make his character more interesting. See more »
Walter accidentally kills a cat in a wall with a knife, but when he takes it out of the wall, it is stiff, as if it has been dead at least an hour. See more »
Roger Corman has a gem here. First, I really dig that Beatnik scene man: groovy! We start off at the cafe with the sax wailing and Maxwell shooting the audience with words of wisdom. It's a great opener to our story. Dick Miller is great as Walter Paisley (great name play there!) who makes you root for our down trodden busboy. Plus, who knew landladys were so controlling back then? Sheesh, a guy can't even bring a dame over! Add great support especially from Julian Burton who's Mr. Brock (please call me Maxwell) really lives it up as the ultimate beat poet and has a terrific time doing it! He kind of reminds me of a Beatnikesque Oliver Reed. Leonard De Santis provides laughs as the stuck up cafe owner who learns to stop belittling Walter if he knows what's good for him. Even Bruno VeSota is an art aficionado. My favorite scene has to be when Walter turns 180 and visits the cafe (love that beret!). Or maybe it's Walter as the triumphant king! All in all, Bucket of Blood is a whole lot of fun.
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