The Bridge (1959) - News Poster



Directors Who Found Success in Both the Best Picture and Best Foreign Language Film Categories

Pablo Larraín (Courtesy: Andrew Cowie/Afp)

By: Carson Blackwelder

Managing Editor

There’s one director this year that has a chance at being a major crossover success by having two separate films nominated in both the best picture and best foreign language film categories: Pablo Larraín. This filmmaker has Jackie as well as Neruda and could join an elite group of directors who been able to have films — or even one film — in both of these major categories.

Jackie, which stars Natalie Portman as Jacqueline Kennedy Onassis, is considered a frontrunner in the Oscars race this year by this site’s namesake, The Hollywood Reporter’s Scott Feinberg. Neruda, which follows an inspector who hunts down Nobel Prize-winning Chilean poet Pablo Neruda, is Chile’s submission for best foreign language film this year and is considered a major threat in that contest. This would be a great feat — especially for someone who,
See full article at Scott Feinberg »

Episode 167: Criterion Collection Favorites of 2015

To celebrate the past year of Criterion Collection releases, Ryan is joined by David Blakeslee, Scott Nye, Aaron West, Arik Devens and Keith Enright to discuss their favorite releases of 2015.

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Corrections: In the episode, I should have had Aaron go before Arik, since I said I was going alphabetically.

Episode Links & Notes Favorite Covers Arik Odd Man Out by Eric Skillman Aaron Hiroshima mon amour by Sarah Habibi David Moonrise Kingdom by Michael Gaskell Keith Day for Night by Roman Muradov Process post Ryan The Black Stallion by Nicolas Delort Scott Blind Chance by Gérard Dubois Favorite Supplement Arik 65 Revisited Aaron Un tournage a la campagne David Interview with Gregor Dorfmeister, author of The Bridge Keith Reflections on … My Beautiful LaundretteColin MacCabe and Stephen Frears Ryan Restoring the Apu Trilogy by kogonada Scott Interview with Jean-Pierre and Luc Dardenne on Two Days,
See full article at CriterionCast »

DVD Savant 2015 Favored Disc Roundup

or, Savant picks The Most Impressive Discs of 2015

This is the actual view from Savant Central, looking due North.

What a year! I was able to take one very nice trip back East too see Washington D.C. for the first time, or at least as much as two days' walking in the hot sun and then cool rain would allow. Back home in Los Angeles, we've had a year of extreme drought -- my lawn is looking patriotically ratty -- and we're expecting something called El Niño, that's supposed to be just shy of Old-Testament build-me-an-ark intensity. We withstood heat waves like those in Day the Earth Caught Fire, and now we'll get the storms part. This has been a wild year for DVD Savant, which is still a little unsettled. DVDtalk has been very patient and generous, and so have Stuart Galbraith & Joe Dante; so far everything
See full article at Trailers from Hell »

'For Some Inexplicable Reason' wins Grand Prix at Voices

  • ScreenDaily
Germany’s Burhan Qurbani wins best director prize for We Are Strong. We Are Young.

Gábor Reisz’s slacker comedy For Some Inexplicable Reason won the Grand Prix winner at the 6th edition of the Voices festival for young European cinema in the Russian provincial town of Vologda on Sunday evening (July 5).

Reisz’s debut had its world premiere in the East of the West competition at the Karlovy Vary International Film Festival last year and is handled internationally by Alpha Violet.

The award was the film’s ninth trophy after prizes at festivals in Turin and Sofia, among others.

Speaking to ScreenDaily in Vologda, Reisz said that his film’s lead actor - fellow directing student Áron Ferenczik - had been overhelmed by the attention given to him for his acting turn as the slacker Áron, but is now preparing to direct a TV movie.

Reisz, meanwhile, is participating in the Cinéfondation residency in Paris and will
See full article at ScreenDaily »

Daily | Lists, Histories, Interviews

In today's roundup of news and views: Charles Mudede on John Sayles's The Brother from Another Planet, André Gregory and Wallace Shawn's list of top ten Criterion releases, Terrence Rafferty on Bernhard Wicki’s The Bridge, Mike D'Angelo on John Ford and Native Americans, Philippa Snow on Ana Lily Armirpour's A Girl Walks Home Alone at Night and Jonathan Glazer's Under the Skin, Patrick Wang on Lisa Joyce's performance in Jonathan Demme's A Master Builder, Kevin Hatch on Bruce Conner, Ryan Gilbey on Wim Wenders, interviews with Jia Zhangke, Hannah Gross and Deragh Campbell—and more. » - David Hudson
See full article at Keyframe »

Criterion Collection: The Bridge | Blu-ray Review

Criterion releases actor turned director Bernhard Wicki’s feature film debut The Bridge for the very first time on Region 1. Though he directed a mid-length film the year before, Why Are They Against Us?, it would be his next project, arriving in 1959, that would come to be known as the first anti-war film to come out of Germany, as well as the nation’s first post-war film to reach international recognition and critical acclaim. It would go on to win the Golden Globe for Best Foreign Language Film in the Us, and it secured an Academy Award Nomination in the same category (losing out to Marcel CamusBlack Orpheus).

The title paved the way for a short-lived English language career for Wicki, but more importantly, stood as the platform upon which the burgeoning New German Cinema auteurs would proliferate, precipitating Volker Schlondorff’s own 1966 debut, Young Torless, a much darker
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David Reviews Bernhard Wicki’s The Bridge [Criterion Blu-ray Review]

The late 1950s were a time of seismic upheaval and innovation in world cinema. In France, Francois Truffaut, Claude Chabrol and Jean-Luc Godard were backing up their boisterous critical rhetoric by placing themselves behind the camera and making movies the way they believed they should be made. English filmmakers were developing the kitchen-sink realism style featuring a lineup of angry young men. Ingmar Bergman brought Scandinavian cinema to global prominence, Italian film boasted the emerging talents of Fellini and Antonioni, and Japan unleashed an exuberant new generation of directors like Suzuki, Kobayashi and others who came out of the agitated rebellion of the Sun Tribe movement. Even India could put forth a prodigious genius like Satyajit Ray to introduce cinephiles from around the world to a culture that was ready to transcend the stereotypes and mystification that its recent colonial past had distorted. Among all the nations that could lay
See full article at CriterionCast »

Criterion releases details of June titles

The Criterion Collection has this week announced (via their line-up of titles for June 2015, which will see some big releases, including Louis Malle’s My Dinner with Andre, Jonathan Demme’s A Master Builder, Terry Gilliam’s The Fisher King starring late Robin Williams, and Bob Rafelson’s Five Easy Pieces for the very first time.

All the details and special features, including artwork, are below.

My Dinner with Andre – released June 16th

In Louis Malle’s captivating and philosophical My Dinner with André, actor and playwright Wallace Shawn sits down with friend and theater director André Gregory at an Upper West Side restaurant, and the two proceed into an alternately whimsical and despairing confessional on love, death, money, and all the superstition in between. Playing variations on their own New York–honed personas, Shawn and Gregory, who also wrote the screenplay, dive in with introspective, intellectual gusto,
See full article at Flickeringmyth »

‘Wolfskinder’ Wins Munich Festival Prize for Political Cinema

‘Wolfskinder’ Wins Munich Festival Prize for Political Cinema
German director Rick Ostermann has won the Munich Film Festival’s acclaimed The Bridge prize for his debut film, Wolfskinder. The period drama is set in 1946 and follows a group of war orphans struggling to survive in the wreckage of post-World War II Europe. Ostermann will be honored at a gala ceremony in Munich on July 3. Story: Oscar Winner Susanne Bier Wins Munich Film Festival's Bernhard Wicki Prize Previous winners of The Bridge prize include Danish director Susanne Bier for her Oscar-winning feature In A Better World and fellow Oscar-winner Heckel von Donnersmarck for The Lives

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See full article at The Hollywood Reporter - Movie News »

The Longest Day – The Memorial Day Blu Review

Review by Sam Moffitt

With Memorial Day, Fourth of July and most importantly, another June 6th, (the 70th anniversary of the landing in Normandy called Operation Overlord but always referred to as D-Day) approaching, I thought it appropriate to shine a light on one of the greatest war movies ever made, if not the greatest, which details the invasion of Europe, step by step; Darryl F Zanuck’s super production The Longest Day.

Firstly I have to say, as I’ve said before, I am against war, being a practicing Nicheren Buddhist , a member of the Soka Gakkai International, I do not believe war is necessary. But even before taking up the practice of Buddhism I have questioned every war the United States has become involved in since Vietnam. Yet I also served four years in the Us Navy, in peacetime, true, but I did serve my time and was honorably discharged.
See full article at »

New Europe: A history of German cinema in clips

From the invention of horror under the Weimar republic to recent re-examinations of the second world war, German cinema has an amazingly creative history

German cinema got off to a fantastic start straight after the first world war, as the liberal atmosphere of the Weimar republic triggered an explosion across all creative disciplines. Film-makers responded by appropriating the techniques of expressionist painting and theatre, incorporating them into twisted tales of madness and terror – thereby virtually inventing what would become known as the horror film. With its angled, distorted set designs, tortured eye-rolling, and layers of dreams and visions, The Cabinet of Dr Caligari (1920) is generally acknowledged as a landmark of international cinema, not just Germany's own. Two years later came an equally groundbreaking film, Nosferatu – an unauthorised adaptation of Bram Stoker's novel Dracula that enshrined some of the creepiest cinema images ever recorded.

They also marked the beginning of
See full article at The Guardian - Film News »

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