An American reporter in Japan is sent to interview an eccentric Japanese scientist working on bizarre experiments in his mountain laboratory. When the doctor realizes that the hapless ... See full summary »
Whilst out on a rowboat with his wife Louise, John Haloran has a heart attack and dies. She casts his body overboard and hides his death telling the family he left on an urgent business ... See full summary »
Francis Ford Coppola
Dr. Bill Cortner has been performing experimental surgery on human guinea pigs without authorization and against the advice of his father, also a surgeon. When Bill's fiancée Jan Compton is decapitated in an automobile accident, he manages to keep her brain alive. He now needs to find a new body for his bride-to-be and settles on Doris Powell, a glamor model with a facial disfigurement. Jan meanwhile doesn't want to continue her body-less existence and calls upon the creature hidden in the basement, one of Bill Cortner's unsuccessful experiments, to break loose. Written by
When Dr. Cortner is in the back room of the stripper bar talking to the blonde stripper, there is a large mirror in the background with five photographs attached to the left side. But when the brunette stripper enters the room and begins to fight with the blonde stripper, there are now nine photographs attached to the mirror, five on the left, and four more in the center of the mirror. See more »
Works for sheer audacity, shameless conviction of its aims.
For what this is (a rather over-heated horror sci-fi stew), it works for its sheer audacity and shameless full-bore conviction of its aims. Mad scientist movies end up resorting to long shots of people in white lab coats talking in sterile sets. But this one has a woman's head in the tray, fighting with the doctor, yelling at the monster in the closet, and engaging the assistant in metaphysical questions usually not heard in such low-budget potboilers.
Nice dynamic that it's his fiancé that he wants to save...but she has become so bitter since becoming a disembodied head in a tray of water. I remember watching this for the first time on TV in the early 70s and being amazed they used to make movies like this.
Better than average camera work, also, trying to get a sense of vertigo and movement throughout. This film with its hell-bent-for-leather pace is a fever-dream that works because it doesn't let go, or tip you to the fact that the makers thought it was ridiculous as it certainly is.
Be sure to get the restored version with the monster in the closet finally grabbing the doctor's arm and making a bloody mess at the end. A great cathartic bloody end to this near Shakespearean morality play about how man should not meddle in god's business.
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