| Carol Lynley | ... | Janet Willard | |
| Brandon De Wilde | ... | Arthur Bartley | |
| Macdonald Carey | ... | Maj. Malcolm Bartley, Ret. | |
| Marsha Hunt | ... | Jessie Bartley | |
| Warren Berlinger | ... | Ernie | |
| Buck Class | ... | Axel Sorenson | |
| Nina Shipman | ... | Lillian Bartley | |
| Vaughn Taylor | ... | Professor Willard | |
| Roberta Shore | ... | Cherie | |
| Mary Young | ... | Aunt Bidda | |
| rest of cast listed alphabetically: | |||
| Malcolm Atterbury | ... | Marriage License Clerk (uncredited) | |
| Gerrie Bender | ... | Girl (uncredited) | |
| Billie Bird | ... | Woman (uncredited) | |
| Joe Brooks | ... | Caterer's Man (uncredited) | |
| Sam Buffington | ... | Doctor (uncredited) | |
| Harry Carter | ... | Bank Teller (uncredited) | |
| Anthony J. Corso | ... | Soda Jerk (uncredited) | |
| Juney Ellis | ... | Woman in Car (uncredited) | |
| Jesslyn Fax | ... | Aunt Margaret (uncredited) | |
| Grace Field | ... | Woman at Doctor's Office (uncredited) | |
| Michael Gainey | ... | Hobie (uncredited) | |
| Sandra Gould | ... | Girl with Orchid (uncredited) | |
| Miranda Jones | ... | Blonde Girl (uncredited) | |
| Gregg Martell | ... | Chief Petty Officer (uncredited) | |
| Jenny Maxwell | ... | Marion (uncredited) | |
| Jimmy Murphy | ... | Young Boy (uncredited) | |
| Dion O'Hara | ... | Young Girl (uncredited) | |
| Hal Rand | ... | Wedding Guest (uncredited) | |
| Michael Ross | ... | Junk Man (uncredited) | |
| William Schallert | ... | George - Bank Vice President (uncredited) | |
| Page Slattery | ... | Blonde's Boyfriend (uncredited) | |
Directed by | |||
| Philip Dunne | |||
Writing credits(in alphabetical order) | ||
| Philip Dunne | writer | |
| James Leo Herlihy | play | |
| William Noble | play | |
| Edith R. Sommer | writer | |
Produced by | |||
| Charles Brackett | .... | producer | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Leo Tover | |||
Film Editing by | |||
| William Reynolds | |||
| George Leggewie | (uncredited) | ||
Art Direction by | |||
| Leland Fuller | |||
| Lyle R. Wheeler | |||
Costume Design by | |||
| Adele Balkan | |||
Sound Department | |||
| Charles Peck | .... | sound | |
Costume and Wardrobe Department | |||
| Ed Wynigear | .... | wardrobe | |
Music Department | |||
| Carroll Coates | .... | composer: song "Drive In Rock" | |
| Lionel Newman | .... | composer: song "Drive In Rock" | |
|
|
|
|
|
| Saved! | The Last Picture Show | Happy Endings | Mr. & Mrs. Bridge | Quinceañera |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | News articles |
| IMDb Drama section | IMDb USA section |
Based upon a stage play, this drama about teen angst regarding sex and it's consequences comes close at times to resembling a situation comedy, but fortunately the performances of the cast bring out its feeling and drama as well. De Wilde is a tender teen who's just had his lifelong pal, his dog, put to sleep while he was at school. He seems adrift as his parents fuss over his older sister's pending nuptials. He tries to act tough around best friend Berlinger and soon finds himself captivated by lovely neighbor girl Lynley. Lynley has a meek, overly refined father who can't seem to get in touch with his young child. Eventually, De Wilde and Lynley take their relationship to the next level and a mystifying and unwanted pregnancy is the result. They agonize over what to do while the parents seem to exist on another plane, entirely. De Wilde was already a showbiz veteran at 17, having played hundreds of Broadway performances and starring in "Shane". He brings a lot of depth and feeling to his role. Lynley is also fine as the sensitive good girl who bites off more than she can chew. The best performance is that of Berlinger as both friend and conscience of De Wilde. He gives his role a jolt of energy and sincerity that really helps sell the film. As De Wilde's parents, Carey and Hunt give very good performances, balancing humor and concern. Unfortunately, due to the sometimes jokey nature of the script and the film's setting, this occasionally threatens to become "Dennis the Menace Knocks Up Margaret!" Some of the dialogue and situations are corny and cartoonish, robbing the film of a chance to be as realistic as it might have been. However, by the time the kids have learned their lesson, some authentic and touching emotions have come through. It must be noted that Lynley has perhaps the flattest, most oily-looking ponytail of the '50's. It's also hard to picture what De Wilde and Lynley's awkward first encounter must have been like as they both exude such charming innocence in the film. Bernard Herrmann's "Vertigo-on-the-Playground" score is pretty, but also a bit overwhelming for a story with this subject matter and these small town characters. It can be a little preachy and more than a little pat, but it's definitely worth watching and at 89 minutes, doesn't overstay its welcome.