Arthur Bartley and Janet Willard are fairly typical 1950s teenagers. Their lives are turned upside down however when Janet becomes pregnant. Desperate to tell his parents of the predicament... See full summary »

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(screenplay), (screenplay) | 2 more credits »
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Nominated for 1 Golden Globe. See more awards »

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Cast

Cast overview:
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Janet Willard
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Arthur Bartley
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Major Malcolm Bartley, Ret.
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Jessie Bartley
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Ernie
Buck Class ...
Axel Sorenson
Nina Shipman ...
Lillian Bartley
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Professor Willard
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Cherie
Mary Young ...
Aunt Bidda
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Storyline

Arthur Bartley and Janet Willard are fairly typical 1950s teenagers. Their lives are turned upside down however when Janet becomes pregnant. Desperate to tell his parents of the predicament they find themselves in, Arthur finds that he cannot do so. He arranges for Janet to have an abortion, but the internal turmoil this causes him finally forces him to tell his father, who races to save the girl from the back room abortionist. Written by garykmcd

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Listen to the kids in the motion picture "Blue Denim" See more »

Genres:

Drama | Romance

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Details

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Release Date:

30 October 1959 (West Germany)  »

Also Known As:

Blå jeans  »

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Technical Specs

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This originally began as a Broadway play written by "Midnight Cowboy" author James Leo Herlihy which opened at the Playhouse Theater on February 27, 1958, ran for 166 performances and closed on July 19, 1958. See more »

Connections

Featured in Less Than Zero (1987) See more »

Soundtracks

Something's Gotta Give
(uncredited)
Written by Johnny Mercer
Played when Art and Janet are dancing at the hop
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User Reviews

 
The Word That Can't Be Mentioned
13 September 2010 | by (Claremont,USA) – See all my reviews

The movie's very much an artifact of its time, salvaged by unusually sensitive performances from de Wilde and Lynley. The trouble is they look so angelic and innocent, and from such solid middle-class backgrounds, it's hard to picture them "experimenting". But then, I guess that's the point for audiences of the day—yes, it can happen to even those who appear least likely, so be on guard. At the same time, the two look so much alike, cynics might suspect incest.

As a teen from the time, this youth movie strikes me as one of the few made more for teen girls than boys. No speeding cars, beer busts, or other staples of the drive-in crowd (note also how demurely Janet {Lynley} is dressed). Instead, the 90-minutes deals with a subject that can't even be mentioned on screen, viz. abortion. People can be slaughtered in movies, but screenwriters don't dare even mention abortion. Thus, the mores of the time are much in evidence and reinforced by Hollywood's boycott-fearing Production Code

For example, no mention is made of contraceptives, sex education in school, or safe legalized abortion as possible alternatives (note how the abortion escort is made to look like a witch), since one or all of these were illegal in most or all states. Instead, the kids are to be punished by having their futures decided for them, though again the point is minimized in the screenplay (note how Art's {de Wilde} one smile comes at the end, the required happy ending).

I'm not taking sides here, just trying to point out how a complex social issue is narrowed down to a single morally acceptable solution, typical of that strait-jacketed decade. Nonetheless and despite the loaded deck, I suspect the movie deals about as sensitively with the issue as conditions of the time would allow. However, canny viewers can learn a lot from this about the origins of the 1960's youth rebellions.


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