Professor Immanuel Rath (Curt Jurgens)is a martinet botany professor at a German high school who finds post cards bearing the likeness of Lola-Lola (May Britt), "The Blue Angel", in the ... See full summary »
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Professor Immanuel Rath (Curt Jurgens)is a martinet botany professor at a German high school who finds post cards bearing the likeness of Lola-Lola (May Britt), "The Blue Angel", in the possession of his pupils. He goes to the cafe where she is appearing to see if any of his pupils are there, and spots two of them. While chasing them, he encounters Lola-Lola and the troupe manager, Kiepert (Theodore Bikel.) He returns the next evening and becomes involved with Lola. His visit to the cafe, and the fact he spent the night with Lola, becomes common knowledge and he is forced to leave his school position. Despite the protests of his friends, he marries Lola, who is intrigued by the idea of being the wife of a professor. The intrigue doesn't last long, as Rath is unable to get work because of his wife. He becomes a broken character, reduced to performing odd jobs around the troupe and living off the earnings of his wife. When the troupe returns to his hometown, Kiepert brutally uses him in... Written by
Les Adams <firstname.lastname@example.org>
Remake of a 1930 classic that starred Marlene Dietrich and Emil Jannings in a mismatched love affair. In the remake, Curt Jurgens has the Jannings role of an aging professor who becomes entranced with a tawdry cafe singer (Britt). He marries her and it's all downhill from there. He quickly becomes her toady. Britt as the singer Lola Lola is nothing to write home about, but Jurgens pulls out all the stops as the beleaguered professor whose life quickly falls apart after he becomes involved with the singer and her subculture. His marriage proposal scene is almost painful to watch in its intensity. Theodore Bikel plays the singer's impresario. I would suggest you stick with the original. Dietrich exuded a star power that Britt completely lacks. If you do watch it, watch it for Jurgens' masterful portrayal of a desperate man.
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