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Chance Meeting (1959)
"Blind Date" (original title)

6.9
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Ratings: 6.9/10 from 318 users  
Reviews: 7 user | 3 critic

Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacquleine Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from ... See full summary »

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, (novel), 1 more credit »
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Title: Chance Meeting (1959)

Chance Meeting (1959) on IMDb 6.9/10

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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Complete credited cast:
...
Jan-Van Rooyer (as Hardy Kruger)
...
Insp. Morgan
...
Jacqueline Cousteau
John Van Eyssen ...
Insp. Westover
...
Sergeant
Robert Flemyng ...
Sir Brian Lewis
...
Postman
Redmond Phillips ...
Police doctor
George Roubicek ...
Police constable
Lee Montague ...
Sgt. Farrow
Edit

Storyline

Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacquleine Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van-Rooyen as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

A motion picture brilliantly, mysteriously different... as man is to woman!


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Details

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Release Date:

29 April 1960 (USA)  »

Also Known As:

Chance Meeting  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

A promotional song for the US release,"Chance Meeting" with music by William Katz and lyrics by Ruth Roberts was published in 1960, but not used in the film. See more »

Soundtracks

I'm A Lonely Man
(uncredited)
Music by Richard Rodney Bennett
Lyrics by Herbert Kretzmer
Sung by Hardy Krüger
See more »

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User Reviews

 
A pleasing early Losey
8 August 2002 | by (United Kingdom) – See all my reviews

It can sometimes be interesting to study the early work of directors who were later to emerge as important figures in cinema. Some show little indication of what is to come (Carol Reed's "Bank Holiday " for instance) while with others the fingerprints are all there (Hitchcock's "The Lodger" and David Lynch's "Eraserhead"). Joseph Losey falls somewhere between these two extremes. An early work such as "Blind Date" has a competence and clearheaded sense of narrative flow that place it on a higher level than most B-style thrillers to emerge from British studios in the '50's but there is little of the original stamp that was to mark his later work such as "The Servant", "The Go-between" and "Accident". These films provide fascinating commentaries that an outsider from the USA brought to bear on the British class system. There is a little in "Blind Date" about the social hierarchy within the British police force, but this is peripheral to Losey's main task of presenting a neat little thriller well. He keeps the tension going nicely to begin with, with a young Dutch artist visiting a flat where he expects to find a woman he has been having a liaison with, only to find himself soon embroiled with the police. The script has a neat way of evading what is going on until some way into the film. Some of the flashbacks go on for rather too long and are somewhat weakened by a rather wooden performance by Micheline Presle as the woman of mystery. Hardy Kruger, on the other hand, as the young Dutchman is excellent. We really identify with his frustration at finding himself in a situation that is beyond his comprehension and control. As the main detective Stanley Baker plays cat and mouse with his customary skill. "Blind Date" is in so sense an important or significant film, but the fact that it was competently made by a director who was later to produce some outstanding works of British cinema makes it worth a look. There are two other good reasons for watching

  • photography by Christopher Challis and music by Richard Rodney Bennett -


both considerable artists in their respective fields.


11 of 14 people found this review helpful.  Was this review helpful to you?

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