5.9/10
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21 user 3 critic

The Big Fisherman (1959)

Exploring the life of Peter, from being a successful fisherman to becoming a follower of Jesus Christ and being dependent on Jesus Christ.

Director:

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Nominated for 3 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
...
Princess Fara
...
Prince Voldi
...
...
Ray Stricklyn ...
Deran
...
Arnon
...
David Ben-Zadok
...
Hannah
Jay Barney ...
Charlotte Fletcher ...
Rennah
Mark Dana ...
King Zendi
Rhodes Reason ...
...
Menicus
Brian G. Hutton ...
John (as Brian Hutton)
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Storyline

Exploring the life of Peter, from being a successful fisherman to becoming a follower of Jesus Christ and being dependent on Jesus Christ.

Plot Summary | Add Synopsis

Genres:

Drama | History

Certificate:

G | See all certifications »
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Details

Country:

Language:

Release Date:

4 August 1959 (USA)  »

Also Known As:

El pescador de Galilea  »

Box Office

Budget:

$4,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

Walt Disney originally rejected the filming of the novel, due to his distaste for religious films. His brother Roy backed the production, releasing it using the studio's Buena Vista arm. See more »

Quotes

Deran: Lash him!
See more »

Connections

Follows Demetrius and the Gladiators (1954) See more »

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User Reviews

 
Long overdue for DVD release- the only 70mm Biblical epic still unavailable in any format.
6 March 2008 | by (United Kingdom) – See all my reviews

The Big Fisherman was certainly not the biggest - or the best - of the fifties/sixties cycle of 70mm epics. Arriving between Ben-Hur (1959) and Spartacus (1960), it is not surprising that this rather small-scale epic became lost in the shuffle. It has no battles, no huge crowd scenes - in fact the crowds can be numbered in dozens rather than thousands - and an archaic script that harks back to Bible epics that were made ten years earlier.

That said, Lee Garmes' cinematography is splendid and Albert Hay Mallotte's score is superb; plus Howard Keel, Herbert Lom, John Saxon and Martha Hyer deliver exemplary performances, in spite of the leaden script.

Contrary to previous comments, The Big Fisherman was NOT shot in MGM Camera 65 - only Raintree County and Ben-Hur were. After the process changed its name to Ultra Panavision, it was used on Mutiny on the Bounty, It's a Mad, Mad, Mad, Mad World, Khartoum and The Fall of the Roman Empire. The Big Fisherman used Super Panavision - a non anamorphic 70mm widescreen process.

Inferior the film may be to its contemporaries, it still deserves a DVD release - preferably a Special Edition version, as it is most certainly a worthy part of the canon of 70mm epics.

For further information, go to www.widescreenmovies.org and click on 'Highlights of Previous Issues' then 'The Epic that Disappeared: The Big Fisherman'.


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