Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
The story picks up at the point where "The Robe (1953)" ends, following the martyrdom of Diana and Marcellus. Christ's robe is conveyed to Peter for safe-keeping, but the emperor Caligula ... See full summary »
Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to ... See full summary »
Barbara Bel Geddes,
A Greek artisan is commissioned to cast the cup of Christ in silver and sculpt around its rim the faces of the disciples and Jesus himself. He travels to Jerusalem and eventually to Rome to... See full summary »
In this legendary Gershwin opera set among the black residents of a fishing village in 1912 South Carolina, Bess - a woman with a disreputable history - tries to break free from her brutish... See full summary »
Sammy Davis Jr.
An American gunslinger kills a Mexican man in California immediately after the Mexican-American war. The killer is arrested and put on trial for murder with the Hispanic population waiting to learn of American justice.
Father Conroy (Crosby) has a parish which serves the acting and performance community. When one of his parishoners gets too sick to work, his daughter Holly (Reynolds) finds a job working ... See full summary »
Howard Keel says in his posthumously published memoirs that he grabbed the part of Simon Peter in The Big Fisherman to prove his versatility as an actor. Musicals were pretty much done by that time and he was free of his MGM contract.
He got the role after John Wayne turned the part down. That one was an eye opener I have to say. My conception of St. Peter has always been that of a big hale and hearty man used to working in the outdoors. We see an older Peter in Quo Vadis with Finlay Currie and now we have a younger one in Keel.
Still I can't believe that Frank Borzage wanted John Wayne. After coming off that disaster in The Barbarian and the Geisha, the Duke wisely turned this one down.
Keel does give a good performance as Peter. Other than Keel the player best remembered for this film is Ray Stricklyn as the evil young Arab prince.
It's good to remember that this is a fictional story about a biblical figure though some scenes of events described in the Bible are in the film. Nevertheless there are some plot flaws. Peter goes among the Arabs here and this was six centuries before Mohammed came on the scene. If you were to follow the logic of the film, the Arab people would have been converted to Christianity. Now maybe it would have saved us all a lot of bloodshed over the centuries had they, still even in a work of fiction that's a bit much to swallow.
Keel liked making the film and had high hopes for it. Unfortunately it ran up against Ben-Hur another filmed biblically based novel this time with the protagonist being a fictional character. Additionally The Big Fisherman got lost somewhere in the corporate doings of Buena Vista Films and the Walt Disney studio. Back in the Fifties, Buena Vista did distribute films not necessarily with the Walt Disney brand on them. It's been seen on television a few times, I saw it again about 12 years ago. It should be seen in theaters though. Like Ben-Hur something is lost even with a letter box version.
But can you imagine John Wayne as St. Peter? Turn that one over in your minds.
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