After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by
Matthias Scheler <firstname.lastname@example.org>
Originally William Wyler had planned only to film the first unit and leave the second unit duties to producer Sam Zimbalist. These plans had to be scrapped after Zimbalist's premature death. MGM persuaded Wyler to see the film through to completion by offering him a greater financial stake in the film. See more »
As the Romans are marching to Jerusalem, Drusus asks Messala what town they are passing through. Messala replies, "Nazareth," but when he says "we arrive in Jerusalem tomorrow night," his mouth is not moving. See more »
[Messala is mortally injured after being trampled in the chariot race]
We cannot wait, Tribune.
He will come.
[he convulses with pain; they hold him down]
We cannot wait any longer, Tribune!
He will come! He will come. I have sent for him, and he will come!
If you wish us to keep you alive, we have to go to work *now*, Tribune. Do you understand?
Cut the legs off me... Not yet. Not till I've seen him. I can't receive him with half a body!
[...] See more »
The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
Still good after 40+ years, but made for a different audience.
Ben Hur, a Tale of the Christ, was hugely popular as a novel, a play and two movies. It was written in a less vulgar time about a very spiritual event. Seen today by moviegoers addicted to constant action and low frequency effects, it will seem ponderous, slow and pretentious. Well, it is a little. You have to pay attention to the dialogue or you won't get it at all. Some of the intimate scenes aren't all that great. Anyone that really pays attention can tell the sea battle is done with miniatures. It's still worth watching. As everyone ought to know by now, the chariot race is one-of-a-kind; nothing else comes close to that real live race where the main actors actually raced most of the time. I just watched this movie after lapse of about 10 years. I still enjoyed it. The sea battle is still fun even if you know the boats are about as big as a man. The few moments which have Christ on the screen are still moving. Just about all of the acting is good with only a few forgettable moments. Just be ready to spend about 4 hours in front of the screen listening to occasionally flowery dialog.
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