After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by
Matthias Scheler <email@example.com>
The chariot race required 15,000 extras on a set constructed on 18 acres of backlot at Cinecitta Studios outside Rome. Tour buses visited the set every hour. Eighteen chariots were built, with half being used for practice. The race took five weeks to film. See more »
When Judah and Messala hurl their spears at the beam, both spears travel to their mark on guide wires. This is obvious because there is no arc in the trajectory of the spears. See more »
By what magic do you bear the name of a Consul of Rome?
You were the magician, Messala. When my ship was sunk, I saved the Consul's life.
See more »
The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
The same quality that made epics like "Gone with the Wind," "Lawrence of Arabia," "Doctor Zhivago," and, ultimately, "Titanic" the memorable stories they were is present in spades in "Ben-Hur." These are stories, though told on canvases far vaster than the CinemaScope- or Panavision-sized movie screens they were meant for, succeed because, in their best moments, they focus on the interaction between and history of as few as two characters.
What begins as a childhood friendship between a Roman boy and a Jewish boy in Roman-occupied Palestine, becomes, briefly, a politically-charged rivalry, and ultimately, a search for revenge by one upon the other.
Charlton Heston and Stephen Boyd deliver the performances of their careers, and get to chew up scenery and sets of such grandeur that Hollywood could never afford their like again.
This film, the greatest epic film ever made, deserves every accolade heaped upon it. The modern viewer may have to apply some patience, but at the end of the nearly four hour running time will find themselves to be vastly rewarded for it. You will find your life changed by both the scale of the film and the intimate message of friendship, betrayal, revenge--and the power of forgiveness.
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