After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
The scene opens with an assembly of citizens who are harangued by one of their number, whose words have great weight with the crowd, and their attitude of approval shows that Roman misrule ... See full summary »
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by
Matthias Scheler <firstname.lastname@example.org>
Charlton Heston made a big blunder early on by composing a lengthy memo outlining his ideas about his character in the first scene with Messala. He later noted that it took him considerable time to get back in William Wyler's good graces after doing that and may have had something to do with the rough time the director gave him during production. He also wrote that Wyler once told him he wished he (Wyler) could be a nice guy on the set but that "you can't make a good picture that way." See more »
During the chariot race just before Ben-Hur's chariot jumps the wrecked chariot, stunt driver Joe Canutt can be seen dropping the reins and grabbing hold of the side of the his chariot (his father, stunt coordinator-2nd unit director Yakima Canutt, had instructed him to grip the underside of the chariot's railing. Joe ignored him, or forgot, and grasped the railing from the top, and was vaulted over the top of the chariot, which could have been fatal had his quick reflexes and strength not allowed him to haul himself back over the vehicle's yoke before he fell between the horses and chariot). See more »
Now listen to me, all of you. You are all condemned men. We keep you alive to serve this ship. So row well, and live.
See more »
The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
Still good after 40+ years, but made for a different audience.
Ben Hur, a Tale of the Christ, was hugely popular as a novel, a play and two movies. It was written in a less vulgar time about a very spiritual event. Seen today by moviegoers addicted to constant action and low frequency effects, it will seem ponderous, slow and pretentious. Well, it is a little. You have to pay attention to the dialogue or you won't get it at all. Some of the intimate scenes aren't all that great. Anyone that really pays attention can tell the sea battle is done with miniatures. It's still worth watching. As everyone ought to know by now, the chariot race is one-of-a-kind; nothing else comes close to that real live race where the main actors actually raced most of the time. I just watched this movie after lapse of about 10 years. I still enjoyed it. The sea battle is still fun even if you know the boats are about as big as a man. The few moments which have Christ on the screen are still moving. Just about all of the acting is good with only a few forgettable moments. Just be ready to spend about 4 hours in front of the screen listening to occasionally flowery dialog.
115 of 181 people found this review helpful.
Was this review helpful to you?