After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Judah Ben-Hur lives as a rich Jewish prince and merchant in Jerusalem at the beginning of the 1st century. Together with the new governor his old friend Messala arrives as commanding officer of the Roman legions. At first they are happy to meet after a long time but their different politic views separate them. During the welcome parade a roof tile falls down from Judah's house and injures the governor. Although Messala knows they are not guilty, he sends Judah to the galleys and throws his mother and sister into prison. But Judah swears to come back and take revenge. Written by
Matthias Scheler <firstname.lastname@example.org>
Although William Wyler was Jewish, he was particularly keen to make a film that would appeal to all religious faiths. In any case, he viewed the novel's subtitle, "A Tale of the Christ", as almost incidental to the story. He never lost sight of the obvious fact that the story was about a man called Judah Ben-Hur. His insistence that it be that personal story is largely responsible for the film's enduring success. See more »
Most of the Roman soldiers seen are not displaying the Roman Army's "Winged Lightning" symbol on their shields. See more »
There's a Jew outside. He wants to see the Tribune Messala.
I assume he has a name.
He says he's a prince, Prince Judah Ben-Hur.
[loud and quickly]
Then treat him like one!
Tell him I'll join him.
[the centurion starts to leave, and Messala shouts again]
This was his country before it was ours. Don't forget that.
[...] See more »
The Metro-Goldwyn-Mayer lion is shown in a still-frame to appear looking peaceful at the beginning rather than roaring. See more »
Still good after 40+ years, but made for a different audience.
Ben Hur, a Tale of the Christ, was hugely popular as a novel, a play and two movies. It was written in a less vulgar time about a very spiritual event. Seen today by moviegoers addicted to constant action and low frequency effects, it will seem ponderous, slow and pretentious. Well, it is a little. You have to pay attention to the dialogue or you won't get it at all. Some of the intimate scenes aren't all that great. Anyone that really pays attention can tell the sea battle is done with miniatures. It's still worth watching. As everyone ought to know by now, the chariot race is one-of-a-kind; nothing else comes close to that real live race where the main actors actually raced most of the time. I just watched this movie after lapse of about 10 years. I still enjoyed it. The sea battle is still fun even if you know the boats are about as big as a man. The few moments which have Christ on the screen are still moving. Just about all of the acting is good with only a few forgettable moments. Just be ready to spend about 4 hours in front of the screen listening to occasionally flowery dialog.
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