| Gene Evans | ... | Steve Karnes | |
| André Morell | ... | Prof. James Bickford | |
| John Turner | ... | John | |
| Leigh Madison | ... | Jean Trevethan | |
| Jack MacGowran | ... | Dr. Sampson, the Paleontologist | |
| Maurice Kaufmann | ... | Mini Submarine Officer | |
| Henri Vidon | ... | Tom Trevethan | |
| Leonard Sachs | ... | Scientist | |
| rest of cast listed alphabetically: | |||
| Neal Arden | ... | TV Newscaster (uncredited) | |
| Max Faulkner | ... | PLA Radio Operator (uncredited) | |
| Arthur Gomez | ... | Fisherman on Quayside (uncredited) | |
| Neil Hallett | ... | Helicopter Pilot (uncredited) | |
| Patrick Jordan | ... | Photo Lab Aide (uncredited) | |
| Lloyd Lamble | ... | Adm. Summers (uncredited) | |
| Howard Lang | ... | Naval Commander (uncredited) | |
| André Maranne | ... | French Radio Officer (uncredited) | |
| Derren Nesbitt | ... | Radio Officer (uncredited) | |
Directed by | |||
| Douglas Hickox | |||
| Eugène Lourié | |||
Writing credits(WGA) | ||
| Robert Abel | (story) & | |
| Allen Adler | (story) | |
| Eugène Lourié | (screenplay) & | |
| Daniel James | (screenplay) originally uncredited | |
Produced by | |||
| David Diamond | .... | producer | |
| Ted Lloyd | .... | producer | |
Original Music by | |||
| Edwin Astley | |||
Cinematography by | |||
| Desmond Davis | |||
| Ken Hodges | |||
Film Editing by | |||
| Lee Doig | |||
Production Design by | |||
| Eugène Lourié | |||
Art Direction by | |||
| Harry White | |||
Makeup Department | |||
| Jimmy Evans | .... | makeup artist | |
| Bernadette Ibbetson | .... | hair stylist (as Bernie Ibbetson) | |
Production Management | |||
| Jacques de Lane Lea | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kim Mills | .... | assistant director | |
| Ron Purdie | .... | third assistant director | |
Sound Department | |||
| Richard Marden | .... | sound editor | |
| Sydney Wiles | .... | sound (as Sid Wiles) | |
Visual Effects by | |||
| Irving Block | .... | special effects designer and creator | |
| Louis DeWitt | .... | special effects designer and creator | |
| Willis H. O'Brien | .... | special effects designer and creator (as Willis O'Brien) | |
| Pete Peterson | .... | special effects designer and creator (as Pete Petterson) | |
| Jack Rabin | .... | special effects designer and creator | |
| Phil Kellison | .... | miniatures (uncredited) | |
Camera and Electrical Department | |||
| Desmond Davis | .... | camera operator | |
Costume and Wardrobe Department | |||
| Frede Gibson | .... | wardrobe supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| Would like to see Behemoth refilmed today! | darthykat24 |
| On TV last night | Dicky_Hart |
| Now available on DVD!!! | bob-2751 |
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| The Beast from 20,000 Fathoms | Godzilla, King of the Monsters! | Gorgo | Godzilla | Godzilla vs. King Ghidorah |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
When it comes to this film, some people love it, while others despise it. There seems to be no middle ground. Actually, BEHEMOTH, THE SEA MONSTER (aka THE GIANT BEHEMOTH) is not a bad giant monster on the loose flick. I enjoyed it when was a kid and I have this film on video and I still enjoy viewing it today. The special effects are pretty good for a quickly made low budget picture, the cast including Gene Evans turn in solid performances and Eugene Lourie's direction is quite good. The radiation scarred victims of the behemoth's radioactive aura (?) shocked me as a kid.
However, the main problem with this film is that we have seen it all before. The film is almost a remake of Lourie's BEAST FROM TWENTY THOUSAND FATHOMS. The original script for this film was about an invisible radioactive monster that dwelled in the ocean. The backers of this film turned the script down, saying they didn't like the idea of an invisible monster. So Lourie went with a radioactive dinosaur and simply rewrote BEAST FROM TWENTY THOUSAND FATHOMS.
The special effects are pretty good. The stop motion effects by Willis O'Brien and Pete Peterson look pretty good for a low budget picture. The main problem is that O'Brien and Peterson had done much more impressive work elsewhere. The effects are not bad, but the effects here are not up to the work O'Brien and Peterson did in KING KONG or even THE BLACK SCORPION. The mechanical and pyro-technical effects by Jack Rabin and Irving Block are pretty ambitious for a picture of this nature.
BEHEMOTH, THE SEA MONSTER is a decent late fifties monster on the loose picture. It is just that we have seen this before and the people who made this film had done better work elsewhere.