A detective is assigned to track down and capture a crazed serial rapist.

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Cast

Cast overview, first billed only:
...
Dave Culloran
...
Georgia Altera
...
Stan Hess
...
Francee Culloran
...
Louis Armstrong
Margaret Hayes ...
Joyce Greenfield (as Maggie Hayes)
...
Jake Baron
...
Art Jester (as Jim Mitchum)
Cathy Crosby ...
The Singer
Ray Anthony ...
Harry Altera
Dick Contino ...
Singing Beatnik
...
Marie Baron
...
The Poetess
...
Dr. Elcott
Maxie Rosenbloom ...
The Wrestling Beatnik
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Storyline

A detective is assigned to track down and capture a crazed serial rapist.

Plot Summary | Add Synopsis

Taglines:

The wild, weird, world of the Beatniks! ...Sullen rebels, defiant chicks...searching for a life of their own! The pads...the jazz...the dives... those frantic "way-out" parties... beyond belief! See more »

Genres:

Crime | Drama | Thriller

Certificate:

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Details

Country:

Language:

Release Date:

3 July 1959 (USA)  »

Also Known As:

This Rebel Age  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In-joke: Ray Danton, playing a serial rapist, finds one of his victims by seeing her street address on an envelope. The street is named Danton. See more »

Quotes

Georgia Altera: Would you rather be dead with him or alive with me?
See more »

Soundtracks

To the Moon
Lyrics by Lewis Meltzer
Music by Albert Glasser
See more »

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User Reviews

 
The Beat Generation (1959)
3 January 2012 | by (Portland OR) – See all my reviews

An obsessed cop tries to track down the "Aspirin Kid," a beatnik serial rapist. MGM was not a noir studio, and I don't really know if you could call this noir but if it is, it's one of the most insane noirs I've ever seen. Like crazy, man. I hardly know where to begin. Dig this groovy cast, Daddy-O... Vampira, Mamie Van Doren (who steals the show) and real-life husband Ray Anthony, Charles Chaplin Jr., James Mitchum (a dead ringer for the old man), Jackie Coogan and performances by Cathy Crosby and Louis Armstrong. I think I can safely say it's the only noir that climaxes at a beat "hootenanny" where a guy randomly tries to wrestle the hero, who later chases the bad guy underwater while dodging harpoons. Yeah, this sh*t is nuts. The portrayal of beatniks is the standard Hollywood ridicule and parody. Has there ever been a positive image of beatniks in an American film? Even FUNNY FACE is pretty condescending. Steve Cochran (looking quite Clooney-esque at this stage in his career) is practically psychotic, setting up an interesting parallel with the villain (Ray Danton, turning the sleaze up to 11) as both are portrayed as misogynistic creeps. Being a late-period noir, there's more freedom to openly address subjects like rape and abortion. Although there is no graphic imagery, the screams of the victims are harrowing enough. The film is campy and trashy and yet also has a moral center... one which backfired for me when it came to the vile anti-choice message. It's hard to make a case against hatred towards women while also telling them they need to keep their rape-spawned babies. It was a pre-Roe v. Wade world, though. The Van Doren character sends mixed messages about the film's stance as well.

This review is rambling because frankly, I don't know what to make of this movie. It's all over the place. In most respects it's pretty bad but also weirdly compelling, and sometimes even hilarious, whether intentionally or not. I can't honestly say I liked it, but I sure as hell couldn't stop watching it.


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