| Steve Reeves | ... | Phillipides | |
| Mylène Demongeot | ... | Andromeda, Creuso's daughter | |
| Sergio Fantoni | ... | Teocrito | |
| Daniela Rocca | ... | Karis | |
| Philippe Hersent | ... | Callimaco | |
| Alberto Lupo | ... | Milziade | |
| Daniele Vargas | ... | Dario, King of Persia | |
| Miranda Campa | ... | Andromeda's handmaid | |
| Gianni Loti | ... | Teucro | |
| Anita Todesco | ... | Andromeda's friend | |
| Ivo Garrani | ... | Creuso | |
| Sergio Ciani | ... | Euros | |
| Franco Fantasia | |||
| Carlo Lombardi | |||
| Ignazio Balsamo | |||
| Gian Paolo Rosmino | |||
| Walter Grant | |||
| rest of cast listed alphabetically: | |||
| Gérard Herter | ... | Hippia (uncredited) | |
| Rinaldo Zamperla | ... | Gladiator (uncredited) | |
Directed by | |||
| Jacques Tourneur | |||
| Mario Bava | (uncredited) (completed film) | ||
Writing credits(in alphabetical order) | ||
| Alberto Barsanti | story | |
| Ennio De Concini | writer | |
| Augusto Frassinetti | writer | |
| Raffaello Pacini | story | |
| Bruno Vailati | writer | |
Produced by | |||
| Bruno Vailati | .... | producer | |
Original Music by | |||
| Roberto Nicolosi | |||
Cinematography by | |||
| Mario Bava | |||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Aleksandar Milovic | (uncredited) | ||
Art Direction by | |||
| Marcello de Prato | |||
Set Decoration by | |||
| Massimo Tavazzi | |||
Costume Design by | |||
| Pier Luigi Pizzi | |||
Makeup Department | |||
| Otello Fava | .... | makeup artist | |
| Mara Rocchetti | .... | hair stylist | |
Production Management | |||
| Renato Angiolini | .... | production manager | |
| Ferruccio De Martino | .... | production manager | |
| Massimo De Rita | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Odoardo Fiory | .... | assistant director | |
| Ottavio Oppo | .... | assistant director | |
| Mario Bava | .... | assistant director (uncredited) | |
Art Department | |||
| Gianni D'Aloisio | .... | assistant set designer | |
Sound Department | |||
| Louis Kieffer | .... | sound engineer | |
| Giulio Tagliacozzo | .... | sound engineer | |
Special Effects by | |||
| Mario Bava | .... | special photographic effects | |
Camera and Electrical Department | |||
| Ubaldo Terzano | .... | camera operator | |
| Masino Manunza | .... | cinematographer: underwater scenes (uncredited) | |
Costume and Wardrobe Department | |||
| Marisa Crimi | .... | costume supervisor | |
| Armando Govoni | .... | wardrobe | |
Music Department | |||
| Luigi Urbini | .... | conductor (as Pierluigi Urbini) | |
Other crew | |||
| Barbara Fusch | .... | direction secretary | |
| Paolo Mercuri | .... | production secretary | |
| Enzo Musumeci Greco | .... | fencing master | |
| Ditta Pompei | .... | footwear | |
| Rancati | .... | weapons | |
| Ditta Rochetti | .... | wigs by | |
| Tani | .... | weapons | |
| Recent Posts (updated daily) | User |
|---|---|
| Great underwater carnage! | hootson21 |
| Lot's of Beefcake | RobertAmaya2000 |
|
|
|
|
|
| Giants of Rome | The Avenger | The 300 Spartans | Spartacus and the Ten Gladiators | Hercules Against the Moon Men |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb Italy section |
Most of the other reviews are on target, I will limit myself to a couple of points needing consideration.
This was not intended as a muscleman-'sword & sandal' show, but a straight-ahead epic and a war movie. The reason this is easy to miss is because of the choice of Reeves for the lead. He actually tries hard to act in this film - but he has no capacity for it whatsoever.
In order to give him a chance to demonstrate this, the film gives Reeves an annoying romance that takes up half the film.
As an epic, the film is only half here, the second half, the battle itself. The battle sequences aren't bad at all, they are all technically correct, well mounted and nicely shot.
In fact, the visuals of the film are very striking, especially in the meetings with city elders trying to decide strategy. The print used for the DVD is an old TV copy, washed out and grainy; but remembering its original colors, and that it was made in wide-screen, a lot of this must have looked pretty awesome in theaters on first release.
However, visuals work best when the acting isn't important; besides the Reeves' problem, in fact only the central villain is performed with any gusto or skill. Everyone else walks around like cardboard on string. For the better actors involved, that may be partly because, with the exception of the romance, there's very little character-based drama involved here.
I suggest watching it for the battle sequences, and to forgive the damage done to it by the fortunes of poor preservation.