| Arthur Franz | ... | Lt. Cmdr. Richard 'Reef' Holloway | |
| Dick Foran | ... | Cmdr. Dan Wendover | |
| Brett Halsey | ... | Dr. Carl Neilson Jr. | |
| Tom Conway | ... | Sir Ian Hunt | |
| Paul Dubov | ... | Lt. David Milburn | |
| Bob Steele | ... | CPO 'Grif' Griffin | |
| Victor Varconi | ... | Dr. Clifford Kent | |
| Joi Lansing | ... | Julie | |
| Selmer Jackson | ... | Adm. Terhune | |
| Jack Mulhall | ... | Justin Murdock | |
| Jean Moorhead | ... | Helen Milburn | |
| Richard Tyler | ... | Frogman Carney | |
| Kenneth Becker | ... | Frogman Powell (as Ken Becker) | |
| Sid Melton | ... | Yeoman Chester Tuttle | |
| Frank Watkins | ... | Watkins | |
| Pat Michaels | ... | Narrator (voice) | |
| John Hilliard | ... | Saucer Voice (voice) | |
| rest of cast listed alphabetically: | |||
| Edmund Cobb | ... | Passerby (uncredited) | |
| Frank Lackteen | ... | Passerby (uncredited) | |
Directed by | |||
| Spencer Gordon Bennet | (as Spencer G. Bennet) | ||
Writing credits | ||
| Orville H. Hampton | (written by) | |
| Irving Block | story (uncredited) | |
| Jack Rabin | story (uncredited) | |
Produced by | |||
| Irving Block | .... | producer associate | |
| Alex Gordon | .... | producer | |
| Orville H. Hampton | .... | associate producer | |
| Jack Rabin | .... | producer associate | |
| Henry Schrage | .... | co-producer | |
Cinematography by | |||
| Gilbert Warrenton | (director of photography) | ||
Film Editing by | |||
| William Austin | |||
Art Direction by | |||
| Don Ament | |||
| Daniel Haller | (as Dan Haller) | ||
Set Decoration by | |||
| Harry Reif | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist (as Emile Lavigne) | |
Production Management | |||
| Edward Morey Jr. | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Clark L. Paylow | .... | assistant director (as Clark Paylow) | |
| Arthur M. Broidy | .... | assistant director (uncredited) | |
Art Department | |||
| Max Frankel | .... | properties | |
Sound Department | |||
| Ralph Butler | .... | sound | |
| Martin Greco | .... | sound editor (as Marty Greco) | |
Special Effects by | |||
| Milton Olsen | .... | special effects (uncredited) | |
Visual Effects by | |||
| Irving Block | .... | special effects designer and creator | |
| Louis DeWitt | .... | special effects designer and creator | |
| Jack Rabin | .... | special effects designer and creator | |
Camera and Electrical Department | |||
| George Satterfield | .... | chief set electrician | |
| Arthur Lane | .... | camera operator (uncredited) | |
| Harry Lewis | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Norah Sharpe | .... | wardrobe | |
| Roger J. Weinberg | .... | wardrobe | |
Music Department | |||
| Neil Brunnenkant | .... | music editor | |
| Alexander Laszlo | .... | conductor | |
Other crew | |||
| Ruth Alexander | .... | assistant to producer | |
| Jack W. Cash | .... | dialogue supervisor (as Jack Cash) | |
| Jack W. Cash | .... | production associate (as Jack Cash) | |
| Judith Hart | .... | script supervisor | |
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| The Abyss | Deep Shock | K-19: The Widowmaker | G.I. Joe: The Rise of Cobra | It Came from Beneath the Sea |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
I honestly didn't think this was too bad. It's most obvious weaknesses are the very poor special effects, which over and over give a very cheap, low-budget feel to the movie. Having said that, the story - while it perhaps lacked the action that modern sci-fi viewers have come to expect - was not bad. Essentially, there's a mystery involving a number of Maritime disasters that have occurred in the Arctic Ocean, and the atomic submarine Tigershark is sent to investigate. Upon its arrival, it discovers that the disasters are being caused by a flying saucer with a somewhat ridiculous looking alien on board who has plans for his species to colonize the earth. If that sounds familiar, it's probably because it's the plot for about 75% of the episodes of "Voyage To The Bottom Of The Sea!" The Tigershark doesn't seem as advanced as the Seaview was, but you can certainly see this as a direct ancestor of that movie/TV series. The performances here were all right, if at times a little dry. The attempt to create tension between Reef and Nielson didn't work that well, primarily because I just never understood the level of antipathy Reef seemed to have, the ultimate solution as the submarine faced off against the flying saucer seemed in the end a bit too simple and easy, and the last scene was a little bit too corny, quite frankly. Overall, though, this was an enjoyable enough experience. 7/10