| Arthur Franz | ... | Lt. Cmdr. Richard 'Reef' Holloway | |
| Dick Foran | ... | Cmdr. Dan Wendover | |
| Brett Halsey | ... | Dr. Carl Neilson Jr. | |
| Tom Conway | ... | Sir Ian Hunt | |
| Paul Dubov | ... | Lt. David Milburn | |
| Bob Steele | ... | CPO 'Grif' Griffin | |
| Victor Varconi | ... | Dr. Clifford Kent | |
| Joi Lansing | ... | Julie | |
| Selmer Jackson | ... | Adm. Terhune | |
| Jack Mulhall | ... | Justin Murdock | |
| Jean Moorhead | ... | Helen Milburn | |
| Richard Tyler | ... | Frogman Carney | |
| Kenneth Becker | ... | Frogman Powell (as Ken Becker) | |
| Sid Melton | ... | Yeoman Chester Tuttle | |
| Frank Watkins | ... | Watkins | |
| Pat Michaels | ... | Narrator (voice) | |
| John Hilliard | ... | Saucer Voice (voice) | |
| rest of cast listed alphabetically: | |||
| Edmund Cobb | ... | Passerby (uncredited) | |
| Frank Lackteen | ... | Passerby (uncredited) | |
Directed by | |||
| Spencer Gordon Bennet | (as Spencer G. Bennet) | ||
Writing credits | ||
| Orville H. Hampton | (written by) | |
| Irving Block | story (uncredited) | |
| Jack Rabin | story (uncredited) | |
Produced by | |||
| Irving Block | .... | producer associate | |
| Alex Gordon | .... | producer | |
| Orville H. Hampton | .... | associate producer | |
| Jack Rabin | .... | producer associate | |
| Henry Schrage | .... | co-producer | |
Cinematography by | |||
| Gilbert Warrenton | (director of photography) | ||
Film Editing by | |||
| William Austin | |||
Art Direction by | |||
| Don Ament | |||
| Daniel Haller | (as Dan Haller) | ||
Set Decoration by | |||
| Harry Reif | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist (as Emile Lavigne) | |
Production Management | |||
| Edward Morey Jr. | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Clark L. Paylow | .... | assistant director (as Clark Paylow) | |
| Arthur M. Broidy | .... | assistant director (uncredited) | |
Art Department | |||
| Max Frankel | .... | properties | |
Sound Department | |||
| Ralph Butler | .... | sound | |
| Martin Greco | .... | sound editor (as Marty Greco) | |
Special Effects by | |||
| Milton Olsen | .... | special effects (uncredited) | |
Visual Effects by | |||
| Irving Block | .... | special effects designer and creator | |
| Louis DeWitt | .... | special effects designer and creator | |
| Jack Rabin | .... | special effects designer and creator | |
Camera and Electrical Department | |||
| George Satterfield | .... | chief set electrician | |
| Arthur Lane | .... | camera operator (uncredited) | |
| Harry Lewis | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Norah Sharpe | .... | wardrobe | |
| Roger J. Weinberg | .... | wardrobe | |
Music Department | |||
| Neil Brunnenkant | .... | music editor | |
| Alexander Laszlo | .... | conductor | |
Other crew | |||
| Ruth Alexander | .... | assistant to producer | |
| Jack W. Cash | .... | dialogue supervisor (as Jack Cash) | |
| Jack W. Cash | .... | production associate (as Jack Cash) | |
| Judith Hart | .... | script supervisor | |
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| The Abyss | Deep Shock | K-19: The Widowmaker | G.I. Joe: The Rise of Cobra | It Came from Beneath the Sea |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
What a difference the three years separating ATOMIC SUBMARINE and VOYAGE TO THE BOTTOM OF THE SEA made! Of course, Allen's much larger budget sure helped too. Still, one can see The Tigershark as being the direct parent of The Seaview.
We have an advanced nuclear sub capable of firing missiles or torpedoes and equipped with a secondary submarine. The Seaview originally carried a small fleet of 2-man submersibles but they got eclipsed by the flashier Flying Sub. And of course you have the senior officer, the younger guy who actually handles the action scenes, and a couple onboard scientists just for the heck of it.
The plot itself is pretty much the model for many of the Voyages to the Bottom of the Sea. The hidden mystery at the heart of an otherwise normal mission, the unexpected monster.... Yeah, this could have been a VOYAGE episode. And in fact, eventually IT WAS! VOYAGE did an episode that adapted ATOMIC SUBMARINE pretty much straight, just changing the sub, the crew names, and a few details (and ditching Joi Lansing's character, alas!).
While ATOMIC SUBMARINE does look frightfully low budget compared to VOYAGE, let alone today's super-bloated budget busters, it works pretty well for a product of its time. And the minimalist, barely illuminated alien saucer interior is surprising effect. I know it creeped me out when I first saw this late one night in '66!