Anatomy of a Murder (1959)

Director:

Otto Preminger

Writers:

John D. Voelker (novel)
Wendell Mayes (screenplay)

Release Date:

1 July 1959 (USA)

Genre:

Crime | Drama | Mystery

Plot:

In a murder trial, the defendant says he suffered temporary insanity after the victim raped his wife. What is the truth, and will he win his case?

Plot Keywords:

Murder | Bartender | Temporary Insanity | Lawyer | Fishing

Awards:

Nominated for 7 Oscars. Another 7 wins & 11 nominations

Cast

James Stewart	...	Paul Biegler
Lee Remick	...	Laura Manion
Ben Gazzara	...	Lt. Frederick Manion
Arthur O'Connell	...	Parnell Emmett McCarthy
Eve Arden	...	Maida Rutledge
Kathryn Grant	...	Mary Pilant
George C. Scott	...	Asst. State Atty. Gen. Claude Dancer
Orson Bean	...	Dr. Matthew Smith
Russ Brown	...	George Lemon
Murray Hamilton	...	Alphonse Paquette
Brooks West	...	Dist. Atty. Mitch Lodwick
Ken Lynch	...	Det. Sgt. James Durgo
John Qualen	...	Deputy Sheriff Sulo
Howard McNear	...	Dr. Dompierre
Alexander Campbell	...	Dr. W. Gregory Harcourt

Runtime:

160 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Australia:M | Canada:R (Nova Scotia) | Canada:G (Quebec) | Canada:PA (Manitoba) | Finland:K-16 | Norway:16 (1959) | Sweden:15 | UK:12A (re-rating) (2005) | UK:12 (video re-rating) 2001) | UK:15 (video rating) (1988) | UK:X (original rating) | USA:Unrated | West Germany:16 | Iceland:12

Filming Locations:

2nd Floor, Marquette County Courthouse - 234 W. Baraga Avenue, Marquette, Michigan, USA

Company:

Carlyle Productions

Trivia:

Duke Ellington did the music and has a cameo as "Pie-Eye."

Goofs:

Crew or equipment visible: In the opening shot, the camera-car's shadow is visible on Biegler's car.

Quotes:

Paul Biegler: Mr. Paquette, what would you call a man with an insatiable penchant for women?
Alphonse Paquette: A what?
Paul Biegler: A penchant... a desire... taste... passion?
Alphonse Paquette: Well, uh, ladies' man, I guess. Or maybe just a damn fool!
[laughter in the courtroom]
Judge Weaver: Just answer the questions, Mr. Paquette. The attorneys will provide the wisecracks.

Movie Connections:

Spoofed in "Get Smart: Anatomy of a Lover (#2.1)" (1966)

A Spot-On Courtroom Drama

Anatomy of an excellent movie:

Begin with an extremely tight and well written script, from the novel by the same name. While reportedly the story is based on a real-life case it is nevertheless a timeless story, almost biblical, presenting age-old questions of human conflicts and human dilemmas.

Add to that a sensational cast, starting of course with the leads, Jimmy Stewart, George C. Scott, Lee Remick, and Ben Gazarra, but also the rest of the cast, filled as it is with numerous accomplished and veteran stage actors and radio performers from days of yore. Character parts played by actors Arthur O'Connell, Eve Arden, Ken Lynch, Joseph Kearns, and Howard McNear. Someone paid careful attention to the casting for this film.

Perhaps the most masterful stroke as far as casting goes was the casting Joseph Welch as the judge. Welch was an experienced and renowned lawyer in real life. Welch turns in a very good and a very believable performance.

With the collision of those elements, a great script and a great cast, adding Otto Preminger as director, an overseer who knew exactly what to do with it all, you then have a very fine film.

More than any other movie or play, including modern day presentations like the television series Law & Order, this 1959 movie, Anatomy of a Murder, even though it is now 46 years old, is by far the most realistic and technically accurate courtroom drama ever produced. The conduct of the trial, the examination of the witnesses, the colloquy and bantering back and forth between the lawyers and between the lawyers and the judge, is spot-on. Every bit of it. Every question from the lawyers, every objection, every ruling by the judge, every admonishment from the judge, and the testimony of the witnesses, every bit of it, is realistic and believable, lines that were accurately written with care, and then flawlessly delivered.

Beyond the technical accuracies of the legal proceedings, some other aspects of the overall story were also spot on. The ambiguous ambivalence of lawyers, their motivations, their ethics, their relative honesty. Nothing is all black or all white. Shades of gray abound. Legal cases as sport. Being a "good lawyer" means pushing the envelope too far, bending the rules until you're told to stop. Not for justice. No, not that. To win. That's why. To win. Then sanctimoniously telling themselves that the system really works better this way. The movie accurately captures the fact that real-life legal cases are very often comprised of upside down Alice in Wonderland features. Innocent people are guilty, and guilty people are innocent. Good is bad, and bad is good. Everything is relative. Some call it cynicism. Others, cynically, call it realism. Anatomy of a Murder captures all of these and more.

I've read the criticism that Lee Remick was not believable, that as an actress she failed at nailing the portrayal of how a true rape victim would appear and behave, and that her character, Laura Manion, just didn't seem to have the proper affect nor strike the right emotional chord of a woman who had been raped. All I can say is that such criticism misses a humongous part of the point. It is almost mind-boggling that there are viewers out there who, after viewing this film, somehow managed to miss it. Let me clear it up: we the viewers WERE SUPPOSED to have serious doubts about whether Laura Manion had actually been raped. The question of whether she was really raped or not is central to the plot and story line. That's why Lee Remick played the part the way she did. And then, in turn, it was part of the story for the Jimmy Stewart character, Paul Biegler, to recognize this problem, and the problem that it presented to his defense. He worried that the jury would see it and would also doubt that she had been raped, and so that's why he propped her up in court, dressed up all prim and proper, with a hat over her voluptuously cascading hair, and with horned-rim glasses. So, yes, Lee Remick nailed it. Bull's eye.

Speaking of Lee Remick, some say that this was the movie that put Lee Remick on the map. She was stunningly beautiful here, at the ripe young age of 24. Even though the film is in black and white, her red hair, blue eyes, and porcelain skin still manage to jump right off the screen and out at you. Has any other actress ever played the role of the beautiful and sexy lady looking to get laid any better than Lee Remick? It was a woman she reprised several times in her career, sometimes with greater subtlety and understatement than others. This was her first rendition of it, and it may have been the best.

Anatomy of a Murder is a very complex movie, with multitudes of layers and texturing, where much is deftly explored, but precious little is resolved. It's a movie that leaves you thinking and wondering. I highly recommend it.