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Anari (1959)

 -  Comedy | Drama | Musical
7.7
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Ratings: 7.7/10 from 319 users  
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Raj Kumar is an honest, handsome and intelligent young man to boot. He works as a sole Trader therefore a painter by trade, but unable to earn a living, and unable to pay rent to his ... See full summary »

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Cast

Cast overview, first billed only:
...
Raj Kumar
...
Aarti Sohanlal
Lalita Pawar ...
Mrs. L. D'Sa
Shubha Khote ...
Asha
Motilal ...
Seth. Ramnath Sohanlal
Mukri ...
Kamdhar (Raj Kapoor's co-worker)
Ashim Kumar
Nana Palsikar ...
Evil Priest (as Nana Palshikar)
Paul Mahendra ...
(as Pal Mahendra)
Brahm Bhardwaj ...
(as Brahm Bharadwaj)
Vishwa Mehra
Ruby Mayer ...
Girl's College Facilitator (as Sulochana Sr.)
Meena T. ...
(as Meena)
Aruna
Viren
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Storyline

Raj Kumar is an honest, handsome and intelligent young man to boot. He works as a sole Trader therefore a painter by trade, but unable to earn a living, and unable to pay rent to his kind-hearted but talkative landlady, Mrs. D'sa. One day Raj finds a wallet containing money, and he returns it to the owner, Ramnath. Ramnath admires Raj and pleased with his honesty employs him to work in his office as a Receptionist. Raj meets with Ramnath's maidservant, Asha, and soon both fall in love. This all ends when Raj finds out that Asha is really Aarti, the daughter of his employer. He then alienates himself from his employer and his daughter, and looks after his ailing landlady by cooking and serving her daily meals. Unfortunately, she passes away suddenly. The police conduct a post-mortem, and as a result find out that Mrs. D'sa was poisoned. Raj became the prime suspect and is subsequently taken for questioning, and is arrested and held in a cell. Later on Raj planned a narrow escape which ... Written by gavin@sunny_deol2009@yahoo.com

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Connections

References Chori Chori (1956) See more »

Soundtracks

1956, 1957, 1958, 1959
Music by Shankarsingh Raghuwanshi & Jaikishan Dayabhai Panchal
Performed by Lata Mangeshkar, Manna Dey, chorus
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User Reviews

 
Sab Kuchh Seekha Humne Na Seekhi Hoshiyaari . . .
25 April 2011 | by (India) – See all my reviews

Though Raj Kapoor was a versatile actor and performed various kinds of roles in his acting career spanning around 38 years (1944-1982), he's best loved by the Indian audience for the Seedha-Saada, simple, straightforward and naive (and therefore vulnerable) gentleman's role who's pure-hearted and cannot play with anybody's sentiments (but people can easily play with his sentiments and break his heart). Many movies showcasing his talent in such type of roles were made under his own banner and under the outside banners too. One such memorable movie is Anari (1959) which is definitely a classic, not to be missed by a movie-buff interested in watching quality cinema.

Anari (too simple, devoid of shrewdness) is the story of Raj Kumar aka Raju (the evergreen screen-name of Raj Kapoor) who is poor and lives as paying guest with Mrs. D'Sa (Lalita Pawaar), a Christian widow whose personality is like coconut, i.e., apparently stern but very sweet, tender and benevolent inside her heart. Raju gets a job in the pharmaceutical company of Ramnath (Moti Lal) whose daughter, Aarti (Nutan) falls in love with him but pretends to be the maid of his daughter and presents the actual maid, Asha (Shubha Khote) as herself. Though she does it in just in prank-playing way but before she could tell Raju the truth, he himself comes to know of it and feeling badly hurt to see that his sentiments have been played with, alienates himself from Aarti and his father. But when ailing Mrs. D'Sa passes away after a medicine manufactured in the pharmaceutical company is injected to her, Raju is arrested because it is found that she has died of poison. After a few twists in the story, Raju is acquitted and the real culprit surrenders to the court. Aarti and Raju get reunited.

The characters involved are above the plot of the story. The character of Mrs. D'Sa and the affectionate relationship between herself, the land-lady and Raju, the tenant; goes deep inside the hearts of the viewers. Both the performers have delivered performances of a lifetime in the movie. Especially for Lalita Pawar, I can safely say that it's the best role performed by herself in her entire acting career. Nutan, first as the carefree daughter of a rich man and thereafter a true lover who feeling the pain inside her own heart after inadvertently hurting the man she loves and later standing by him in his time of adversity, is just marvellous. And finally Moti Lal, as the proud businessman who is never ready to accept defeat, has delivered a knock-out performance. The performers have enlivened the script on the screen with their towering performances. And the director has shown his class by presenting the story in an extremely effective, interesting and above all, touching way. It's a movie which first entertains you and thereafter moves you deep inside your heart.The cinematography and other technical aspects of this black and white movie are also up to the mark.

The music preparing team of Shankar-Jaikishan (composers), Shailendra (lyricist), Mukesh and Lata (singers) has done an outstanding job. It contains gems like Kisi Ki Muskurahaton Pe Ho Nisaar, Tera Jaana Dil Ke Armaanon Ka Lutt Jaana, Bann Ke Ye Panchhi Gaayen Pyar Ka Taraana, Dil Ki Nazar Se Nazaron Ki Dil Se, Woh Chaand Khila Woh Taare Hanse etc. My favourite song is the title track sung by Mukesh - Sab Kuchh Seekha Humne Na Seekhi Hoshiyaari, Sach Hai Duniya Waalon Ki Hum Hain Anari.

Anari is a timeless classic from the black and white era of Bollywood movies which had won five Filmfare awards in 1960. Its repeat value is beyond measurement. See it once and you will love to see it countless number of times. It scores in every department of cinema. If you have not watched it till date, please do watch it now and you will know at once what quality cinema is all about.


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