| Beverly Garland | ... | Joyce Webster, aka Jane Marvin | |
| Bruce Bennett | ... | Dr. Eric Lorimer | |
| Lon Chaney Jr. | ... | Manon (as Lon Chaney) | |
| George Macready | ... | Dr. Mark Sinclair | |
| Frieda Inescort | ... | Mrs. Lavinia Hawthorne, Henry's Wife | |
| Richard Crane | ... | Paul Webster | |
| Douglas Kennedy | ... | Dr. Wayne MacGregor | |
| rest of cast listed alphabetically: | |||
| Bill Bradley | ... | Patient 'Number Six' (uncredited) | |
| Hal K. Dawson | ... | Train Conductor (uncredited) | |
| Dudley Dickerson | ... | Train Porter (uncredited) | |
| John Frederick | ... | 1st Male Nurse (uncredited) | |
| Ruby Goodwin | ... | Louann the Maid (uncredited) | |
| Ken Kane | ... | Third Male Nurse (uncredited) | |
| Vince Townsend Jr. | ... | Toby the Butler (uncredited) | |
| Lee Warren | ... | Second Male Nurse (uncredited) | |
Directed by | |||
| Roy Del Ruth | |||
Writing credits | ||
| Orville H. Hampton | (screenplay) | |
| Orville H. Hampton | (story) and | |
| Charles O'Neal | (story) | |
| Robert M. Fresco | uncredited | |
Produced by | |||
| Jack Leewood | .... | producer | |
Original Music by | |||
| Irving Gertz | |||
Cinematography by | |||
| Karl Struss | (director of photography) | ||
Art Direction by | |||
| John B. Mansbridge | (as John Mansbridge) | ||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Joseph Kish | |||
| Walter M. Scott | |||
Makeup Department | |||
| Eve Newing | .... | hair stylist | |
| Ben Nye | .... | makeup artist | |
| Dick Smith | .... | makeup artist | |
Production Management | |||
| Herbert E. Mendelson | .... | production manager (as Herb Mendelson) | |
Second Unit Director or Assistant Director | |||
| Herbert E. Mendelson | .... | assistant director (as H.E. Mendelson) | |
Art Department | |||
| George Westenhiser | .... | property master | |
Sound Department | |||
| W.D. Flick | .... | sound (as W. Donald Flick) | |
| Arthur Cornell | .... | sound effects (uncredited) | |
Special Effects by | |||
| Fred Etcheverry | .... | special effects | |
Stunts | |||
| Bob Bryant | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Ollie Hughes | .... | costume supervisor | |
| William McCrary | .... | costume supervisor | |
Editorial Department | |||
| Harry W. Gerstad | .... | supervising film editor (as Harry Gerstad) | |
| Orven Schanzer | .... | first assistant editor (uncredited) | |
Other crew | |||
| Mary Coleman | .... | script supervisor | |
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| House of Dracula | Leave Her to Heaven | Gone with the Wind | The Fly | So Sweet, So Dead |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
There are many fine reviews on this film that summarize the story of "The Alligator People," the fine actors, and judge the film. What is contained here is two basic points: (1) the memories that stood out to an eight year old boy who watched the movie from the back seat of his older brother's 1947 Chevy; and (2) an analogy that may have been overlooked by other reviewers.
First, the movie was terrifying and yet compelling to this reviewer from his perspective of first viewing this classic at the age of eight years old. My older brother took me to the Big Sky Drive-In Theater on Indian School Road in Phoenix, Arizona, to see not one but two horror movies ("Return of the Fly" was the first of the twin bill). While the sense was to "not" watch the monsters by staying securely down on the floor board behind the front seats, the compulsion to "see" the Alligator man was too strong...I simply could not take my eyes off of the terrific sight of a man morphing into an alligator. While I loved the movie, I must confess, that to this very day, I still do not extend my arms or legs over the side of my bed. After all, one can never know what might be lurking under the bed.
Secondly, I think there is a not so subtle analogy correlated to the location of the filming...at least the location that I've been led to believe was the site of the film. Carville Hospital for the treatment of Hansen's Disease (Leprosy), at Carville, Louisiana. No doubt, the idea of Leprosy and the swampy Louisiana bayou's living fossils...alligators was a combination that had to happen. For years, people with Hansen's disease were feared as their condition was greatly misunderstood. The disease caused it's victims skin to seemingly rot away in a hideous fashion. With the United States only Leprosorium in the deep bayou regions of South Louisiana, it's plain to see that "The Alligator People" is a weird blend of fears and mystery that twists together a scary creature with a nod towards the horrific disease of leprosy. Even in Bible times, leprosy was so feared that people with that condition were isolated and rejected. Only a miracle could bring healing and restoration. In "The Alligator People," a scientist became maddened with his obsession to provide a drastic miracle cure for people who had a mysterious skin disease...skin like that of alligator skin. Filmed in Louisiana, what better site for such a story that Carville, Louisiana? But even if it was filmed at some other Louisiana location, I suppose I will continue to adopt this analogy.
If you're like this reviewer, you will watch this movie and all of its seemingly ancient special effects and rubber costumes with a wide-eyed wonderment. I still can't take my eyes off the Alligator Man.