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5/10
Exotic adventures with the bouncing Steve Reeves as a Chechen rebel against Russian military
ma-cortes2 January 2014
Italian adventure with intrepid rebels and exotic scenarios . An enjoyable adventure movie with historical backstage , action , thrills , love , battles and spectacular scenarios . The story of Hadji Murad (Steve Reeves), a 19th-century Chechen chieftain who led his warriors in a fight against the invading forces of the Russian Czar , Nicholas I (Zivanovic) . Along the way Murat takes on a traitor named Ahmed Khan (Renato Baldini) , Prince Sergei Vorontzov (Gérard Herter) and falls in love for Sultanet, Aslan Bey's Daughter (Giorgia Moll) and Princess Maria Vorontsova (Scilla Gabel) .

The film is a passable adventure movie, lavishly produced , a lot of extras and usual dancing scenes in charge of gorgeous dancers . This classic story of romantic adventure come to life enriched by Technicolor cinematography in charge of Maria Bava , the notorious cameraman and filmmaker , and adapted regularly to the screen . However , being necessary a right remastering for the washed-out copy . The movie suffered several cuts by Italian censorship and was based on a book by Leo Tolstoy, who in turn based the book on his experiences in the Russian army in Chechnya when his unit was sent to help subdue Chechen guerrillas . Overwhelming battles and duels and full of villainy , romance , and heroism . Evocative as well as atmospheric musical score by Roberto Nicolisi . Steve Reeves is cool as the hero who encounters dangerous situations while trying retrieve his lover . Reeves acted as a corpulent hero in several movies, starring historic and legendary characters, such as ¨Romulus¨ in Romulus and Remo ; ¨Phillipides¨ in Giant of Marathon; ¨Eneas¨ in The war of the Trojan and The horse of Trojan ; ¨Glaucus¨ in The last days of Pompei and ¨Hercules¨ in the Queen of Lydia. He starred several adventure films such as ¨Thief of Baghdad , Morgan the Pirate¨, ¨The avenger¨, ¨Pirates of seven seas¨ , among others . In the picture appears usual secondaries and familiar faces from Peplum and Spaghetti Western such as Gerard Herter , Renato Baldini , Goffredo Unger , among others.

The motion picture was middlingly directed by Riccardo Freda who used a number of aliases during his career, including Robert Hampton or George Lincoln and as screenwriter Riccardo Freda . Riccardo is a classic director who realized all kind of genres . Freda along with Vittorio Cottafavi continued to realize films in the historical-spectacular style , at which he developed a considerable skill and mastery . From the mid-50s Freda's liking make for atmospheric and colorful scenes of shock began to itself apparent , especially in such musclemen epics as ¨Teodora¨ , ¨Spartacus¨ , ¨Giants of Thessaly¨ , ¨The seventh sword¨ , ¨Samson of the 7 miracles of the world¨ , ¨Sins of Rome¨¨Maciste all's inferno ¨, the latter a gripping/horror Peplum and of course ¨Maciste in the court of the Great Khan¨, one of his best films . In the early 60s , he was a pioneer in Italy of horror-fantasy films frightening audiences the world over , especially with ¨I Vampiri¨ and ¨L'Orrible Segreto del Dottor Hitchcock¨ as he combined with that wide-staring of actress , the British-born Barbara Steele . He also made adventures as ¨Black Eagle¨ , ¨The son of Black Eagle¨ , ¨White devil¨ , ¨Son of D'Artagnan¨ , ¨The Mongols¨ and uncredited ¨Daughter of D'Artagnan¨ . From there he went to melodrama and spy films as ¨¨Mexican Slayride¨and ¨Coplan FX18¨ and even made some western as ¨No killing without dollars¨ with Mark Damon and signed under pseudonym as George Lincoln . Strong on visual style, Freda's movies had popular appeal , and were usually commercial hits . Several were French/Spanish/Italian or other European co-productions . He has been called a filmmaker "who brings some style to exploitation pictures", and has something of a cult following .
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5/10
An Enjoyalble Low Budget Adventure
schweinhundt196719 August 2006
I don't think that anybody involved with this picture,including Steve Reeves,would have considered it to be great art.it's the type of low budget "peplum"style film that were cranked out in the late 40s,50s,and 60s,that were shown on Saturday afternoon double-features.Still,from a technical perspective,it's very competently hand.Camera work,sound,dubbing,make-up,etc. is really a good,not a great job.

The plot,interestingly enough,does manage to transcend the usual tripe seen so often in films of this type.Granted,everybody in here fits into what is a 2 dimensional stereotype,at best.But,maybe the way to look at this is terms not of a drama,but,rather of a fairy tale.We've got:dashing heroes;beautiful heroines;jovial fathers;sinister villains;wise benign monarchs;somber antagonists;troubled princesses sacrificing happiness for duty;and loyal henchmen.All the ingredients for a story with all of the archetypes.And,looking at the costumes,props,and settings,there IS an attempt to provide some historical and ethnographic verisimilitude.

Further,we have 3 or 4 scenes where Steve strips down to the waist,and show off his Mr. Universe physique.Isn't he just delectable?
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6/10
The White Devil
EdgarST10 November 2014
It is such an annoyance to watch mutilated foreign films, specially Italian productions as in this case, which was obviously a well- mounted co-production, benefiting from the participation of the Yugoslavian film industry which provided beautiful art direction and bright choreography, as well as fine performers, combined with Italian professionals: cinematographer Mario Bava (a year before making his first feature, "La maschera del demonio"), composer Roberto Nicolosi and director Riccardo Freda, all working in beautiful scenery and sets. The version I just saw is English-dubbed and 10 minutes shorter than the original (even with the restoration of some footage that had originally been censored in Spain, where my copy was issued): it is a strange mixture of average-looking sections with others that seemed to come from a blown-up VHS copy. "Agi Murad" though is an attractive wide-screen adventure film with a touch of history, in spite of being not very well acted by Steve Reeves, who this time seems a little beyond his scope for the title role in the dramatic scenes, but he compensates his shortcoming in the action scenes and has Gérard Herter to counteract as he chews the scenery playing the Russian villain, and sexy Scilla Gabel as his scheming wife, who has fallen for the "White Devil", as Murad is called. By the state the home-video business is in these days, it is a pity that we will probably never be able to watch these films in their original form.
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An inadvertently unique historical film
Gluck-330 May 2001
Not the greatest film, but not as "tiresome" as Leonard Maltin claims in his review. (Leonard has seen so many films, he apparently gets tired easily -- See IMDB's sidebar link.) The wonderful thing about this film is its decision to cover a subject area that is largely unknown to Western audiences. Indeed, we Westerners didn't have any idea about this area of the world until the fall of the Soviet Union, where a lot of these mysterious countries emerged with an "an" at the end: Turkmenistan, Azerbaijan and the like... largely Turkic regions and nations. Of course, Turks are almost always treated as villains in Western films (Another group that's usually villainous in cinema are the Arabs; however in a rare film where the Arabs were the heroes, "Lawrence of Arabia," the Turks were still the villains).

Now the Turks are not the heroes in this film, per se (not the Turks of today's Turkey, or the then-Ottoman Empire) but various Turkic tribes in the Caucasus (in the film, they're referred to as "tribesmen," "Caucasian," once as "Muslims," or -- derogatorily by the Russians --as "Savages." Probably using the word "Turk" would have been risky, as the Western audience might then lose its sympathy for the film's heroes). In the declining years of the Ottoman Empire, mighty Czarist Russia instigated many wars against the Ottomans, taking good advantage of their weakened state.

The thing I found interesting is that Czarist Russia is often depicted in American and other Western films as noble and heroic... I guess it's the Christian connection. In this film, based on a novel by Tolstoy, the Russians are hinted at as the bloodthirsty oppressors they were. I'm influenced by a rare book, "The Ethnic Cleansing of Ottoman Muslims" by Prof. Justin McCarthy, which showed the unbelievable magnitude of the evil and inhumanity displayed by the Russians, and others, including Bulgars and Armenians. Turkish or Muslim lives are not as important, and this part of history is very unknown to us Westerners. I doubt this subject matter would be chosen in an American film, and if it wasn't for Tolstoy's book, probably the Italians would have been unaware of the subject matter themselves, when they tried to choose an adventurous vehicle for Steve Reeves.

At the beginning of the film when Hadji Murad attacks Russian troops down a lonely road, Robin Hood-style, he meets with the "Maid Marian," Russian princess Maria. When she makes a statement regarding the superiority of Russian soldiers, Murad replies that his tribe kills only soldiers, whereas the Russians slaughter women and children. I'm reminded of the fighters in Chechnya following the same procedure (generally)... they wouldn't target innocent Russian civilians (other than terrorist attacks) during the first phase of their recent struggle, a few years ago. During the second phase, when the Russians invaded again, the Russians murder, rob and rape as indiscriminately as they have done in centuries past. Now that the Chechnyans (is it Chechens?) are no longer winning, there has been a general news black-out in the American media... but their struggle is still a continuation of freeing themselves from Russian domination in the Caucasus that "The White Warrior" is about.

I thought Steve Reeves had a surprising charisma... obviously, he was hired for these kinds of films for his spectacular build and not for his great acting ability, but he came across as a likable and believable hero in this one.
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5/10
19th Century Chechniya
bkoganbing31 December 2010
Steve Reeves takes a vacation from ancient times in order to play a Moslem resistance fighter in The White Warrior. He plays the real life Hadji Murad who led Moslems in Chechniya in the 19th century against the encroachment of Russia. How times have changed. Made today the Russians would be the heroes, but in 1959 these were the years of the Cold War.

The film is not biographical in any sense, it rather is based on a Leo Tolstoy novel on the same subject. Reeves is a popular hero and one of the clan leaders in fighting Russian imperialism. He's also the beloved of both the sultan and his daughter whom Reeves would like to marry. But there's intrigue in both camps and he's got to overcome all that plotting.

Fans of the Herculean physique will be disappointed in that he only takes his clothes off in one scene. What's the purpose in casting Steve Reeves then?
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5/10
He who holds the Black mountains is the Master of the Caucasus
sol-kay13 October 2012
Warning: Spoilers
***SPOILERS*** 1950's and 1960's movie muscle man Steve Reeves is the legendary Caucasus or better yet Caucasian freedom fighter Hadji Murad, sounds more like Archie Moro to me, who's exploits against the hated Russian masters of the area has earned him the nickname of "The White Warrior". With Archie or Hadji's boys making life hell from their Russian occupiers it's decided by the Russian Tsar Nickolaus or "Nick" for short to have a peace treaty signed between the revolting Caucasians and the Russian Empire to finally stop the bloodshed that's been going on for the last three years. Hadji who's a man of his word doesn't trust the back stabbing, from previous experience with them , Russians and refuses to sign. This leads to a full scale military operation by the Russians against him and his men.

It's the eventual showdown at the base of the Black Mountains where Haji and his men route the Russians who now instead of fighting the hard hitting Caucasians decide it's better to kidnap Hadji's woman, the two aren't married yet, Sultanet and his 12 year old son, from a previous marriage, Yusef and thus blackmail Hadji into signing the peace treaty. Which in the end would turn over his nation and people to the Russains with out as much as a shot being fired.

Hadji also has to deal with the treacherous Admed Khan a top Caucasian general who not only sold out to the Russians but also took a shine to Hadji's old lady or future wife the beautiful Sultanet. With Hadji standing in his way from him marrying Sultanet Khan has her together with young Yousef held hostage. That in him knowing that Hadji will risk his life in trying to rescue them thus getting him and his band of Cossacks out in the open when the Russian artillery can annihilate them.

***SPOILERS** Typical Steve Reeves movie where Reeves as Hadji Murad defies the odds and ends up coming out on top by the time the film finally ended. Not only is Hadji a fearless warrior but he also drives the ladies in the film including Russain Princess Maria wild, by him just taking off his shirt and flexing his muscles, with passion! That to the point where the Princess takes his side against her own husband Prince Sergie a general in the Tsarist Russian Army. Exciting final with Hadji having it out with the back stabbing Admed Khan in a knock down drag out slug fest with both men falling from a 100 foot high cliff with only one surviving! And it's not that hard to figure out who's the one that survived the fall.
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5/10
THE WHITE WARRIOR (Riccardo Freda & Leopoldo Savona, 1959) **1/2
Bunuel197621 March 2014
This is another of those films that I was introduced to as a kid via a still in my Dad's scrapbook of movie posters which he collected during his own childhood; curiously enough, as far as I know, it was never broadcast on any of the basic Italian TV channels. In fact, I only came across a copy of it a few years ago by way of an Italian satellite TV screening that dates back from 2005; unfortunately, the channel's cumbersome announcement for the film we are presently watching goes on for its first 5 minutes and the print itself bore intermittent instances of jerkiness in the picture! At any rate, for being the only movie on which "Peplum" icon Steve Reeves was directed by the great Riccardo Freda, the end result was something of a letdown – frankly, it was one of the perennial "Euro-Cult" items of this year's Easter marathon I was looking forward to the most! In hindsight, the involvement of "directorial collaborator" Leopoldo Savona (a journeyman helmer of similar efforts) might have had something to do with that; for the record, Freda also helped out on the superior THE MONGOLS (1961), on which Savona handled the Italian side of a production that was officially credited to Hollywood director Andre' De Toth!

But let us get to the good stuff first: there are a couple of sequences or shots which do attest to Freda's directorial hand – the vividly depicted opening village raid by the Tsarist militia; the following sequence in which a steaming Tsar Nicholas I strips his generals of their medals for not having yet tamed a revolting band of Caucasian subjects (led by "The White Devil", Agi Murad), a cathartic ritual that is interrupted by his visiting future daughter-in-law (Scilla Gabel) to whom he professes and displays affections which go well beyond the paternal!; the Tsar's son (Gerard Herter) is memorably introduced via a low-angle shot while he is instructing his pet pooch in etiquette. The entire film also bears the unmistakable mark of its legendary cinematographer Mario Bava (still a year away from officially graduating to the director's chair) who bathes the proceedings in colourfully atmospheric hues. Roberto Nicolosi's musical accompaniment, then, is a decently rousing one as well.

This Italo-Yugoslavian co-production is marred by a clichéd script and an exceedingly low budget: Reeves is a widower in love with his son's governess (Giorgia Moll) who is also coveted by fellow rebel ring-leader Renato Baldini; this romantic rivalry augurs nothing but disaster for the Caucasian forces with Reeves' subsequent desertion (after the obligatory but totally gratuitous wrestling bout, of course) and apprehension by the enemy, Moll having to promise herself to Baldini in return for the life of Reeves' son; the death of their feeble and ineffectual figurehead; Reeves is tortured by Herter's men but a besotted Gabel intervenes, thus freeing him (Reeves rides a galloping horse all over the Tsarist palatial retreat) to reclaim his true love and pursue his real foe (the latter's death is particularly lame). For the record, Leonard Maltin's guide gives this a measly *1/2 rating and, while definitely not all that bad, I guess it should have alerted me not to raise my expectations too highly. Incidentally, I have also acquired a much earlier 1930 German film adaptation of the same Leo Tolstoy story co-starring Peter Lorre and I might get to give it a whirl presently, in the hope that it will be a more worthwhile rendition.
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7/10
the hero, the villain, the women, the mountains and the horses
andrabem4 November 2007
Agi Murad (Steve Reeves), a Chechen chieftain, leads his people in the fight against the Russian Empire. The czar Nicholas I, tired of the endless fight that is costing him money and armies, gives a letter to Princess Maria (Scilla Gabel) to be handed to her husband Prince Sergei (Gerard Herter), containing instructions to negotiate a peace treaty with the rebels. She leaves St. Petersbourg on a coach destined for the fortress in which the Prince Sergei, her husband, leads the fight against the rebels.

Agi Murad is loved by the daughter of Haslem Bey (one of the chieftains engaged in the rebellion) - Sultanet (Giorgia Moll) is her name, and Agi Murad naturally loves her too. But Sultanet has another suitor, the cruel and mischievous Ahmed Khan (Renato Baldini), also engaged in the league against the Russians.

Here we have the basic outline of the plot. This film, like many Italian epics (much more a horse & lance than a sword and sandal film) is very colorful, with a good cinematography, dancing numbers and battle scenes. The actresses Giorgia Moll and Scilla Gabel are gorgeous - Sultanet loves Agi Murad, and Princess Maria will love him too. Both actresses provide charm and sensuality to the film.

Already in the beginning of the film, when the all-powerful Czar Nicholas I is talking to Princess Maria about her mission, it's all too clear that he's under her spell and Princess Maria charmingly takes advantage of his infatuation for her own means (after this scene I was hooked). And the lovely Sultanet commands the heart of two men - something that will have its consequences in the story.

There's good chemistry between Giorgia Moll and Steve Reeves. Both of them would work together again in the enchanting "The Thief of Bagdad".

This film is entertainment guaranteed. The production values are not as high as those of the American epic films, but this film is more creative and more fun. Don't expect much of the story, it's has been told many times before. See the film for its colors and spontaneity. "The White Warrior" is not so deadly serious like its American counterparts - the hero may fight for freedom and justice, and the villains can do very bad things, but there's always time for delight.
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4/10
Some good Yugoslavian locations, but the plot and action aren't up to it
Leofwine_draca4 December 2016
Warning: Spoilers
Steve Reeves dons a Russian costume and doffs it for the occasional bare-chested wrestling bout in this unashamedly uninspired historical adventure yarn. Following Reeves' success in the HERCULES flicks made in the previous two years, this film takes the typical sword-and-sandal plot – involving cruel rulers, brave rebels and an imprisoned hero – and transplants it to 19th century Russia. Yes, it's a peplum film in all but setting, but sadly this is one of the 'stodgy' entries in the genre, where the wholesome goodness and earnest heroics are quickly tiresome to the adventure-loving viewer. It's a talk-filled film, talky from the word go and never letting up with the chit-chat, and when most of the characters are boring and interchangeable, that's no good thing.

Reeves plays the brawny rebel leader Hadji Murad, who ends up being plotted against by a rival and thrown in prison, where he's occasionally whipped. Reeves was never much of an actor and he's singularly unimpressive here, both in the acting stakes and in the action department (more of that later). Giorgia Moll supplies a little beauty as his love interest, but Scilla Gabel is plain weird-looking as a princess – not only has she got an OTT makeup job, but it turns out the actress had plastic surgery shortly before this film, adding to her general odd appearance. Euro-regular actors Renato Baldini and Gerard Herter have fun in a couple of bad guy roles.

The action in this film is again highly disappointing, firstly, because there's not a great deal of it, and secondly, because it's badly staged and unengaging. A scene in which Reeves is shot off his horse in the woods is probably the most engaging moment. An attack on a hill-top fortress promises some excitement, but the rebels set off some nitro-glycerine (??) and manage to kill every bad guy in the fortress at the same time (!). Things (eventually) culminate in a mildly exciting swordfight that recalls THE ADVENTURES OF ROBIN HOOD, but this is followed by a cliff-top scramble in which both Reeves and Baldini are poorly doubled, so it's immediately obvious that two stuntmen are fighting instead of the real actors (it doesn't help that Reeves' double is skinny as anything).

The film was supposedly based on a Leo Tolstoy novel but it's not one you've heard of. The plot offers nothing new or interesting. One good thing is that surehand director Riccardo Freda is in control of things, and, combined with cinematographer Mario Bava, he produces a good-looking film with some good location shooting in Yugoslavia. It's just a shame that the plot and action aren't up to it.
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6/10
The White Warrior, Steve Reeves
plcazneau11 June 2007
This is a very interesting B movie with Steve Reeves as the hero. I think the audience will learn about Russian history watching this little film. The great talent of Steve Reeves is once again able to entertain the public. It is not easy making a film of this nature in a foreign location. Even with the imperfections with this little film there are many enjoyable moments. Steve Reeves was once offered the part of Samson, but later turned it down. He was also offered the role as 007, instead of Sean Connery, but declined the role. He was also offered several roles that actor Clint Eastwood later accepted in spaghetti westerns, but declined. By his refusal of roles , other actors that did take those same roles have become legends.
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3/10
Reeves Weakest Film
mhrabovsky111 December 2000
The White Warrior is definitely one of,if not Steve Reeves weakest films. Set in 18th or 19th century Russia (??) Steve plays a cossack warrior who tries to over run a mad man Russian czar by running up a mountain side with his rebel band in a goofy looking Russian white tunic..... For the most part the great Reeves physique is hidden in a goofy, knee length tunic, with an even more sillier looking russian hat.

The action is rather minimal, with only a good wrestling scene from the mid waist up that shows off the great Reeves physique. This is an apparent attempt by the producers to move Reeves out of the sword and sandal genre into another historic era, with poor results. The dialogue from the script is hard to understand at various points, and only commentary from the narrator allows the viewer to understand what is really happening from scene to scene. I would image Reeves regretted making this film, but in an attempt to try and get out of his toga and sandals and tribune armor it helped launch him to other historic characters such as Morgan the Pirate and the Thief of Baghdad.
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9/10
War and Peace in the Caucasus - with Hercules
clanciai13 January 2019
It's an Italian film and very stylish as such, with beautiful ladies, a terrific cinematography (from Yugoslavia), perfect settings and even some entertainment on the way with some marvellous oriental ballet - all that's missing is Chatchaturian's Sabre Dance. The story is of considerable interest, being one of Leo Tolstoy's last works, a novel published after his death, looking back on his early days as a soldier in the Caucasus fighting Chechens and others. The main character here is a Chechen leader in the 1850s in partly a true story, although very much romanticised, naturally, on film. Steve Reeves is dashing enough but as dumb and wooden as ever, he was no actor, he could only fight and show his muscles and sound his booming voice, actally somewhat in the line of Howard Keel, but Steve Reeves never sings, and the less he speaks, the better - the scripts of his films are never eloquent. But what does it matter if the actors cannot act, if the villains are superficially exaggerated, if the ladies are unrealistically beautiful, and if the intrigue sometimes gets a little messed up by effects - if the story is good, which it is here indeed. Tolstoy was the greatest realist in Russian literature, and his realism was perhaps the most consistent and merciless of all. He flinched at describing nothing. The story is therefore of immense psychological and historical interest, and even the Tsar makes an interesting character. I didn't expect much of this film since Steve Reeves was in it, I saw it for the sake of Tolstoy, but it proved a very positive surprise. War and peace in Caucasus - Italian style, and the style makes this film indeed a gem.
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6/10
Decent historical film based on Tolstoy novel
SimonJack28 March 2014
This film is set during the mid-19th century when Russia flexed its empire-building muscles. The mountain tribes of the Caucusus rebelled against the Russian domination. The region is on the border of the southern most part of Russia today. The princess, who takes a trip to deliver the Czar's new orders to her husband, had to travel more than about 1,500 miles from St. Petersburg.

Steve Reeves play the lead role of Hadji Murad. The movie is based on a novel by that name written by Leo Tolstoy. Some of its account of the years of struggle in the Caucusus is fiction. But, many of the specific incidents did occur. In reality, a reading of a short bio or encyclopedia article on Hadji Murad would convince one that his escapades in this film were quite tame by comparison.

"The White Warrior" is an interesting film about a time and place for which American's have only occasionally shown interest. Still, it has historical value, and is based on a famous author's book of fiction.
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3/10
Another Steve Reeves Clunker
dbborroughs10 April 2004
Reeves plays Haji Murad, a hero in 1850's Russia.

This is a badly dubbed movie, with June Foray doing some of the voices. Unfortunately who ever was suppose to sync the voices to the lips was blind since the words never match the lip flaps. Anyone who says that Japanese films are bad have never watched this film.

The film's plot is instantly forgettable and so I've forgotten it in the time its taken the movie to end and for me to sit and write this down. Perhaps it has more to do with the fact that the film is one of the many that Reeves made in hopes of moving away from action to more plot driven sort of films. It may have been a good thing for Reeves, but its deadly for the audience who have to slug through nooze fests such as this, where its all court intrigue with very little action.

In Reeves defense, he was a good actor, he just had no real luck in picking films that were any good. They all looked great, but very few of them didn't put the those watching them into a coma for the film's running time.

This film will put you in a coma. Watch it only if you have the need for sleep and all other gentler means have failed.
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1/10
Unappealing Film To Me
Rainey-Dawn21 January 2017
Steve Reeves is Agi / Hadji Murad, the White Warrior! The story of Hadji Murad, a 19th-century Chechen chieftain who led his warriors in a fight against the invading forces of the Russian Czar.

It it also about romances. Sultanet loves Agi and Agi loves her. Princess Maria Vorontsova's godfather, King Shamil, has feelings for her that isn't right - she loves her husband. Some strange love triangles.

It's barely entertaining to me. Not a film I would care to watch again. I am disappointed I didn't like this one... I guess I was hoping for more out of it or something completely different from it.

1.5/10
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5/10
Steve Reeves embodies the Chechnyan warrior Agi Murad the White Devil, average Italian production!!
elo-equipamentos22 January 2023
It is a fact, no country puts a better "Sandal & Peplums" movies ever than the Italian producers, since the fifties until the sixties also in "Epics" too, this one belongs those "sword and sandal" genre whereby Steve Reeves fitted very well in all them due his well-shaped muscled body, weather like it or not overcame the talentless Reeves.

A tale was based and adapted from Lev Tolstoy's novel White Warrior, the picture tells an allegedly accurate story about the Chechen Agi Murad referred to as Diavolo Bianco by the Russians in the 19th century where the Czar Nicholas I (Zivanovic) ruled with heavy hands over the adjoining small and weak countries, due many rebellions drained deeply the Russian's financial to the extent the Czar asking for the Princess Maria arguing to Agi Murad a peace treaty.

Indeed Agi Murad was esteemed for his enemies to be utterly lenient at war time, he usually spared lives of his vanquished foes, meanwhile Agi Murad getting stronger as Chechnyan leader he raises some jealous from Ahemed Khan(Renato Baldini) who intents to stealing Agi Murad's bride the gorgeous Sultanet Aslan Bey (Giorgia Moll), due Agi be opposite to killing hostages of the battle he left their fellow-countrymen, sadly Agi Murad is catch during his marriage by the wicked Prince Sergei (Gérard Herter) and coerced to sign a shady peace treaty with the Czar.

Average Italian production shot external scenes at ancient Yugoslavia, flamboyant landscapes, few actions sequences, when it had is too much overdone, dull dancing scenes, bad dubbed, another vehicle to Steve Reeves, anyhow not that bad it needs a utmost restoration due the DVD available may was from VHS's transfer.

Thanks for reading.

Resume:

First watch: 2010 / Source: DVD / How many: 2 / Rating: 5.5.
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3/10
Not even the most diehard Steve Reeves fans will like this one
gridoon20245 March 2019
Boring, stilted, with 90% talk and 10% action. Reeves spends nearly the entire film covered up from head to toe - it's like Superman stripped of his powers (clothes are his Kryptonite - he doesn't have enough charisma to hold the screen when he can't show off his body). * out of 4.
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7/10
Steve REEVES as Hadji Murad based on a novella by Lev TOLSTOY
ZeddaZogenau22 October 2023
Adventures from the Russian Tsarist era with Steve Reeves

After his two brilliant performances as Hercules, which also proved to be immense box office successes around the world, Steve Reeves (1926-2000) was able to play every hero in world history. This historical film directed by Riccardo Freda, which was released in West German cinemas on January 15, 1960, transports the muscular super star to Tsarist Russia. The original comes from the great Lev Tolstoy and is the last novella he wrote before his death. The camera was directed by Mario Bava, who would go on to make his own films after this masterfully photographed film, such as "La maschera del demonio / The Hour When Dracula Awakens" (1960).

The action takes place in the Eastern Caucasus in the 1850s. The heroic Haji Murad (Steve Reeves) is a Muslim and rebels with his Chechens against the rule of Tsar Nicholas I (Milivoje Zivanovic). In distant St. Petersburg, the beautiful Princess Maria (Scilla Gabel), whose husband Prince Sergei (Gerard Herter) fights the Chechens with an iron hand, is tasked with negotiating with Haji Murad and, if necessary, deceiving people with her beauty. She also meets Haji Murad, but the encounter is completely different than expected. The princess is passionate about the muscular man and is able to better understand the motives for his actions. However, Haji Murad has to deal with disputes within his own ranks (Renato Baldini as Ahmed Khan) and loves the enchanting Sultanet (Giorgia Moll).

In this film, which was shot in Italy and Yugoslavia, Steve Reeves plays an unusually complex role based on a literary original. He's definitely up to it. But here - unlike in his adventures as an ancient hero - he can only flex his huge muscles twice, once in a fight and once beautifully with his hands tied to the bedpost in front of the princess. Without his muscles, Steve Reeves certainly doesn't have enough charisma for such a demanding role, but Mario Bava's great images provide enough visual value to make this film a special pleasure. This is more about an emotional historical film and a quite ambitious literary adaptation. And that is very appropriate. And it speaks for Steve Reeves that he tries to play other roles in which he has to prove himself more.

It should also be mentioned that Steve Reeves as "Hadji Murad" is doubled by the Italian bodybuilder Sergio Ciani / Alan Steel, who soon later appeared as Brad Harris's opponent. In "Sansone / Herkules im Netz der Cleopatra / Hercules in Cleopatra's Net" and was then supposed to become a leading actor in his own films.
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Fair Steve Reeves Outing
clh-120 June 2004
Warning: Spoilers
WARNING: I might unintentionally include spoilers The White Warrior is a fair outing by Steve Reeves. I am a huge fan of his and eagerly await the release of all his films on DVD. This movie has the Steve Reeves charm, and an interesting story premise, but little else.

The story is a neat idea, the expansion of the Czarist Empire in the mid-19th century, and its effects on the people in the conquered territories. According to the credits it is even adapted from the book by Tolstoy, Hadji Murad. But it falls short, there isn't a whole lot of action for a war film, and the drama is only melodramatic at best.

But it keeps the classic Steve Reeves formula, the great physique, the slightly overdone acting, and the dubbing. My rating two out of four stars, it is a fair film, worth watching occasionally. By the way if you are at all interested in what Steve's voice really sounded like check out either the Ed Wood film Jailbait or the MGM musical Athena.
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