Two brothers, scientists Scott and Tony Nelson, develop an amplifier which enables a person to enter a 4th dimensional state, allowing him to pass through any object. Scott experiments on ...
See full summary »
After undersea explosions near a Caribbean island, prehistoric creatures are unleashed on the unsuspecting population. Freed from his watery tomb, as well, is a very friendly Neanderthal ... See full summary »
Irvin S. Yeaworth Jr.
Two brothers, scientists Scott and Tony Nelson, develop an amplifier which enables a person to enter a 4th dimensional state, allowing him to pass through any object. Scott experiments on himself and discovers that each time he passes through something he ages rapidly. He begins killing people, sucking out their life energies and regaining his youth as a result. It falls to Tony and Scott's girlfriend, Linda, to try to put a stop to his murderous rampage. Written by
Doug Sederberg <firstname.lastname@example.org>
When Tony, Linda and Scott go out to dinner, Scott is sketching something. When Linda asks what he's drawing, he scribbles on the picture. A closeup is shown of the drawing: a steel plate penetrated by a pencil, and no scribbling. See more »
The second Jack H. Harris-Irwin S. Yeaworth collaboration is a more cerebral effort (being an outright sci-fi piece) than its more famous predecessor THE BLOB (1958). Typically for the genre, it deals with a scientist becoming accidentally endowed with some form of superhuman ability (in this case, passing through solids) the downside to this is that he ages every time this feat is accomplished but, then, coming to contact with other people, he is able to sap their energy and bring about his own rejuvenation! Robert Lansing whom I fondly recall from the TV series AUTOMAN (1983-84) that I used to watch during childhood is adequate in the title role but his brash younger brother (who is actually the catalyst for the transformation) is less likable; as a result, while Lee Meriwether makes for a lovely conflicted heroine (being engaged to Lansing but falling for his younger sibling), their budding relationship sorely feels like a plot contrivance. Besides, Robert Strauss is cast against type as a scientist who is not above appropriating a colleague's work for his own advancement. Even though boasting variable effects (particularly the aging make-up) and ending somewhat inconclusively, the film remains an eminently watchable and thought-provoking piece that should please fans of the genre and the era which spawned it.
3 of 4 people found this review helpful.
Was this review helpful to you?