Two brothers, scientists Scott and Tony Nelson, develop an amplifier which enables a person to enter a 4th dimensional state, allowing him to pass through any object. Scott experiments on ... See full summary »
In Norrisville, Bill Farrell leaves his bachelor party on the eve of his marriage with Marge Bradley. He is abducted by an alien that takes his shape and marries Marge on the next day. ... See full summary »
A newlywed couple sit in a train. The husband receives a frantic telegram. He gets off at a station to make a phone call, the train pulls away without him on it, and that's the last his ... See full summary »
Roy Del Ruth
Lon Chaney Jr.
Five individuals from five nations, including the "Superpowers," USA, USSR, and China, suddenly find themselves on an alien spacecraft. An alien gives each a container holding capsules. No ... See full summary »
Two brothers, scientists Scott and Tony Nelson, develop an amplifier which enables a person to enter a 4th dimensional state, allowing him to pass through any object. Scott experiments on himself and discovers that each time he passes through something he ages rapidly. He begins killing people, sucking out their life energies and regaining his youth as a result. It falls to Tony and Scott's girlfriend, Linda, to try to put a stop to his murderous rampage. Written by
Doug Sederberg <firstname.lastname@example.org>
The second Jack H. Harris-Irwin S. Yeaworth collaboration is a more cerebral effort (being an outright sci-fi piece) than its more famous predecessor THE BLOB (1958). Typically for the genre, it deals with a scientist becoming accidentally endowed with some form of superhuman ability (in this case, passing through solids) the downside to this is that he ages every time this feat is accomplished but, then, coming to contact with other people, he is able to sap their energy and bring about his own rejuvenation! Robert Lansing whom I fondly recall from the TV series AUTOMAN (1983-84) that I used to watch during childhood is adequate in the title role but his brash younger brother (who is actually the catalyst for the transformation) is less likable; as a result, while Lee Meriwether makes for a lovely conflicted heroine (being engaged to Lansing but falling for his younger sibling), their budding relationship sorely feels like a plot contrivance. Besides, Robert Strauss is cast against type as a scientist who is not above appropriating a colleague's work for his own advancement. Even though boasting variable effects (particularly the aging make-up) and ending somewhat inconclusively, the film remains an eminently watchable and thought-provoking piece that should please fans of the genre and the era which spawned it.
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