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The 30 Foot Bride of Candy Rock (1959)

 -  Comedy | Sci-Fi  -  6 August 1959 (USA)
6.2
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Ratings: 6.2/10 from 564 users  
Reviews: 14 user | 2 critic

In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure ... See full summary »

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Title: The 30 Foot Bride of Candy Rock (1959)

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Cast

Complete credited cast:
...
Artie Pinsetter
...
Emmy Lou Rossiter
...
Raven Rossiter
Jimmy Conlin ...
Magruder
...
Standard Bates
Robert Burton ...
First General
...
Pentagon General
Lenny Kent ...
Sergeant
Ruth Perrott ...
Aunt May
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Storyline

In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure as he tries to shrink her using one of his inventions. Written by The West Virginian <vhdl40d@prodigy.com>

Plot Summary | Add Synopsis

Taglines:

"I Don't Care How BIG She Gets! I Love Every Gorgeous Yard of Her!" See more »

Genres:

Comedy | Sci-Fi

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Details

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Release Date:

6 August 1959 (USA)  »

Also Known As:

Lou Costello and His 30 Foot Bride  »

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This is not, as has been often stated, Lou Costello's only film without Bud Abbott. Costello traveled to Hollywood in the late 1920s, before he teamed up with Abbott, and appeared as a stuntman and extra in several films. See more »

Goofs

When Lou Costello is made a booster, a booster hat is placed on his head. But in the next shot it's in his hands and he places on his head himself. See more »

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User Reviews

Depressing "Comedy" That Never Works
19 August 2011 | by (Louisville, KY) – See all my reviews

30 Foot Bride of Candy Rock, The (1959)

* 1/2 (out of 4)

A historically important film for all the wrong reasons this one is. This sad feature was released five months after the death of its star Lou Costello but it's also best remembered today for it being his sole feature without Bud Abbott. In the film, Costello plays Artie Pinsetter, a simple man who is in love with a town beauty (Dorothy Provine) but the two have to keep their relationship quiet because of her jerk uncle (Gale Gordon) who pretty much owns the entire city. Their secret is revealed once Artie's new wife enters a cave and grows to 30-feet tale. THE 30 FOOT BRIDE OF CANDY ROCK is a very sad film to watch but there's a point near the middle where a character states that he's against laughter and that he doesn't do it. Perhaps he was talking about his feelings towards the movie itself because there are very few laughs here and all the cliché comedy bits are just downright pathetic. Costello was a masterful comic and there's no question that he and Abbott were among the greatest comedy duos in history. It's also well known that his personal life was falling apart during this period and you can just look at him and see that he's really not himself. His eyes look shot throughout the picture and there's simply none of that child-like passion and fire that we all know him for. Even worse is that he's pretty much a supporting character. The first fifteen-minutes get off to a horrible start because there's a subplot with the uncle running for Governor and we get an extremely long sequence where the uncle abuses Costello except when a reporter is around then he treats him good. This "abuse" was clearly meant to replace Abbott but it fails. The entire comedy structure around this is just embarrassing to watch and the bad dialogue doesn't help matters. It's also hard to watch this film and not think of ATTACK OF THE 50 FT. WOMAN, which was released a year earlier. This film here has none of that campy charm and whereas that other film is "so bad it's good," this one here just comes across weak, unfunny and the boring. Heck, the screenplay doesn't even try to explain why the woman ends up growing. There are also other errors including the fact that she's supposed to be 30-feet tall yet she comfortably fits in a two story barn. The special effects are all rather obvious and especially during the scenes where Costello is talking to his bride yet looking in the wrong direction. Some fans debate whether or not this movie would have been better had Abbott been in the uncle role and I think the answer is no. The story is just too weak where no one could have saved it and it's a sad reminder of being Costello's last and only solo role.


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